New Covers for “Memory, Sorrow and Thorn” revealed!

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oday, Random House website Suvudu.com revealed three brand-new re-issue covers for international bestselling author Tad Williams‘ classic “Memory, Sorrow and Thorn” dark fantasy series. The covers feature beautiful new cover art by legendary science fiction/fantasy artist Michael Whelan, who painted the original covers for “Memory, Sorrow and Thorn” almost thirty years ago.

The updated artwork is the first major revamp of the classic covers of The Dragonbone Chair, Stone of Farewell, and To Green Angel Tower since the books first went to print in the late 1980s/early 1990s, at least in America. Whelan, winner of fifteen Hugo Awards and three World Fantasy Awards for best artist, is known for his detailed and painstaking work, which often involves months of research and manuscript reading.

The new covers will appear on updated U.S. DAW Books trade paperback editions of the original trilogy, with a newly-revised edition of The Dragonbone Chair scheduled to appear in July 2016, followed by Stone of Farewell in September 2016, and To Green Angel Tower in November 2016. These volumes will be closely followed by two brand-new Osten Ard novels: The Heart of What Was Lost in January 2017 and The Witchwood Crown in April 2017. Three or four additional novels are planned, with The Witchwood Crown being the first volume in the highly-anticipated sequel series “The Last King of Osten Ard”.

The-Dragonbone-ChairFirst up is the new cover for The Dragonbone Chair, the cardinal volume, which features a blurb by George R. R. Martin, author of the bestselling A Game of Thrones: “Inspired me to write my own seven-book trilogy… It’s one of my favorite series.”

Whelan’s artwork accurately depicts the sword Minneyar, also known as “Year of Memory” or simply Memory, one of the Three Great Swords spoken of in the Mad Priest Nisses’ ancient prophecy:

“When frost doth grow on Claves’ bell
And shadows walk upon the road
When water blackens in the well
Three Swords must come again.

“When Bukken from the earth do creep
And Hunën from the heights descend
When Nightmare throttles peaceful sleep
Three Swords must come again.

“To turn the stride of treading Fate
To clear the fogging Mists of Time
If Early shall resist too Late
Three Swords must come again.”

Stone-of-FarewellScheduled for September, the new cover for Stone of Farewell features the Great Sword Sorrow, also known in the Sithi language as Jingizu. Whelan’s illustration accurately portrays the double-hilted sword, which is made of both iron and witchwood, two materials which were considered inimicable, perhaps because neither the iron nor the witchwood are native to the lands of Osten Ard: iron was brought from Ijsgard east to Osten Ard on King Elvrit’s longboat Sotfengsel, while witchwood was brought westward to Osten Ard by the undying Sithi on their eight great ships.

The great sword Sorrow is described in the text: “… in a sheath at [King Elias’] side was the sword with the strange crossed hilt […] there was something queer and unsettling about the blade… [It] had a strange double guard, the cross pieces making; with the hilt, a sort of five-pointed star. Somewhere, deep in Simon’s self, he recognized this last sword. Somewhere, in a memory black as night, deep as a cave, he had seen such a blade…”

The new cover contains a blurb from author Patrick Rothfuss (“The Kingkiller Chronicle”): “Groundbreaking… changed how people thought of the genre, and paved the way for so much modern fantasy. Including mine.”

To-Green-Angel-Tower

The third volume, To Green Angel Tower, is scheduled for a November 2016 re-release. The cover features Michael Whelan’s depiction of the Great Sword named Thorn.

The text describes the sword thusly: “it was a sword like no other he had ever seen: long as a man’s arms spread wide, fingertip to fingertip, and black. The purity of its blackness was unmarred by the colors that sparkled on its edge, as though the blade was so supernaturally sharp that it even sliced the dim light of the cavern into rainbows. Had it not been for the silver cord wrapped around the hilt as a handgrip— leaving the uncovered guard and pommel as pitchy as the rest of its length— it would have seemed to bear no relationship to mankind at all. Rather, despite its symmetry, it would have seemed some natural growth, some pure essence of nature’s blackness extruded by chance in the form of an exquisite sword.”

The cover features a blurb from author Christopher Paolini (Eragon): “Memory, Sorrow and Thorn is one of the great fantasy epics of all time.” We at Treacherous Paths can’t disagree.

We will keep readers up to date on more news as soon as we’re authorized to release it.

