here’ve been lots of interesting things happening this month, some of which we can now share with you. Yesterday, Tad Williams, author of the classic “Memory, Sorrow and Thorn” books, announced the completion of The Witchwood Crown, volume one of “The Last King of Osten Ard”. The book is scheduled for release in April 2017, just a few months after The Heart of What Was Lost, another Osten Ard novel, is scheduled to hit store shelves.
Hi, guys. I’ve just sent in the final manuscript (except for the page proofs, once it’s been typeset) for [The Witchwood Crown]. My last pass actually added a few lines, net, I think. 347K words — that’s about a 1200 page manuscript for me. I think that might come in second behind only [To Green Angel Tower] — I’d have to go back and check the Otherland books.
Anyway, it’s good to have someone take something like this out of my hands, because I’d keep fiddling ’til Doomsday otherwise.
347,000 words would make The Witchwood Crown Williams’ third-longest novel, with the order in length being:
1. To Green Angel Tower (520,000 words; 1,083 pages)
2. Sea of Silver Light (443,000 words; 922 pages)
3. The Witchwood Crown (347,000 words; 721 pages)
4. City of Golden Shadow (303,193 words; 770 pages)
5. Shadowheart (295,038 words; 730 pages)
6. The War of the Flowers (686 pages)
7. The Dragonbone Chair (288,297 words; 654 pages)
8. Mountain of Black Glass (285,272 words; 689 pages)
9. Shadowmarch (269,602 words; 656 pages)
10. Shadowplay (266,486 words; 656 pages)
11. River of Blue Fire (266,003 words; 634 pages)
12. Stone of Farewell (269,000 words; 589 pages)
13. Shadowrise (236,103 words; 564 pages)
(The Heart of What Was Lost comes in at a comparatively slender 224 pages). Williams later added:
The sad thing is, I can’t be as celebratory as I’d like because I’m several weeks overdue to start writing [Empire of Grass], the second full volume.
However, the good thing is that means I can sit around staring into the air for a few days while I order my thoughts about how the book is going to be shaped. That’s my favorite part of writing, to be honest. The part where you just think, not write yet.
Meanwhile, legendary illustrator Michael Whelan is hard at work creating the cover art for the new book, which will be the fifth in the Osten Ard series. On his official website, Whelan writes:
I’ve been painting a LOT of weird trees lately for the new Osten Ard Trilogy, trying to come up with a design idea that Tad Williams, Betsy Wollheim, and I like. The trees figure importantly in the new books so I’ve been working on them for weeks! It’s been a long slog, but I edge a little closer each day and I know it will all be worth it in the end.
Excerpts of The Heart of What Was Lost are already appearing in the Blogosphere, as Pat’s Fantasy Hotlist shared an excerpt on October 9th, and Treacherous Paths’ own contributor ylvs laDuchesse shared a sample of the text on Twitter yesterday. We at Treacherous Paths will be sharing more excerpts soon!
Tad Williams with Treacherous Paths contributors RN, Ylvs, Cyan, Firs. Photo: Deborah Beale.
This week, several Treacherous Paths contributors from across the globe met with Tad Williams at his strange and wonderful home near Santa Cruz in Northern California, and the bestselling author of more than twenty science fiction and fantasy novels revealed some tantalizing new details regarding what will likely be his 23rd full-length novel, The Shadow of Things to Come.
Writes Treacherous Paths contributor Ylvs:
The Shadow Of Things To Come will feature the fall of Asu’a 500 years ago, told from the perspective of a Nabbanai envoy from the court of [Imperator Enfortis]. So we’ll see Asu’a before its fall, [and] probably witness Ineluki killing [the Erl King] Iyu’unigato…
So Shadow will tell of the end of the Sithi empire in Osten Ard, as the Peaceful Ones are routed from the great city of Asu’a and the Erl King’s lands by the cold iron of the mortal Rimmersmen.
Many readers have long requested from Williams that he write one or more full-length novels set in this era, ever since The Dragonbone Chair was published in October 1988, with that volume containing several tantalizing glimpses (told only in flashback sequences) of the end of Iyu’unigato the Erl King’s reign in Osten Ard, as the ravaging northmen destroy the last and greatest of the nine Gardenborn cities:
During [Imperator] Enfortis’ reign the iron-wielders came. Nabban decided to withdraw from the north altogether. They fell back across the river Gleniwent so quickly that many of the northern frontier outposts found themselves entirely deserted, left behind to join the oncoming Rimmersmen or die.
