Tad Williams interviews Peter S Beagle

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n October 16, Tad Williams, author of the classic “Memory, Sorrow and Thorn” books, interviewed legendary author Peter S. Beagle, best known as the author of The Last Unicorn. The interview took place at Kepler’s Books in Menlo Park, California.

These videos are courtesy of Shivam Bhatt.

Part One:

Part Two:

Tad Williams announces the completion of “The Witchwood Crown”

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here’ve been lots of interesting things happening this month, some of which we can now share with you. Yesterday, Tad Williams, author of the classic “Memory, Sorrow and Thorn” books, announced the completion of The Witchwood Crown, volume one of “The Last King of Osten Ard”. The book is scheduled for release in April 2017, just a few months after The Heart of What Was Lost, another Osten Ard novel, is scheduled to hit store shelves.

Williams writes:

Hi, guys.  I’ve just sent in the final manuscript (except for the page proofs, once it’s been typeset) for [The Witchwood Crown].  My last pass actually added a few lines, net, I think.  347K words — that’s about a 1200 page manuscript for me.  I think that might come in second behind only [To Green Angel Tower] — I’d have to go back and check the Otherland books.

Anyway, it’s good to have someone take something like this out of my hands, because I’d keep fiddling ’til Doomsday otherwise.

347,000 words would make The Witchwood Crown Williams’ fourth-longest novel, with the order in length being:

13. Shadowrise (564 pages)
12. Stone of Farewell (269,000 words; 589 pages)
11. River of Blue Fire (634 pages)
10. The Dragonbone Chair (288,297 words; 654 pages)
9. Shadowmarch (656 pages)
8. Shadowplay (656 pages)
7. The War of the Flowers (686 pages)
6. Mountain of Black Glass (689 pages)
5. Shadowheart (730 pages)
4. The Witchwood Crown (347,000 words, without appendix)
3. City of Golden Shadow (370,000 words; 770 pages)
2. Sea of Silver Light (443,000 words; 922 pages)
1. To Green Angel Tower (520,000 words; 1,083 pages)

(The Heart of What Was Lost comes in at a comparatively slender 224 pages). Williams later added:

The sad thing is, I can’t be as celebratory as I’d like because I’m several weeks overdue to start writing [Empire of Grass], the second full volume.

However, the good thing is that means I can sit around staring into the air for a few days while I order my thoughts about how the book is going to be shaped.  That’s my favorite part of writing, to be honest.  The part where you just think, not write yet.

Meanwhile, legendary illustrator Michael Whelan is hard at work creating the cover art for the new book, which will be the fifth in the Osten Ard series. On his official website, Whelan writes:

I’ve been painting a LOT of weird trees lately for the new Osten Ard Trilogy, trying to come up with a design idea that Tad Williams, Betsy Wollheim, and I like. The trees figure importantly in the new books so I’ve been working on them for weeks! It’s been a long slog, but I edge a little closer each day and I know it will all be worth it in the end.

Excerpts of The Heart of What Was Lost are already appearing in the Blogosphere, as Pat’s Fantasy Hotlist shared an excerpt on October 9th, and Treacherous Paths’ own contributor ylvs laDuchesse shared a sample of the text on Twitter yesterday. We at Treacherous Paths will be sharing more excerpts soon!

Details revealed regarding Tad Williams’ “The Shadow of Things to Come”

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his week, new details regarding The Shadow of Things to Come have emerged. Avid readers of the works of speculative fiction writer Tad Williams may remember that The Shadow of Things to Come is the working title of a forthcoming novel, written by Williams, and set in the Osten Ard universe (previous novels in the same universe included the now-classic “Memory, Sorrow and Thorn” series composed of The Dragonbone Chair, Stone of Farewell, and To Green Angel Tower, as well as the forthcoming novels The Heart of What Was Lost and The Witchwood Crown, both set for publication in early 2017).


Tad Williams with Treacherous Paths contributors RN, Ylvs, Cyan, Firs. Photo: Deborah Beale.

This week, several Treacherous Paths contributors from across the globe met with Tad Williams at his strange and wonderful home near Santa Cruz in Northern California, and the bestselling author of more than twenty science fiction and fantasy novels revealed some tantalizing new details regarding what will likely be his 23rd full-length novel, The Shadow of Things to Come.

Writes Treacherous Paths contributor Ylvs:

The Shadow Of Things To Come will feature the fall of Asu’a 500 years ago, told from the perspective of a Nabbanai envoy from the court of [Imperator Enfortis]. So we’ll see Asu’a before its fall, [and] probably witness Ineluki killing [the Erl King] Iyu’unigato…

The-Dragonbone-ChairSo Shadow will tell of the end of the Sithi empire in Osten Ard, as the Peaceful Ones are routed from the great city of Asu’a and the Erl King’s lands by the cold iron of the mortal Rimmersmen.