 

 

 

 

 

 

“Memory, Sorrow and Thorn” audiobooks in the works

Tad Williams' novels have long been available as audiobooks in Germany. Now "The Last King of Osten Ard" will get an English-language audiobook.

Tad Williams’ novels have long been available as audiobooks in Germany. Now “The Dragonbone Chair”, “Stone of Farewell” and “To Green Angel Tower” will get English-language audiobooks.

In Part 4 of our interview with Science Fiction/Fantasy author Tad Williams, Williams revealed plans for audio books for his classic “Memory, Sorrow and Thorn” series. In the US and the UK, the “MS&T” books have never been transferred to audio, other than an edition for sight-impaired readers that was released on audio-cassette in the 1990s. Requests for English-language audiobooks of “Memory, Sorrow and Thorn” have been made for many years, to no avail. German-language audiobooks have been available for a long time.

Today, Deborah Beale, wife and business partner of Tad Williams, just tweeted news that casting for the audiobooks for “Memory, Sorrow and Thorn” has commenced. It is presumed that the English-language audiobooks will be released in time for the release of the sequel to “MS&T”, called “The Last King of Osten Ard”. The first volume of the new series, called The Witchwood Crown, is expected in April 2016.

The Sa’onserei Family Tree

Here is an infographic showing the family tree of House Year-dancing, also known as House Sa’onserei, the ruling house of the Sithi.

Sa'onserei family tree

Sa’onserei family tree.

Notes:
[1] The text indicates that Shima’onari and Likimeya may be siblings in addition to being husband and wife. This may be an error in the appendix.

[2] Jiriki describes Kira’athu as his cousin on page 682 of To Green Angel Tower, part one, but her parentage is not clear.

[3] Jiriki refers to An’nai as his kinsman, but An’nai’s relationship to House Sa’onserei remains unclear.

31 similarities between “A Song of Ice and Fire” and “Memory, Sorrow and Thorn”

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The cover of The Dragonbone Chair features Simon Snowlock and the dwarfish Binabik, as well as the wolf Qantaqa (on back cover). The cover of A Game of Thrones features Jon Snow and the dwarf Tyrion, and the direwolf Ghost.

It is no secret that George R. R. Martin drew inspiration for his A Song of Ice and Fire series of novels from the best-selling Memory, Sorrow and Thorn series by Tad Williams. Martin has stated repeatedly that Williams inspired him to write ASOIAF:

Tad’s fantasy series, The Dragonbone Chair and the rest of his famous four-book trilogy was one of the things that inspired me to write my own seven-book trilogy. I read Tad and was impressed by him, but the imitators that followed — well, fantasy got a bad rep for being very formulaic and ritual. And I read The Dragonbone Chair and said, “My god, they can do something with this form,” and it’s Tad doing it. It’s one of my favorite fantasy series.

In fact, Martin purposely buried some homages to MS&T in ASOIAF, while at other points, he seems to reuse the same plot elements, often to a surprisingly detailed degree. Here are 25 similarities between the two book series [contains spoilers for both series of novels]:

1) A high-born girl named (M)arya disguises herself as a boy, and learns to fight with a sword as she travels throughout the lands. She travels from one end of the world to the other, fleeing danger everywhere, while disguised as a boy. Despite the fact that many people see through her flimsy ‘disguise’, she keeps wearing it.

2) Two princely brothers who hate each other fight over the royal throne. The country is torn apart as various factions choose sides. But the side that plays dirty will win…

3) A red-robed advisor to the new king convinces the king that he needs to sacrifice his hated younger brother; this sacrifice, the red-robed advisor says, will make the kingdom whole once more.

4) A tailed star appears in the sky, portending doom/change.

5) Feuding brothers named Elias/Elyas and Josua appear in the story.

6) Strange, otherworldly creatures who live in the far north appear, and although they have been inactive for centuries, they plot to take over the world. They have been exiled at the northern edge of the world for many years, but will soon take it all back, manchild.

7) It is foretold of the coming of an unusual winter which will last a very long time, at the same time as the otherworldly invasion. Only the northerners take these old legends seriously. Everyone else laughs at such absurd tales. But the people of the north never forget.

8) A very unusual throne lies at the center of the human dispute for the kingdom, but it is only a distraction for the real conflict.

9) A major noble character, a close relative of the king, loses his hand.

10) A wolf character plays a major role.