Nabban withdrew its armies from the north, becoming for the first time purely a southern empire. It was just the beginning of the end, of course; as time passed, the Imperium folded itself up just like a blanket, smaller and smaller until today they are nothing more than a duchy—a peninsula with its few attendant islands.
Without the Imperial garrisons, […] the north was in chaos. The shipmen had captured the northernmost part of the Frostmarch, naming their new home Rimmersgard. Not content with that, the Rimmersmen were fanning out southward, sweeping all before them in a bloody advance.
They robbed and ruined other Men, making captives of many, but the Sithi they deemed evil creatures; with fire and cold iron they hunted the Fair Folk to their death everywhere…
Now the people of Hernystir—a proud, fierce people whom even the Nabbanai Imperators never really conquered—were not at all willing to bend their necks to Rimmersgard. They were horrified by what the northerners were doing to the Sithi. The Hernystiri had been of all Men the closest to Fair Folk—there is still visible today the mark of an ancient trade road between this castle and the Taig at Hernysadharc. The lord of Hernystir and the Erl-king made desperate compact, and for a while held the northern tide at bay.
But even combined, their resistance could not last forever. Fingil, king of the Rimmersmen, swept down across the Frostmarch over the borders of the Erl-king’s territory…
In the year 663 the two great hosts came to the plains of Ach Samrath, the Summerfield, north of the River Gleniwent. For five days of terrible, merciless carnage the Hernystiri and the Sithi held back the might of the Rimmersmen. On the sixth day, though, they were set on treacherously from their unprotected flank by an army of men from the Thrithings, who had long coveted the riches of Erkynland and the Sithi for their own. They made a fearful charge under cover of darkness. The defense was broken, the Hernystiri chariots smashed, the White Stag of the House of Hern trampled into the bloody dirt. It is said that ten thousand men of Hernystir died in the field that day. No one knows how many Sithi fell, but their losses were grievous, too. Those Hernystiri who survived fled back to the forest of their home. In Hernystir, Ach Samrath is today a name only for hatred and loss.
That was the day that Sithi mastery in Osten Ard came to an end, even though it took three long years of siege before Asu’a fell to the victorious northerners.
If not for strange, horrible magics worked by the Erl-king’s son, there would likely have been not a single Sithi to survive the fall of the Castle.
Many did, however, fleeing to the forests, and south to the waters and… and elsewhere…
About the Erl- king’s son… it is better to say nothing.
Williams’ announcement regarding The Shadow of Things to Come comes just five months before the release of The Heart of What Was Lost, the first full-length Osten Ard novel since the publication of To Green Angel Tower in Spring 1993. That volume hit the New York Times bestseller list, and it remains one of the longest novels ever written in the English language, at 1,083 pages in hardcover (1,600 pages in paperback).
Altogether, five new Osten Ard novels are expected during the next five or six years (Williams writes at a fairly fast pace, and has never experienced the extended publication delays of fantasy authors like George R.R. Martin, Patrick Rothfuss, or Robert Jordan, publishing, on average, one book every 1.5 years).
We at Treacherous Paths will reveal more details regarding the new Osten Ard novels when we can.
ots of interesting news this week, as DAW Books issues a newly-revised trade paperback edition of Tad Williams’ classic fantasy novel The Dragonbone Chair, book one of “Memory, Sorrow, and Thorn”, the same week that they release the book in audiobook format.
U.S. readers have been denied the audiobook for many years, but at long last the audiobook, read by Andrew Wincott, is available to an American audience. The audiobook runs 33 hours and 19 minutes and is available for purchase right now on Amazon.com. A sample file clip is available here.
The new trade paperback features beautiful new cover art by legendary artist Michael Whelan, who also created the original cover art for The Dragonbone Chair 28 years ago, upon the book’s original 1988 publication.