Many readers have long requested from Williams that he write one or more full-length novels set in this era, ever since The Dragonbone Chair was published in October 1988, with that volume containing several tantalizing glimpses (told only in flashback sequences) of the end of Iyu’unigato the Erl King’s reign in Osten Ard, as the ravaging northmen destroy the last and greatest of the nine Gardenborn cities:

During [Imperator] Enfortis’ reign the iron-wielders came. Nabban decided to withdraw from the north altogether. They fell back across the river Gleniwent so quickly that many of the northern frontier outposts found themselves entirely deserted, left behind to join the oncoming Rimmersmen or die.

Nabban withdrew its armies from the north, becoming for the first time purely a southern empire. It was just the beginning of the end, of course; as time passed, the Imperium folded itself up just like a blanket, smaller and smaller until today they are nothing more than a duchy—a peninsula with its few attendant islands.

Without the Imperial garrisons, […] the north was in chaos. The shipmen had captured the northernmost part of the Frostmarch, naming their new home Rimmersgard. Not content with that, the Rimmersmen were fanning out southward, sweeping all before them in a bloody advance.

They robbed and ruined other Men, making captives of many, but the Sithi they deemed evil creatures; with fire and cold iron they hunted the Fair Folk to their death everywhere…

Now the people of Hernystir—a proud, fierce people whom even the Nabbanai Imperators never really conquered—were not at all willing to bend their necks to Rimmersgard. They were horrified by what the northerners were doing to the Sithi. The Hernystiri had been of all Men the closest to Fair Folk—there is still visible today the mark of an ancient trade road between this castle and the Taig at Hernysadharc. The lord of Hernystir and the Erl-king made desperate compact, and for a while held the northern tide at bay.

But even combined, their resistance could not last forever. Fingil, king of the Rimmersmen, swept down across the Frostmarch over the borders of the Erl-king’s territory…

In the year 663 the two great hosts came to the plains of Ach Samrath, the Summerfield, north of the River Gleniwent. For five days of terrible, merciless carnage the Hernystiri and the Sithi held back the might of the Rimmersmen. On the sixth day, though, they were set on treacherously from their unprotected flank by an army of men from the Thrithings, who had long coveted the riches of Erkynland and the Sithi for their own. They made a fearful charge under cover of darkness. The defense was broken, the Hernystiri chariots smashed, the White Stag of the House of Hern trampled into the bloody dirt. It is said that ten thousand men of Hernystir died in the field that day. No one knows how many Sithi fell, but their losses were grievous, too. Those Hernystiri who survived fled back to the forest of their home. In Hernystir, Ach Samrath is today a name only for hatred and loss.

That was the day that Sithi mastery in Osten Ard came to an end, even though it took three long years of siege before Asu’a fell to the victorious northerners.

If not for strange, horrible magics worked by the Erl-king’s son, there would likely have been not a single Sithi to survive the fall of the Castle.

Many did, however, fleeing to the forests, and south to the waters and… and elsewhere…

About the Erl- king’s son… it is better to say nothing.

Heart_of_what_was_lost_Tad_WilliamsWilliams’ announcement regarding The Shadow of Things to Come comes just five months before the release of The Heart of What Was Lost, the first full-length Osten Ard novel since the publication of To Green Angel Tower in Spring 1993. That volume hit the New York Times bestseller list, and it remains one of the longest novels ever written in the English language, at 1,083 pages in hardcover (1,600 pages in paperback).

Altogether, five new Osten Ard novels are expected during the next five or six years (Williams writes at a fairly fast pace, and has never experienced the extended publication delays of fantasy authors like George R.R. Martin, Patrick Rothfuss, or Robert Jordan, publishing, on average, one book every 1.5 years).

We at Treacherous Paths will reveal more details regarding the new Osten Ard novels when we can.

Cover art for Tad Williams’ “The Heart of What was Lost” is revealed!

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oday the cover art for Tad Williams’ new long-awaited novel set in the Osten Ard universe, The Heart of What Was Lost, has been revealed. The art features a witchwood sword with a white rose hilt. The foreground shows a snow-covered landscape, with ominous, dark mountains in the background. The novel is a sequel to the original, now-classic “Memory, Sorrow and Thorn” series; the new book will be published in January 2017, followed closely by four additional Osten Ard novels, titled The Witchwood Crown (release date: April 2017), Empire of Grass, The Navigator’s Children, and The Shadow of Things to Come.