11) A character that is the ‘Hand’ figures prominently.

12) A slender sword named ‘Needle’/’Naidel’ is wielded by a main character, who can’t use a heavier sword.

13) Everybody laughs at the idea of ice giants in the north… until they see them for themselves.

14) Young, noble children are cruelly thrust out into the cold, cruel world by evil adults, slowly learning to fend for themselves as they grow into young men and women.

15) A crown made to resemble antlers appears as a plot element.

16) A very short yet intelligent character has a betrothal as part of his storyline. But he is soon put on trial, where the penalty is death, and everyone seems set on killing him… even his own lover.

17) The story begins shortly before the death of the old king, whose reign was peaceful, and kept the kingdoms safe. The king brought peace and prosperity to the lands, but now his death has thrown the empire into conflict, with factions fighting.

18) The Children of the Dawn/Forest, who once lived throughout the realm, but who are now living in hiding, will have a part to play. They appear to be at odds with the otherworldly creatures in the far north.

19) A character whose name is Snow(lock), who is forced to journey into the north, is a main character. He appears to be a nobody, but his secret lineage is important. No one knows the truth…

20) A guilt-tormented knight, Sir Camaris/Ser Connington, spends years in exile in the south, only to return, where he is at last revealed as still being alive.

21) A major character lives thousands of miles from the rest of the other main characters, for over a thousand pages having no real interaction with the main group. But eventually, Danaerys/Tiamak will have a role to play.

22) The series was meant to be a trilogy, but got out of hand.

23) A major young male character likes to climb his castle’s walls and turrets, and can do so with ease. Eventually, he will be forced to leave his childhood home, no longer able to climb the castle’s walls and turrets.

24) This same character is plagued by prophetic, spooky dreams.

25) A new god, the Red God, demands blood sacrifice. His adherents are more than willing to do the Red God’s bidding, no matter how awful the sacrifice is. Once blood is spilled, the spell is created, and shadowy figures appear…

26) A servant of evil wearing a hound’s head helmet.

27) An important character of very short size. 26&27 thanks to

28) A fierce people of nomadic grasslanders.

29) Birds are used as messengers between intellectuals.

30) A battle on a frozen lake (not yet canonical in ASoIaF but still).
28-30  thanks to

31) Miriamele/Arya shoots/stabbes the Storm/Night King.

“How to Behave Like a Princess” posted on A Dribble of Ink

Jenny Thurman has posted a new analysis of royal female characters in Osten Ard, from the perspective of a reader who happens to be female. The analysis covers Miriamele, daughter of King Elias; Aditu, daughter of the House of Year-dancing; Maegwin, daughter of King Lluth; and, to a lesser extent, Vorzheva, daughter of the March-thane of High Thrithings.

Thurman writes:

My biggest disappointment, when I began reading epic fantasy novels marketed to adults, was not only how few women there were in these stories, nor even how much more constricted women’s roles often were compared to those I grew up reading about, but how condescending these stories often were towards girls – and princesses – in particular.

Ms. Thurman’s full comments can be found here.

miriamele

Twenty-fifth Anniversary of The Dragonbone Chair

This month marks the 25th Anniversary of the publication of Tad Williams’ fantasy novel, The Dragonbone Chair, Book One of “Memory, Sorrow, and Thorn.”  The epic series begins as the story of a simple castle servant named Seoman who stumbles upon treachery as nonagenarian King John lies dying. The book went on to become a nationwide best-seller in the US.

A war fueled by the dark powers of sorcery is about to engulf the peaceful land of Osten Ard–for Prester John, the High King, slayer of the dread dragon Shurakai, lies dying. And with his death, an ancient evil will at last be unleashed, as the Storm King, undead ruler of the elvishlike Sithi, seeks to regain his lost realm through a pact with one of human royal blood. Then, driven by spell-inspired jealousy and hate, prince will fight prince, while around them the very land begins to die. Only a small scattered group, the League of the Scroll, recognizes the true danger awaiting Osten Ard. And to Simon–a castle scullion unknowingly apprenticed to a member of this League–will go the task of spearheading the quest for the solution to a riddle of long-lost swords of power…and a quest that will see him fleeing and facing enemies straight out of a legend-maker’s worst nightmares!

Williams’ series went on to inspire George R. R. Martin to write “A Song of Ice and Fire,” which was adapted for television as Game of Thrones.