his month marks the conclusion to HBO’s fantasy series Game of Thrones, based on the A Song of Ice and Fire series of novels by George R. R. Martin, which themselves take many elements from Tad Williams’ classic fantasy series “Memory, Sorrow, and Thorn”. “MS&T”, written in the mid-1980s to early 1990s, tells the tale of a fantasy world beset by political intrigue, while in the frozen north, supernatural creatures plot to destroy mankind.
Martin weaves much of his own tale into A Song of Ice and Fire, but many of his story elements are closely based on Memory, Sorrow, and Thorn; particularly the Stark children and their fates.
The following contains spoilers for both series of books.
The characters of Bran Stark and Jon Snow seem to have been based on Simon Snowlock from Memory, Sorrow, and Thorn: like Bran, Simon spends many hours climbing castle walls, and later, after a devastating injury (Simon’s from being burned by dragon blood, Bran’s from being pushed from a tower), both acquire spooky, prophetic visions. Simon dreams of spinning wheels, of titanic trees, and of birds, while Bran dreams of titanic trees and birds.
“You know nothing, Simon Snow!”
Similarly, Jon Snow shares many plot elements with Simon Snowlock: his parents are dead, and he’s been raised as an orphan, but he secretly (but unwittingly) has a claim to the throne of the realm. Unknowing of his heritage, he journeys to the north to fight against the otherworldly creatures, befriending wolves, facing dragons, and bandying words with a dwarfish companion (in both series, the dwarfish companion is later put on trial and his own lover testifies against him).
Martin’s female characters, Arya and Sansa Stark, seem to have been borrowed from Marya in Memory, Sorrow, and Thorn. Marya is split into two Stark girls: the tomboyish, cross-dressing Arya, and the more regal Sansa. In MS&T, the noble girl Marya disguises herself as a boy, learns to fight with swords and bows, and begins traveling with a wolf companion. One slight difference is that Marya’s uncle’s sword, Needle, in ASOIAF becomes Arya’s sword, also named Needle.
Marya’s adventures are also clearly mirrored by those of Sansa Stark: seduced by a handsome young nobleman, she is raped, and goes from one gilded cage to another: Marya goes from being imprisoned by Count Streawe to being imprisoned by Earl Aspitis Preves. Likewise, Sansa Stark becomes the plaything of Lords Littlefinger and Bolton.
The April 28th episode of Game of Thrones yet again solidified the parallels between the two series; in the episode, Arya kills the supernatural Night King, the leader of the northern creatures, by plunging a sharp object into his chest. This perfectly mirrors MS&T, in which Marya kills the supernatural Storm King, leader of the northern creatures, by plunging a sharp object into his chest. In both series, the single blow is enough to destroy the magicks of the Storm/Night King entirely.
With just two episodes left, it is likely, just like in MS&T, that Jon Snow will take the throne, deposing Cercei Lannister; Cercei (if she follows MS&T’s Duchess Nessalanta), will take poison rather than admit defeat. The hound-helmed Hound (aka Jegger the Queen’s Huntsman) will die, but not before proving himself with one last kill.
In Memory, Sorrow, and Thorn, prophecies are tricky prospects, and this clearly influenced A Song of Ice and Fire, as described in this video:
Williams’ latest novel, Empire of Grass, was published just this week, to rave reviews. It remains to be seen, however, how much inspiration George R.R. Martin will derive from the new volume. It is clear, though, that Martin owes a great deal of debt to an earlier author.
The new trade paperback features beautiful new cover art by legendary artist 
First up is the new cover for The Dragonbone Chair, the cardinal volume, which features a blurb by George R. R. Martin, author of the bestselling A Game of Thrones: “Inspired me to write my own seven-book trilogy… It’s one of my favorite series.”
Scheduled for September, the new cover for Stone of Farewell features the Great Sword Sorrow, also known in the Sithi language as Jingizu. Whelan’s illustration accurately portrays the double-hilted sword, which is made of both iron and witchwood, two materials which were considered inimicable, perhaps because neither the iron nor the witchwood are native to the lands of Osten Ard: iron was brought from Ijsgard east to Osten Ard on King Elvrit’s longboat Sotfengsel, while witchwood was brought westward to Osten Ard by the undying Sithi on their eight great ships.