Williams describes the plot of The Heart of What Was Lost as: “[The novel] takes place in the half-year after the end of [To Green Angel Tower], and tells of the attempt by [Duke] Isgrimnur and a force largely made up of Rimmersgard soldiers to destroy the remaining Norns as they flee back to their homeland and their mountain. Of course, it gets a bit more complicated than that. It also answers some questions about what actually happened in the immediate aftermath of the fall of Green Angel Tower.”

The main characters  in the new novel will be the returning Rimmersmen characters Isgrimnur and Sludig; Isgrimnur is the Duke of Rimmergard in “Memory, Sorrow and Thorn”, a point-of-view character. Sludig was his lieutenant, and a dynamic and important character in the original trilogy; it is he who accompanies Simon, Binabik and Qantaqa north from Naglimund Castle, skirting around the western and northern sides of Aldheorte Forest in their long, cold quest to retrieve the Great Sword Thorn from the “Rhymer’s Greate Tree”. He then travels south with Binabik and Qantaqa around the eastern edge of Aldheorte to the Stone of Farewell, where he becomes Prince Josua’s Man Friday, accompanying the prince south to Nabban and then back north to Hayholt Castle.

According to Williams’ announcement, The Heart of What Was Lost will continue almost directly from the ending of To Green Angel Tower, though it’s unclear what this exactly means for the story. The fall of Green Angel Tower happens one year before the ending of the classic series, as the Afterword, after Chapter 60, takes place one year after the fall of the tower.

The Heart of What Was Lost is now available for pre-order from Amazon, Barnes and Noble, and other retailers worldwide.

Tad Williams, The Witchwood Crown, and the Gardenborn calendar

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arly this morning, Tad Williams released the latest edition of his newsletter, where he talks about his writing, specifically with regard to The Witchwood Crown and the Gardenborn calendar.

Readers of Williams’ classic “Memory, Sorrow and Thorn” series (comprised of The Dragonbone Chair, Stone of Farewell, and To Green Angel Tower) will remember that the Gardenborn are the elder, elf-like race who sailed across the seas to Osten Ard from a mysterious eastern land known as Venyha Do’sae, the Garden That is Lost. The Gardenborn clans, composed of Sithi, Norns, Dwarrows and Niskies, settled in Osten Ard and established rule over a land empty of men… until centuries later, when mortal men arrived from across the western seas.

In “Memory, Sorrow and Thorn”, Williams had previously developed calendars that were used in most of the mortal realms; the main calendar closely resembled our own (Gregorian) calendar: months with alternate-reality names like Septander, Octander, Novander and Decander. The months July and August were named Tiyagar and Anitul, after the Nabbanai imperators Tiyagaris and Anitulles. (An interesting aside: although they are never mentioned in the text or the appendices, a careful reader can infer (even though readers are told to “avoid assumptions,” we’ll risk it here) that there are old Nabbanai gods named Jonevus (or similar) and Marris based on the Erkynlandish months named Jonever and Marris, and also likely an old Nabbanai god named Satrinus, based on the Erkynlandish day named Satrinsday).

Despite Williams’ detailed work on the mortal calendars of Osten Ard, the full calendars of the long-lived Gardenborn were never revealed in the original Osten Ard novels. However, with the upcoming release of the new “The Last King of Osten Ard” sequel series, the focus has turned to the Norns, according to the author, and their calendar now plays a part in the new books.

Mr Williams gives some insight into his creative writing process as he talks about how the Gardenborn calendar developed in the writing process. He also gives some insight into how important it was for him that the new books match up with the old books when it comes to continuity. Williams writes:

So a few weeks ago I’m working my way through the 1st novel of the new trilogy, The Witchwood Crown, in final rewrite.  One of the many things that happens during my final rewrites is that I crystallize a lot of the smaller details, or sort out confusions and inconsistencies and commit to a final version of troublesome bits of the history/plot/etc.  In this case, I decided I needed more references to calendars for the “immortals”, especially since in this book I’m actually spending a lot of time with the Hikeda’ya — aka, the Norns.  One of the things that we learn in the new books is that the name of the Norns and Sithi when they were still one people was “Keida’ya” — “Witchwood Children”, because of the importance of that tree and its products to their civilization going all the way back to their old home, the Lost Garden.

