Tad Williams’ novels have long been available as audiobooks in Germany. Now “The Dragonbone Chair”, “Stone of Farewell” and “To Green Angel Tower” will get English-language audiobooks.
In Part 4 of our interview with Science Fiction/Fantasy author Tad Williams, Williams revealed plans for audio books for his classic “Memory, Sorrow and Thorn” series. In the US and the UK, the “MS&T” books have never been transferred to audio, other than an edition for sight-impaired readers that was released on audio-cassette in the 1990s. Requests for English-language audiobooks of “Memory, Sorrow and Thorn” have been made for many years, to no avail. German-language audiobooks have been available for a long time.
Today, Deborah Beale, wife and business partner of Tad Williams, just tweeted news that casting for the audiobooks for “Memory, Sorrow and Thorn” has commenced. It is presumed that the English-language audiobooks will be released in time for the release of the sequel to “MS&T”, called “The Last King of Osten Ard”. The first volume of the new series, called The Witchwood Crown, is expected in April 2016.
Dutch publisher Luitingh has acquired the publishing rights to the new series in the Netherlands. Luitingh has previous translated Williams’ four-volume “Shadowmarch” series as well as the single-volume entry, The War of the Flowers.
In Germany, a major market for Williams’ books, Klett-Cotta has acquired the rights to publication in Germany, according to PublishersMarketplace.com (registration required). Klett-Cotta has previously published translations of most of Williams’ books, including “Shadowmarch”, a four-volume edition of “Das Geheimnis der Großen Schwerter” (“Memory, Sorrow and Thorn”), Traumjäger und Goldpfote (Tailchaser’s Song), the “Tinkerfarm” books (“Ordinary Farm”), Der Blumenkrieg (The War of the Flowers), “Otherland” and Der brennende Mann (The Burning Man).
The Witchwood Crown, the first volume of Williams’s upcoming “The Last King of Osten Ard” trilogy, is expected in the US and the UK in Spring 2016. Foreign-language editions will be published sometime afterwards. The Witchwood Crown will be followed by Empire of Grass and The Navigator’s Children.
Like Tad Williams, we tried to keep it to three parts, but it ended up being four. Below is Part Four of OstenArd.com’s interview with internationally bestselling speculative fiction writer Tad Williams, author of the “Memory, Sorrow and Thorn”, “Otherland”, “Shadowmarch” and “Bobby Dollar” books, and who recently announced the completion of the first draft of The Witchwood Crown, the first volume of a series of sequel novels to his classic “Memory, Sorrow and Thorn” trilogy, called “The Last King of Osten Ard“. The Witchwood Crown is tentatively slated for a Spring 2016 release.
The below questions were asked by readers on the Tad Williams Message Board and by OstenArd.com contributors. In this part of the interview, we asked Williams about publication plans for print and audiobooks, plans for re-releases of the classic “Memory, Sorrow and Thorn” books, and what, if anything, he has found challenging about writing a much-older Simon, Miriamele, Binabik, and the rest of the crew.
Tad Williams’ novels have long been available as audiobooks in Germany. Now “The Last King of Osten Ard” will get an English-language audiobook, Williams reveals.
OstenArd.com: Tad, the new series will certainly be a major publishing event, and deals have been announced for the US and the UK. Are there any other deals in place that you can talk about? Have plans been put in place on how the new books are going to be published and/or marketed? Will there be audiobooks?
Tad Williams: I’m sure there will be audiobooks in English and German, although I don’t know any details yet. All other stuff, I really don’t know. Deb [Tad’s wife and business partner Deborah Beale] probably knows more than I do, because I’m doing my best just to get the books written.
OA.com: Will there be re-issues of the original trilogy? Hardcover reprint? Audiobooks? Any news on that front?
Tad: Same answer. But, yes, we’re pushing for a re-release.
OA.com: In the “Memory, Sorrow and Thorn” reread on the Tad Williams Message Board, we had a lot of fun tracking down references to mythology/history/other books – can we expect more of that in “The Last King of Osten Ard”? Is there a reference you particularly liked in “Memory, Sorrow and Thorn” and that no one mentioned to you yet? Any still hidden Easter-egg?
Tad: I honestly have no idea if there are any Easter eggs that have escaped the laser-focus-bunnies of the message board. I’ll keep an eye open when I do another re-read (which I think I’ll have to do before I commit to the first volume as finalized), and if I see something, I’ll let you know. Besides, it’s better when you guys find these things on your own, because then even if I never intended it, I can look wise and nod my head: “Ah, yes, that. Very clever, wasn’t I?”
Simon and Miriamele gained a throne thirty years ago… How have their experiences changed them over the decades?