The new edition runs 652 pages and measures 6 x 9 x 1.5 inches. The cover features a blurb by George R. R. Martin: “Inspired me to write my own seven-book trilogy… it’s one of my favorite fantasy series.” The back cover features quotes praising The Dragonbone Chair written by popular fantasy authors Patrick Rothfuss and Christopher Paolini.
Inside, the the book is largely the same as in previous editions. However, there are a few new extras, one being a new introduction by Williams’ longtime editor, Betsy Wollheim, titled “How Tad Came to Write The Dragonbone Chair”, and a new acknowledgement page at the end of the book. (We at Treacherous Paths are extremely pleased to have been included in the acknowledgements).
The book is definitely worth picking up just for the new cover art, which features one of the Great Swords mentioned in The Dragonbone Chair. Sequel novels Stone of Farewell and To Green Angel Tower will be re-released later this year, and in audiobook format for the US as well.
Also new this week are a few snippets from Tad Williams’ official message board, where the internationally bestselling author discussed three of his upcoming Osten Ard novels, set in the same world as The Dragonbone Chair. Williams discussed his on-going work writing/revising The Heart of What Was Lost, which will be published in January 2017. He wrote:
As I’ve been going through the copyedited manuscript of HoWWL [The Heart of What Was Lost] this afternoon, I’m realizing I’m going to have to write a Tolkien-ish “On Norns and the Sithi” piece as well as a complete index of characters, because otherwise it will just be too confusing for new readers. My poor copyeditor is asking about what the differences are with Hikeda’ya/Zida’ya/Norns/Sithi/White Foxes/Keida’ya (a term that will be new to the new books, meaning the race before they split up) and various others, as well as if Rimmersmen are Northmen and if mortals only means them or others…and so on.
I always worried about the fine line between not boring the readers who already knew Osten Ard and those new to the place.
Long-time readers of Williams’ novels will remember that in Williams’ world of Osten Ard, the Gardenborn, the elder elf-like race who came to Osten Ard from the east on eight great ships, were divided into several tribes. These tribes included the proud Sithi (also called “peaceful ones”, Zida’ya, or Dawn Children), as well as the embittered Norns (“white foxes”, Hikeda’ya, or Cloud Children) and the pacifistic Dwarrows and Niskies (variously called “dvernings”, Tinukeda’ya, or Ocean Children).
The Keida’ya is a term not mentioned in the original series. Williams states that the term is new, and refers to (some of?) the Gardenborn before they split into factions.
Williams also wrote about the progress of the novels:
I finished the final draft of HoWWL a while back, but this is the copyedited manuscript, which has comments on it from the copy editor (and others — everybody likes to get in on the Exciting Tad Action). Then I’ll have one more pass at the proofs stage, which is mostly about looking for mistakes in typesetting, but is also my last chance to kill an infelicitous phrase, or at least bury it in disguising prose.
On a few hundred pages at most it’s not such a big deal, but I’ll be really sick of Osten Ard by the time I’ve been through all the different versions of TWC [The Witchwood Crown]. I’ll also be writing EoG [Empire of Grass] at the same time, so I’ll be doubly or even trebly sick.
Thank God I’m used to this kind of getting-sick-of-my-own-book.
The Witchwood Crown, the first novel in the upcoming “The Last King of Osten Ard” series, is scheduled for publication in April of 2017, with sequel novels Empire of Grass and The Navigator’s Children following sometime thereafter.
ig news today, as Amazon has added Tad Williams’ The Heart of What Was Lost to its website as an item which may now be pre-ordered from Amazon. The new novel, a sequel to the original classic “Memory, Sorrow and Thorn” books, takes place sometime shortly after the events of the original series.
Amazon gives the length of the novel as 368 pages in hardcover, with a publication date of January 3rd, 2017. Amazon also lists the Kindle edition as available for pre-order. Williams, the international bestselling author of more than twenty speculative fiction novels, including The War of the Flowers, Caliban’s Hour, and the “Otherland”, “Shadowmarch”, and “Bobby Dollar” series, talked a bit about some of the plot details of the new novel, including a few spoilers:
[R]eturning characters from MS&T are Isgrimnur and Sludig […] There are also a few others such as Akhenabi (a Norn magician) who had brief appearances in MS&T.