There’s already some built-in complexity because of their old calendar from the Garden and their way of counting years — a Keida’ya Great Year is a bit more than sixty years in length (and why that’s true is another story for another newsletter) but they’ve been living in Osten Ard, which is more or less like our world, for thousands of years, so they have to have developed some kind of calendar that matches our world.  The most obvious markers for such things are the stars, the sun, and the moon.  The stars feed into the Great Year idea and others, so I concentrated on moons as the source of the calendar, as they are (roughly) with most real-world societies.

Williams states that during the writing of The Witchwood Crown, he conceived of months with names like Mother, Father, Child, Flower, etc. Eventually, however, he discarded these names entirely when he realized a partial list of months might potentially already exist in the later chapters of Stone of Farewell, in the magical song that Aditu sings when she brings Simon to Jao e-Tinukai’i, the Gardenborn settlement hidden deep in the ancient Aldheorte Forest:

"Memory, Sorrow and Thorn"

Aditu and her brother Jiriki, cover of To Green Angel Tower

I realized that I already had the beginning of what could be a symbolic lunar calendar back in Stone of Farewell, when Aditu the Sitha leads Simon “from winter into summer” — from the rest of the world, in the grip of the Storm King’s winter, into Jao é-Tinukai’i, a place where the Sithi hold sway, which is at least temporarily immune to the Storm King’s magic.  When I thought about all these evocative characters that Aditu mentions as she takes Simon from one season into another, it suddenly made sense that she should be invoking the names of things or powers or spirits or gods or whatever pertaining to different times of the year — in other words, her journey through seasons should be in part evoked in the names of the moons from different parts of the year.

The character names that Aditu invokes in this passage (the Serpent, Wind-Child, Tortoise, Cloud-Song, Otter, Stone-Listener, Lynx, and Sky-singer), then temporarily became the basis for the Gardenborn calendar in Williams’ draft of The Witchwood Crown, providing an explanation for Aditu’s invocation of those names in the novel. Williams then added four additional names (Ice-Mother, Wolf, Raven, and Fire-Maiden) to the already existing names to bring the full number of months to twelve. Then the author ran into a major problem:

I made this list and was all happy and pleased with myself — I even went back to the Witchwood Crown manuscript and put these moon names in various places where I’d left a blank space waiting for a date-name, especially in the Norn sections — I had a horrible recollection.(Horrible because it would mean more work.  Thank God it came to me before the book was finalized!)

Anyway, what I remembered was that when Simon, Binabik, and Miriamele entered into the deserted Sithi city of Da’ai Chikiza by river (and the city will almost certainly feature in the new books) they passed under a succession of bridges, called “Gates”, that had something to do with moon cycles.  So I went back to The Dragonbone Chair and looked it up and damned if Binabik didn’t specifically say “These gates represent cycles of the moon”.  So immediately my most recent moon calendar turned out to be wrong, because TDC mentions several “gate” names, and none of them correspond with Aditu’s incantation.

So there I was.  I either had to say Binabik was mistaken (which goes clear against my principles, unless it’s in a minor, minor mistake that can be easily explained) or I had to throw out everything that didn’t match, which would mean that the new Da’ai Chikiza stuff would wipe out my (still unpublished) second version based on Aditu’s incantation.  Which would be a shame, because I really liked the connection, and it brought a little quasi-historical light to a magical section of the old books.

The author then decided to merge the two draft calendars together to create one unified calendar:

Thinking about it, I decided that what seemed quite realistic to me was that each patron spirit (or god or ancestor, or legendary hero/heroine, or whatever) might have both attribute names and animal names — that both could be ways to describe them, but neither would be the patron spirits’ actual NAMES.  So then the problem was to make the two lists match up somehow.

Williams’ letter not only sheds light on his creative writing process, it also reveals how deeply committed he is with establishing a continuity between two series of novels (“Memory, Sorrow and Thorn” and “The Last King of Osten Ard”) which were written thirty years apart. It is clear that Williams has been working diligently to avoid major continuity errors.

The Dragonbone Chair, book 1 of Memory Sorrow and Thorn

The cover of The Dragonbone Chair shows Simon, Binabik, and Miri traveling through the ruins of Da’ai Chikiza

Hidden in Williams’ text is another (small, but important) revelation: that the lost Sithi city of Da’ai Chikiza, Tree of the Singing Winds, will also feature somewhere in the new series. Da’ai Chikiza is the ruined city depicted on the cover of The Dragonbone Chair; what remains of the city are the old Sithi ruins through which the main protagonists, Binabik, Simon, and Miri, travel as they attempt to escape the Queen’s hunter Ingen Jegger and his deadly white hounds.