OA.com: Were there any aspects of writing a 30-years-older Simon or Miriamele (or any other character from “Memory, Sorrow and Thorn” who reappears in “The Last King of Osten Ard” for that matter) that you found surprising or challenging or surprisingly challenging?
Tad: Too early to say, really, because a lot of this will be not just who the characters are at the beginning, but how they change during these books, as they did during MS&T. But it’s all challenging, because we know these characters as young people. The difference between a teenager and a middle-aged adult is almost like two different people. But I think I’ll be able to tell you more when I’m actually done — rewrites and all — with this first volume, because it’s in rereading Witchwood Crown AS A NOVEL that will tell me a lot about whether Simon and Miriamele’s older selves feel real and appropriate.
[Ed.: This concludes our multi-part interview with Tad Williams. We’d like to take a moment to thank Tad Williams and Deborah Beale for their time, and all the friendly folks on the Tad Williams message board, who asked a lot of great questions.]
Below is Part Three of OstenArd.com’s interview with speculative fiction writer Tad Williams, author of the “Memory, Sorrow and Thorn”, “Otherland”, “Shadowmarch” and “Bobby Dollar” books, and who recently announced the completion of the first draft of The Witchwood Crown, the first volume of a series of sequel novels to his classic “Memory, Sorrow and Thorn” trilogy, called “The Last King of Osten Ard“. The Witchwood Crown is tentatively slated for a Spring 2016 release. Part One of the interview is here. Part Two is here.
The below questions were asked by readers on the Tad Williams Message Board and OstenArd.com contributors. In this part of the interview, we asked Williams how his main characters from Osten Ard compare to Bobby Dollar, if he has any plans to ever return to other worlds he built, and if he ever regrets his decision to wander back into the thick of things in Osten Ard.
Cover of the Russian edition of The Dirty Streets of Heaven, the first “Bobby Dollar” book.
OstenArd.com: Tad, your most recent main character, Bobby Dollar, seems pretty cynical sometimes, but his actions are unfailingly that of an optimist. “Of course I’m going to go to Hell to save my new girlfriend (who’s not really my girlfriend)!” Simon’s journey was from a youthful idealism (or even, some might say, cluelessness) to adulthood with a good measure of earned wisdom. How has Simon’s worldview changed with the passage of time? Would you describe him as an idealist or optimist? Does he have anything in common with Bobby Dollar’s cynicism, now that he’s been around the block a few times?
Tad Williams: Simon is still much more of an optimist than Bobby, but part of that comes from him resolutely refusing to dwell on the worst things in life. That doesn’t mean he ignores them, but he is more determined not to let them dictate his everyday life than, say, Miriamele is. I think I myself am a wounded romantic by nature, an optimist with a cynical sense of humor, rather than a cynic per se. Simon is, I hope, an older version of his younger self, thus more pragmatic, less surprised when things don’t go well, and more aware of how hard it is to change the world. In some ways, he’s probably less of a romantic than Bobby.
Tad Williams states that Simon Snowlock is less of a cynic than his wife, Miriamele. Possible plot point?
OA.com: When you reread “Memory, Sorrow and Thorn” in preparation, was there anything, about the plot or the worldbuilding or the characters, that made you think, “I wish I could rewrite this”? Or on the other hand, something that you’d maybe forgotten about and that surprised you in a positive way?
Tad: I thought, “I wish I hadn’t made this so damn long.”
No, I always have ambivalent responses when look at my own work. Most of my flinch moments come from what I see as prose issues — too many commas, too flowery when not necessary, etc. — rather than story choices. I think I’ve always had a pretty good grasp of story and character, so the main things I see that I wish I could change are almost always technical things about the writing itself.
On the other hand, I’m always pleasantly surprised when my older work isn’t as lame as I sometimes fear it might be.
Cover of River of Blue Fire, second volume of “Otherland”.
OA.com: You’ve said that you are interested in writing some more Orlando (from “Otherland”) stories. Do you think this desire might turn into a book or even a new series? Is there any particular Otherland sim you would like to revisit and flesh out more?
Tad: It’s not so much any one simulation as that I’d like to 1) make more simulations, 2) explore how the Otherland network is changing as it becomes more “alive” and self-aware, or at least self-regulating, and 3) I think Orlando’s situation is interesting in and of itself, as detailed in “Happiest Dead Boy”. Plus, I’m interested in the idea that some of the artificial life-forms (or semi-life-forms) in the network might want to bring Dread back, for weird pseudo-religious ideas of their own.
OA.com: You resisted returning to Osten Ard for a long time; now that you’re back, do you ever find yourself thinking, “What the heck am I doing here?”
Tad: Every goddamn day. Especially when I’m trying to remember history and stuff from the first volumes, which is all the time, instead of just being able to make things up from scratch. But as mentioned, it’s also a really fun challenge. Not to sound like a complete sap, but that’s a big part of what I love about writing, too. I know I won’t please everyone, but it will be fun to see if I can at least please a few people.
OA.com: Readers are re-reading “Memory, Sorrow and Thorn” far and wide in anticipation of the new books. And their responses seem uniformly positive. Do you think “veteran” readers of MS&T will enjoy the new books just as much? Why or why not?
Tad: If anything, I have to work hard to make sure these books are as much fun for new readers as for the old readers, because there is so much old history, and so many old characters and plotlines to plug into. I think the veteran readers will have no problem with these because there is a LOT of continuity despite the decades passed.
Editor’s note: the interview with Tad Williams will conclude with Part Four.
Below is Part Two of OstenArd.com’s interview with Science Fiction/Fantasy writer Tad Williams, author of the “Memory, Sorrow and Thorn”, “Otherland”, “Shadowmarch” and “Bobby Dollar” books, and who recently announced the completion of the first draft of The Witchwood Crown, the first volume of a series of sequel novels to his classic “Memory, Sorrow and Thorn” trilogy.
In this interview, we asked Williams what it’s like to return to the world of Osten Ard, how he’s reacted to the announcement that Michael Whelan will be illustrating the covers, and what he’s been researching while working on The Witchwood Crown.
Michael Whelan painted the covers for the US and UK editions of “Memory, Sorrow and Thorn”.
OstenArd.com: It’s been recently announced that Michael Whelan will be doing the covers for the new Osten Ard books, just as he did for the classic MS&T series. When I spoke to him in person in November, he was excited and proud to be asked to create the new cover art for your books. How excited are you to know that his amazing work will be on the new books?
Tad Williams: I think it’s wonderful. It’s hard to imagine what anyone else could do with them, since Michael put his stamp on them so authoritatively. And I’ve always loved Michael’s work, since long before he intersected my career, or I even had a career to intersect. So, yes, thrilled to see what he’ll come up with, proud that he wants another go.
OA.com: On the TadWilliams.com message board, you revealed a partial character list. Any plans to reveal a more detailed or more extensive character list? Or would that be too spoilery?
Tad: I intend at some point — probably closing of rewrite of first draft — to update and correct that list. Also, I may very well release the chapter titles, which won’t necessarily give anything away conclusively, but will certainly inspire some guesswork.
OA.com: When MS&T was first published the initial critical reaction was disappointing since critics only read it as a generic fantasy trilogy and failed to see more than that. Only a few critics (like Roz Kaveney) saw beneath the surface and recognized it as a revisionist fantasy. But 30 years on, a new generation of writers is acknowledging their debt to MS&T (Brandon Sanderson, Christopher Paolini, even GRRM), and MS&T is widely regarded as “classic”. Are you still disappointed over the lack of critical appreciation? Do you think that the new trilogy will change that?
Tad: I’m kind of resigned to the fact that for whatever reason, I will remain one of those weird tastes, like some odd ice cream flavor, that some people will be passionate about, and others won’t quite get the fuss. And, in all fairness, I’m just writing fantasy and science fiction books that I’d like to read. It’s not like I think I’m all that important myself in the first place. But, yes, it’s heartening when people DO understand that I put a lot of thought and care into this, that I’m not just writing extra-long role playing adventures, that I bring a few other skills and interests to the table. My wife says, “Don’t worry, they (critics and trendsetters) will kiss your ass after you’re dead”, to which I usually reply, “That doesn’t sound like it will be all that much fun for either of us.”
OA.com: Has Osten Ard society changed in the last 30 years? Does Simon’s upbringing have lasting influence on his kingship and if so was he able to change things? Did he want to?
Tad: That’s one of the things that will definitely be a part of the story, so It’s hard to discuss without giving things away. But, yes, Simon and Miri and the lessons their lives have brought them will have a lot to do with the future of Osten Ard, and they both want to be “good” rulers, so they’ve spent a lot of time since the end of TGAT trying to figure out what that means and how to accomplish it, with mixed success (as is true with all of us with just about anything).
OA.com: How difficult is it to “collaborate with yourself”, as it were, in writing a sequel to a story you wrapped up over twenty years ago? Are you trying to match the style and mood of the original, or are you just trusting yourself that it will come out right? Do you find yourself remembering any of the feelings or thoughts you had when writing MEMORY, SORROW AND THORN, even things you’d forgotten until now?
Tad: I won’t really know until I’ve finished, because when I’m writing things they are always composed of dangly bits and rough edges that have to be fixed, and that’s where I am right now — all dangly bits.