The Witchwood Crown, the first novel in the upcoming “The Last King of Osten Ard” series, is set for publication in April 2017, to be proceeded by the shorter Osten Ard novel The Heart of What Was Lost in January 2017, and to be followed sometime thereafter by three more long Osten Ard novels (provisionally titled Empire of Grass, The Navigator’s Children, and The Shadow of Things to Come).

To subscribe to Tad Williams’ mailing list, and for regular updates on the publication schedule for the five new Osten Ard novels, click here.





Dragonbone Chair Reissued; Tad Williams Talks About Upcoming Novels

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ots of interesting news this week, as DAW Books issues a newly-revised trade paperback edition of Tad Williams’ classic fantasy novel The Dragonbone Chair, book one of “Memory, Sorrow, and Thorn”, the same week that they release the book in audiobook format.

U.S. readers have been denied the audiobook for many years, but at long last the audiobook, read by Andrew Wincott, is available to an American audience. The audiobook runs 33 hours and 19 minutes and is available for purchase right now on Amazon.com. A sample file clip is available here.

The-Dragonbone-ChairThe new trade paperback features beautiful new cover art by legendary artist Michael Whelan, who also created the original cover art for The Dragonbone Chair 28 years ago, upon the book’s original 1988 publication.

The new edition runs 652 pages and measures 6 x 9 x 1.5 inches. The cover features a blurb by George R. R. Martin: “Inspired me to write my own seven-book trilogy… it’s one of my favorite fantasy series.” The back cover features quotes praising The Dragonbone Chair written by popular fantasy authors Patrick Rothfuss and Christopher Paolini.

Inside, the the book is largely the same as in previous editions. However, there are a few new extras, one being a new introduction by Williams’ longtime editor, Betsy Wollheim, titled “How Tad Came to Write The Dragonbone Chair”, and a new acknowledgement page at the end of the book. (We at Treacherous Paths are extremely pleased to have been included in the acknowledgements).

The book is definitely worth picking up just for the new cover art, which features one of the Great Swords mentioned in The Dragonbone Chair. Sequel novels Stone of Farewell and To Green Angel Tower will be re-released later this year, and in audiobook format for the US as well.

Also new this week are a few snippets from Tad Williams’ official message board, where the internationally bestselling author discussed three of his upcoming Osten Ard novels, set in the same world as The Dragonbone Chair. Williams discussed his on-going work writing/revising The Heart of What Was Lost, which will be published in January 2017. He wrote:

As I’ve been going through the copyedited manuscript of HoWWL [The Heart of What Was Lost] this afternoon, I’m realizing I’m going to have to write a Tolkien-ish “On Norns and the Sithi” piece as well as a complete index of characters, because otherwise it will just be too confusing for new readers.  My poor copyeditor is asking about what the differences are with Hikeda’ya/Zida’ya/Norns/Sithi/White Foxes/Keida’ya (a term that will be new to the new books, meaning the race before they split up) and various others, as well as if Rimmersmen are Northmen and if mortals only means them or others…and so on.

I always worried about the fine line between not boring the readers who already knew Osten Ard and those new to the place.

Long-time readers of Williams’ novels will remember that in Williams’ world of Osten Ard, the Gardenborn, the elder elf-like race who came to Osten Ard from the east on eight great ships, were divided into several tribes. These tribes included the proud Sithi (also called “peaceful ones”, Zida’ya, or Dawn Children), as well as the embittered Norns (“white foxes”, Hikeda’ya, or Cloud Children) and the pacifistic Dwarrows and Niskies (variously called “dvernings”, Tinukeda’ya, or Ocean Children).

The Keida’ya is a term not mentioned in the original series. Williams states that the term is new, and refers to (some of?) the Gardenborn before they split into factions.

Williams also wrote about the progress of the novels:

I finished the final draft of HoWWL a while back, but this is the copyedited manuscript, which has comments on it from the copy editor (and others — everybody likes to get in on the Exciting Tad Action).  Then I’ll have one more pass at the proofs stage, which is mostly about looking for mistakes in typesetting, but is also my last chance to kill an infelicitous phrase, or at least bury it in disguising prose.

On a few hundred pages at most it’s not such a big deal, but I’ll be really sick of Osten Ard by the time I’ve been through all the different versions of TWC [The Witchwood Crown].  I’ll also be writing EoG [Empire of Grass] at the same time, so I’ll be doubly or even trebly sick.

Thank God I’m used to this kind of getting-sick-of-my-own-book.

The Witchwood Crown, the first novel in the upcoming “The Last King of Osten Ard” series, is scheduled for publication in April of 2017, with sequel novels Empire of Grass and The Navigator’s Children following sometime thereafter.