Some of the process is easier than a first-time novel, because for instance I already feel I know who Simon and Miriamele are in a deep sense, and can guess which things would be appropriate to their adult selves, and which wouldn’t be. But of course I’m not just trying to match a style, or match older characters to their younger selves, I’m also trying to match an -impact- as well, because I’m messing with material that in some ways means more to readers than it does to me. While I know I will never be able to write new stories which have the same impact for the older fans, I want them to feel appropriate, and that I took the best possible care of old favorites while justifying a sequel by adding new material. And of course, I can’t forget about all the people who may read this without having read the first books. I don’t want to freeze them out and make it some kind of nostalgia fest. So it’s a very interesting, occasionally terrifying thing to do.
OA.com: For the Shadowmarch series, you mentioned doing research on geology, iirc. What sort of research did you do (are doing) for TLKOOA?
Tad: Ohmigod, what amn’t I researching? I’ll pick some bookmarks at random:
Battle of Walcourt
List of Anglo-Saxon place names
Ice Cave Picture
3D plans for Skipton Castle
Traditional Gaelic Names
Monasticism in Western Europe
The Male and Female Names of Animals
History of the Wool Trade
Entheogens of Antiquity
Central Asian Steppes
and so on and so on, to the tune of about five hundred bookmarks. Not to mention the fact that I’ve got about forty or so research books that I have out and in use just for this story alone, as well as copious notes from the first book and various other bits and bobs. (Message Board conversations, Maps, etc.) So, yeah, there’s research in all my stuff, but I think this one is second only to OTHERLAND in terms of how much material I’m using.
Speculative fiction writer Tad Williams has sold over 30 million copies of his books, which have been translated into more than 25 languages. His first epic fantasy trilogy, “Memory, Sorrow, and Thorn”, became an international bestselling series beloved by millions. And now Tad Williams returns to the world of “Memory, Sorrow and Thorn” with a new sequel series called “The Last King of Osten Ard”, a series which seems likely to catapult him back once more onto the bestseller lists.
We talked with Williams shortly after he and his wife and business partner Deborah Beale announced that he had just completed the rough draft of the first book in the new series, The Witchwood Crown. In this exclusive interview, we asked Williams some questions about his world-building, plans for book tours, what it’s like to return to a world he hasn’t been to in ages, and his plans to continue to write “Bobby Dollar” books in between Osten Ard novels. Below is Part One of the interview. Further portions of the interview will be published later this week.
OstenArd.com: Thanks, Tad, for agreeing to do this interview! You have stated that you are writing the new Osten Ard novels at the same time as Bobby Dollar stories. Even though they are very different stories, do you ever find yourself confusing the characters’ voices? Or are they just too different for that to happen?
Tad Williams: One of the nicest things about Bobby Dollar is that I tell it in the first person. Once I start writing that voice, it comes pretty naturally (in part because he talks more than a bit like me.) Most of TLK is third-person past tense (there are some epistolary sections in first-person present) so it’s actually quite different. Not to mention that BD is modern in style of speech, so it’s like turning off the tape-delay. When I’m writing fantasy, especially pre-industrial fantasy, I have to find a proper tone and vocabulary to go with the story. But with TLK, I just have to come up with something that feels appropriate to what I used in the first books.
Cover of part 1 of the Japanese edition of The Dragonbone Chair, one of more than 25 translations of the book.
OA.com: You have a devoted fan base who would love to meet you. Does your publisher plan a major book tour before/during/after the launch of The Witchwood Crown, and if so, where might you go? Are there markets that you absolutely know you’ll have to visit?
Tad: I hope so, and I would love to do it. Publishers haven’t been touring writers as much because of a) the loss of profitability in brick-and-mortar publishing and the 2006-present economic ructions. But I hope this is enough of an event to warrant my American publishers touring me again. As far as other countries, that’s always catch as catch can, although I’m pretty sure my German publishers will tour me.
OA.com: Both Christopher Paolini and George R. R. Martin have acknowledged that you inspired them to write their own series. Are there plans afoot to ask them to provide a blurb for The Witchwood Crown?
Tad: Christopher would probably do it, no problem. It’s always hard to get George to do stuff like that just because there’s so many demands on his time. He’s like me times a thousand, probably, in terms of how many things he can pay attention to out of however many are seeking his attention.
Map of Osten Ard, showing the more than a dozen nations which make up the continent.
OA.com: In The Dragonbone Chair, you built a massive world with more than 100 cities, towns and villages spread out over a continent. Then you created languages, cultures, and peoples to fill those places. As you added more books, Osten Ard grew further. Are you planning to do any exploring of areas outside the old maps? The “blank areas at the edges of the maps”? If so, how will that mesh with the existing infrastructure and the old maps?
Tad: There will definitely be some expansion of what we know about O. Ard., but I’ve got plenty of stuff from the originals to elucidate and expand upon without going beyond the Nascadu desert or the northern Trollfells or Nornfells. However, we will learn a bit more about the -conceptual- map of the world, and also see some places we never saw in the first books, that’s for sure.
OA.com: During the events of MS&T, readers got to explore the realm, visiting everything from steaming jungles to frozen tundra (LOTS of frozen tundra!). Any plans to revisit areas of Osten Ard which didn’t get much attention in the classic series? Nascadu? The Hyrkalands? The Westerling Islands? Harcha and Naraxi? Ijsgard? The Lost Garden?
Tad: We’re going to see a LOT of the Nornfells and Nakkiga. We’re also going to see a lot of Aldheorte and the Thrithings and Nabban. As far as other, previously unvisited places, I’m not sure — that will depend on where the second volume and the beginning of the third takes some characters whose steps I haven’t completely mapped yet. (By the way, the amusingly stupid spellchecker on this email keeps trying to change “the Thrithings” to “the Thrashings”.) And we will learn and hear more about the Lost Garden as well — a LOT about the early history of the Norns and Sithi, both in Osten Ard and before. So while I can’t say we’re going to visit the Lost Garden — it is lost, after all — we’re definitely going to learn and hear more about it.
Tad Williams recently posted a partial character list for his new novel, The Witchwood Crown, Book One of “The Last King of Osten Ard”. There hasn’t yet been much analysis of this list in the blogosphere, so we at OstenArd.com are going to do some analysis.
Also returning are the Sa’onserei siblings, Jiriki and Aditu.
Several of the names that Williams released are returning characters. Among these are Jiriki and Aditu, son and daughter, respectively, of the House Sa’onserei, the ruling house of the immortal Sithi. Conspicuously absent, however, are the names of any of the other Sithi who dwelled in Jao e-Tinukai’i during “Memory, Sorrow and Thorn”: there is no mention on the list of Likimeya, the queen of the Zida’ya; her brother, Khendhraja’aro; or Kira’athu, the healer. These three characters played important (albeit secondary) roles in “Memory, Sorrow and Thorn”. Their absence indicates the possibility that the Sithi city of Jao e-Tinukai’i will not appear in “The Witchwood Crown” (other important Sithi characters included Amerasu, Shima’onari, Ann’ai and Kuroyi of Anvijanya, but these characters had passed on by the end of To Green Angel Tower).
Hakatri, son of Amerasu and Iyu’unigato, may reappear in the new series.
The only other “returning” Sithi character on the list is Hakatri i-Sa’onserei, son of Amerasu Ship-born and Iyu’unigato the Erl King, and brother to Ineluki the Storm King who played a major role in the destruction of the mortal world in “Memory, Sorrow and Thorn”. It is not certain that Hakatri will return in the new series, or if he is simply a character mentioned in passing. However, even the possibility of Hakatri’s return sets the stage for a possible major conflict between the humans and the Gardenborn once more. Hakatri’s doings were legendary even among the Sithi. But Hakatri was badly burned a thousand (or so) years earlier, and has apparently not set foot in Osten Ard for centuries. Attempts by the Sithi to reach Hakatri via the Master Witnesses have all failed, indicating that he was far away from Osten Ard, or possibly no longer even alive.
With Jao e-Tinukai’i likely sidelined, the focus of the Gardenborn part of the story seems to be Nakkiga, the frozen city of the Norns, in the far north above Black Rimmersgard. In fact, Williams has stated that the immortal Norns will have an important role to play in the new series. Two of the names on the published character list are Utuk’ku the Norn Queen and Akhenabi, both of whom were antagonists in “Memory, Sorrow and Thorn”. Utuk’ku is expected to be a major antagonist in the new series, as one of the few major villains left at the end of the original series. The part that Akhenabi will play is as yet unknown; the embittered Norns were defeated and seemingly broken at the end of “Memory, Sorrow and Thorn”, leaving interesting possibilities in the new novels, set thirty years after the end of To Green Angel Tower.
No other previously-seen Gardenborn names appeared on Williams’ new character list. Because the name of the third novel in the new series was announced as The Navigator’s Children, it seems likely that the Dwarrows and Niskies will have some part to play in “The Last King of Osten Ard”, but the names Yis-fidri, Yis-hadra, Sho-vennae, Imai-an and Nin Reisu, all Dwarrow or Niskie characters from “Memory, Sorrow and Thorn”, do not appear on the new character list.
Many new names on the list, however, do appear to be Gardenborn names. Among these are Nezeru, Takeru, Tsoja/Tsoji, Saojemi, Viyeki, Rinan, Khibi-Ya, and possibly Kulva, Jhesa, Ommu, and Makho. The names Rinan and Khibi-Ya follow formats similar to Niskie and Dwarrow names, respectively. Names ending with a -u and -a are likely to be female Norns. Names ending in -i and -o are likely Norn males. Alternately, the character names ending in vowels may be new Sithi characters. Some, including Kulva, Jhesa, Ommu and Makho, may be non-Gardenborn names.
Simon and Miriamele return in “The Witchwood Crown”.
Among the returning mortal characters will be King Simon and Queen Miriamele, who have apparently ruled Osten Ard for the last thirty years. Count Eolair of Hernystir, Duke Isgrimnur of Rimmersgard, Jeremias, Binabik, Sisqinanamook, Tiamak, Prince Josua and Lady Vorzheva also appear on the character list, indicating that they will return in the new series as well. Hyara (Vorzheva’s sister) and Pasevalles (the young boy in Nabban) also appear on the list.
Notably absent are Rachel, Father Strangyeard, Sludig, and Josua’s twin children Derra and Deornoth. However, the original press release has indicated that Derra and Deornoth will have a role to play in the new series. Also not mentioned are Count Streawe, Duke Varellan, Lector Velligis, Queen Inahwen, and March-thane Fikolmij, who were the rulers, respectively, of Perdruin, Nabban, Mother Church, Hernystir, and High Thrithing thirty years earlier. It remains to be seen who now rule these lands.
The names John and Pryrates also appear on the new list. These two characters are likely only mentioned in passing, since they died thirty years earlier.
One “new” name on this list, Morgan, was announced in the press release in April. Morgan is the prince of Erkynland, heir apparent to Osten Ard. He is likely either the son or grandson of Simon and Miriamele. It seems likely that he is their son, named in honor of Doctor Morgenes, Simon’s long-dead mentor.
Little can be deduced from the remaining new names, save that Jarnulf is likely a Rimmersman; Qina and Ommu may be Qanuc; Little Snenneq is definitely Qanuc, and is probably the son of Snenneq, who appeared in “Memory, Sorrow and Thorn”; Olveris, Drusis, and Saluceris are likely Nabbanai; Tylleth and Etan may be Hernystiri; and Grimbrand and Osric are probably Erkynlanders. Fremur may be a Rimmerman god. The remaining names — Astrian, Drojan, Goh Gam Gar, Hugh, Idela, Lillia, Narvi, Porto, Udrig, and Unver — are hard to classify. It has been revealed that Narvi is a baron, but where he lives has not yet been revealed.
Williams has stated that more may be revealed soon, sometime after he begins the second draft of The Witchwood Crown. At some point, he will conduct chapter readings for fans. The book is tentatively slated for a Spring 2016 release.
Last month Tad Williams interviewed Steven Erikson (“Malazan Book of the Fallen”) at Kepler’s Bookstore in Menlo Park, California. Williams asked Erikson what led him to writing fantasy, what authors inspired him, and why Fantasy readers like big, thick books. They also talked about Stephen R. Donaldson’s early works, including Lord Foul’s Bane.
Below is the first part of the recorded interview:
I’ve just crested 700 pages after a REALLY difficult last few weeks. Remodel, everything in the house stashed in various rooms and therefore unfindable, HUGE flea attack (because of new cat) leading to sick cat in the hospital on life support (now apparently going to survive and be okay). Third major pet breakdown in a month or two leading to hospitalization and fear of pet-extinction. And about ninety other things, including birthdays, Smarchmoots (not everything bad, see?) and various other attention-distracters.
But the book continues! Y’all let me know if the fleas creep thematically into the finished product. I’m too close. And too itchy.
The Witchwood Crown is tentatively set to be published around Spring 2016. The first volume will be followed by Empire of Grass and finally The Navigator’s Children, all published by DAW Books.
The cover of The Dragonbone Chair features Simon Snowlock and the dwarfish Binabik, as well as the wolf Qantaqa (on back cover). The cover of A Game of Thrones features Jon Snow and the dwarf Tyrion, and the direwolf Ghost.
It is no secret that George R. R. Martin drew inspiration for his A Song of Ice and Fire series of novels from the best-selling Memory, Sorrow and Thorn series by Tad Williams. Martin has stated repeatedly that Williams inspired him to write ASOIAF:
Tad’s fantasy series, The Dragonbone Chair and the rest of his famous four-book trilogy was one of the things that inspired me to write my own seven-book trilogy. I read Tad and was impressed by him, but the imitators that followed — well, fantasy got a bad rep for being very formulaic and ritual. And I read The Dragonbone Chair and said, “My god, they can do something with this form,” and it’s Tad doing it. It’s one of my favorite fantasy series.
In fact, Martin purposely buried some homages to MS&T in ASOIAF, while at other points, he seems to reuse the same plot elements, often to a surprisingly detailed degree. Here are 31 similarities between the two book series [contains spoilers for both series of novels]:
1) A high-born girl named (M)arya disguises herself as a boy, and learns to fight with a sword as she travels throughout the lands. In both “Memory, Sorrow, and Thorn” (MS&T) and “A Song of Ice and Fire” (ASOIAF), a young noble girl, called either Marya or Arya, flees her home, traveling in disguise as a boy. Despite the fact that many people see through her flimsy ‘disguise’, she keeps wearing it. Author George R.R. Martin’s naming of Arya is clearly an homage to the original cross-dressing noble girl, Marya from MS&T.
2) On her journey, the girl-in-disguise (M)arya meets many characters, including a man wearing a helmet shaped like a hound’s head, who is sent to bring her back to the king. In MS&T, this hound-helmeted character is named Ingen Jegger; in ASOIAF, his name is Sandor Clegane.In both cases, these men are skilled warriors who manage to escape death on multiple occasions.
3) Two princely brothers who hate each other fight over the royal throne after the death of the old king. The country is torn apart as various factions choose sides. In MS&T, the princes are named Elias and Josua. In ASOIAF, the feuding brothers are named Stannis and Renly Baratheon.
4) A red-robed advisor to the new king convinces the king that he needs to sacrifice his hated younger brother; this blood sacrifice, the red-robed advisor says, will make the kingdom whole once more. In MS&T, this red-robed advisor is named Pryrates; in ASOIAF, her name is Melisandre. In both series, these red-robed priests slowly convince their respective royal masters to allow them to practice a strange fire-ritual which they claim will allow them victory. This fire ritual requires royal blood in order to be successful.
5) A tailed star appears in the sky, portending doom/change. In MS&T, this tailed star is called the Conqueror Star, or sa Astrian Conquidilles, and it appears in the sky for three years after an absence of 497 years. In ASOIAF, this star is called shierak qiya, the Dragon’s Tail, or the Red Comet.
6) Feuding brothers named Elias/Elyas and Josua appear in the story. In a not-so-subtle nudge in Williams’ direction, author George R.R. Martin names two feuding background characters Elyas and Josua, in a tribute to one of his favorite Fantasy series, MS&T (which features the feuding brothers Elias and Josua). In an even less subtle nod, these two feuding brothers are said to be the sons of Lord Willum. These three characters are mentioned in chapter 22 of A Clash of Kings, the second volume of ASOIAF.
7) Strange, otherworldly icy creatures who live in the far north appear, and although they have been inactive for centuries, they plot to take over the mortal world Their ruler is called the Night King/Storm King. They have been exiled at the northern edge of the world for many years, but the Night King/Storm King plots to soon take it all back, displacing Mankind. In MS&T, these icy creatures are the Norns; in ASOIAF, they’re known as the Others.
8) It is foretold of the coming of an unusual winter which will last a very long time, at the same time as the otherworldly invasion from the north. Only the northern farmers in rural areas take these old legends seriously. Everyone else laughs at such absurd tales. But the people of the north never forget.
9) An unusual throne lies at the center of the human dispute for the kingdom, but it is only a distraction for the real conflict. In MS&T, this throne is named the Dragonbone Chair, crafted by King John after he slaughtered the fire-drake Shurakai. In ASOIAF, it is the Iron Throne. In both cases, the mortal kingdoms are so busy fighting one another that they fail to take notice of eldritch powers rising in the north.
10) A major noble character, a close relative of the king, loses his hand in battle. In MS&T, the handless character is Prince Josua Lackhand. In ASOIAF, the character is Ser Jaime Lannister. In both instances, the nobles lose their respective right hands.
11) A wolf plays a major role in the series. In MS&T, it is the gray wolf Qantaqa, Binabik’s wolf companion, who is loyal to her friend, but a menace to all his enemies. In ASOIAF, the direwolves the Stark children discover in the first volume are named Ghost, Grey Wind, Lady, Nymeria, Shaggydog, and Summer. These canines are just as loyal to their masters as Qantaqa is to Binabik.
12) A character that is the ‘Hand’ figures prominently. In MS&T, the Prince’s Right Hand is Sir Deornoth, Prince Josua’s right-hand man. Early on in ASOIAF, the Hand of the King is Lord Eddard Stark.
13) A slender sword named ‘Needle’/’Naidel’ is wielded by a main character, who can’t use a heavier sword. In MS&T, the sword is named Naidel, and is wielded by Prince Josua Lackhand, while in ASOIAF, Needle’s owner is Arya Stark.
14) Everybody laughs at the idea of giants and other otherworldly creatures in the north… until they see them for themselves. In both series, the soft southlanders eventually realize their folly, after encounters with what Tyrion originally dismisses as legends of “grumkins and snarks,” while in MS&T, these are legends of “pookhas and niskies”.
15) Young, noble children are cruelly thrust out into the cold, cruel world by evil adults. In both series, teenagers are chased by murderers, thieves, and con-men, as they slowly learn to fend for themselves as they grow into young men and women.
16) A crown made to resemble antlers is worn by a king. The crown in MS&T appears on the brow of Ineluki the Storm King, while in ASOIAF, the antlered crown is worn by Renly Baratheon.
17) A very short yet intelligent character has a betrothal as part of his storyline. But he is soon put on trial, where the penalty is death, and everyone seems set on killing him… even his own lover. In MS&T, this character is Binabik, and his betrothed is Sisquinanamook; in ASOIAF, the character is Tyrion Lannister, and his betrothed is Shae.
18) The story begins shortly before the death of the old king, whose reign was peaceful, and which kept the kingdoms safe. The king brought peace and prosperity to the lands, but now his death has thrown the empire into conflict, with factions fighting. In MS&T, the old king is the nonagenarian King John Presbyter of Warinsten, who brought the language of Westerling to his people as he united all the realms under one rule. In ASOIAF, it is King Robert Baratheon, lord of Westeros.
19) The Children of the Dawn/Forest, who once lived throughout the realm, but who are now living in hiding in the forests of the world, have a role in the story. In both MS&T and ASOIAF, both the Children of the Dawn and the Children of the Forest appear to be at odds with the otherworldly creatures in the far north.
20) A character whose name is Snow(lock), who is forced to journey into the north, is a main character. In MS&T, Simon Snowlock bears some similarities to ASOIAF’s Jon Snow.
21) A guilt-tormented knight spends years in exile in the south, only to return, where he is at last revealed as still being alive. In MS&T, this is Sir Camaris sa-Vinitta, while in ASOIAF, it is Ser Jon Connington.
22) A major character lives thousands of miles from the rest of the other main characters, for over a thousand pages having no real interaction with the main groups. But eventually, in both series, Danaerys/Tiamak interact with characters in the rest of the world.
23) The series was meant to be a trilogy, but got out of hand. In the case of MS&T, three volumes grew to four, while ASOIAF may eventually be seven volumes, if author George R.R. Martin ever completes the series. Martin has humorously referred to both Williams’ “four-book trilogy” and his own “seven-book trilogy”.
24) A major young male character likes to climb his castle’s walls and turrets, and can do so with ease. Eventually, he will be forced to leave his childhood home, no longer able to climb the castle’s walls and turrets. In MS&T, this character is Simon Mooncalf climbing the walls of Hayholt Castle, while in ASOIAF, it is Bran Stark climbing the walls of Winterfell.
25) The same character who climbs castle walls is plagued by prophetic, spooky dreams. These dreams appear to be a curse, as they usually do not reveal enough to be helpful.
26) A new god, the Red God, demands blood sacrifice. His adherents are more than willing to do the Red God’s bidding, no matter how awful the sacrifice is. Once blood is spilled, the spell is created, and shadowy figures begin appear…
27) A fierce people of nomadic grasslanders lives to the east of the world. In MS&T, these are the Thrithings-folk, while in ASOIAF, they are called the Dothraki. In both cases, these warriors treat their women horribly, and live in loosely-knit clans where the leaders rule through barbaric acts. In both series, horses are treated better than the women of the clan, who hold no power in the society.
28) Birds are used as messengers between intellectuals. In MS&T, they are sparrows, sent between members of the League of the Scroll, while in ASOIAF, maesters send messages via ravens.
29) In both series, a battle takes place on a frozen lake. This is technically not yet canonical in ASOIAF but the scene appears in the television series. In MS&T, the battle scene takes place in the Stefflod River Valley.
30) In both series, a girl strikes a blow to the otherworldly king of the north. In both respective series, (M)arya shoots/stabs the Storm/Night King.
31) In both series, a young woman of royal blood has an advisor who falls in love with her, as she tries to protect her people, who are refugees fleeing war. In both series, the young woman slowly falls into madness, after sending away her advisor, who has fallen in love with her. In MS&T, the young woman is Princess Maegwin of Hernystir, who sees Count Eolair of Nad Mullach slowly fall in love with her. She sends him away, and slowly falls into madness. In ASOIAF, the young woman is Daenarys of House Targaryen, whose advisor, Ser Jorah Mormont, falls in love with her. She eventually sends him away, and then — at least, according to the TV series — falls into madness.