So two of the characters will be the returning Rimmersmen Isgrimnur and Sludig; readers of the original series will recall Isgrimnur, the aging Duke of Rimmergard in “Memory, Sorrow and Thorn”, a major point-of-view character who throws his lot in with the rebel Prince Josua Lackhand of Erkynland in their quest to remove Josua’s brother, the treacherous King Elias, from the Dragonbone Chair.
Sludig was Isgrimnur’s lieutenant, and he was a dynamic and important character in the original trilogy. It is Sludig who accompanies Simon, Binabik and Binabik’s wolf companion Qantaqa north from Naglimund Castle, skirting around the western and northern sides of Aldheorte Forest in a desperate, cold attempt to retrieve the lost sword Thorn from the “Rhymer’s Greate Tree.” Sludig and Binabik eventually return to Prince Josua with the Great Sword Thorn, but it is Simon who is knighted by the prince.
The Heart of What Was Lost is Williams’ first new Osten Ard novel since 1993’s bestselling To Green Angel Tower, and this first new novel will be followed by four additional novels. The second novel, The Witchwood Crown, is already scheduled for an April 2017 release.
his week, acclaimed Science Fiction and Fantasy author Tad Williams, author of the Memory, Sorrow and Thorn;Otherland; and Shadowmarch series, announced via his official newsletter that he is in rewrite mode on two of his new novels, The Heart of What Was Lost and The Witchwood Crown, both due for publication by DAW Books in 2017. Both novels are set in Osten Ard, in the same universe as his classic Memory, Sorrow and Thorn books. Williams wrote:
I am deep, deep, DEEP in Osten Ard history at the moment. Having finished the first drafts of both THE WITCHWOOD CROWN and THE HEART OF WHAT WAS LOST — in the first case, most of a year ago — I’m in rewrite mode on both to finalize the stuff I left vague in the first drafts.
Williams has communicated that the writing process for the new Osten Ard novels has been unusual in that although he normally writes very detailed drafts, in this case, he has spent much more time on the worldbuilding, because returning readers already know this world:
I know so much more about my own imaginary environment than I did a year ago, despite the fact that I think it was already one of the more catalogued invented worlds. I know the name of all the original Scrollbearers (the learned folks who make up the League of the Scroll) when King Ealhstan began it, two hundred years or so before Simon and company. I know the history of the two great families of immortals, the Hamakha and Sa’onserei, all the way back to the garden, in far more detail than anyone else needs to know. I know the order in which the Eight Ships came to Osten Ard, and I know what happened to Seni Ohjisá, mentioned only in a song in the first set of books. I know the names of people’s horses when even the names of the people who ride those horses will remain essentially meaningless trivium in the final story, if they even show up.
Stone of Farewell (1990) discusses the Hamakha-Sa’onserei feud and the eight ships of the Garden
Williams’ mention of the families Sa’onserei and Hamakha refers to the ruling dynasties of the Sithi and the Norns, two of the immortal (and ever-feuding) races in the classic Osten Ard novels, with Queen Amerasu no’e-Sa’onserei presiding over the mortal-hating Sithi, and Queen Utuk’ku seyt-Hamakha ruling over the even-more-mortal-hating Norns.The two families’ bitter, centuries-long feud is a central plotline in Memory, Sorrow and Thorn, and lies at the heart of the conflict in the series.
Williams’ reference to the “Eight Ships [that] came to Osten Ard” harkens back to the legendarium of the Gardenborn, the immortal clans exiled from the Lost Garden, which the author only briefly hinted at in passages of the classic Osten Ard novels, written in the 1980s and 1990s. Stone of Farewell (1990) mentions the eight ships, as the protagonists Simon and Aditu enter the Gardenborn city of Jao e-Tinukai’i, and pass by the woven cord art at the edge of the city:
They crossed a bridge over one of the river-forks, then turned and followed the watercourse down a long corridor of willows. A ribbon of white cloth wound in and out among the trees on their left, wrapped about trunks and looped over branches. As they passed farther down the row of willow sentries, the initial ribbon was joined by another. These two snaked in and out, crossing behind and before each other as though engaged in a kind of static dance.
Soon more white ribbons of different widths began to appear, woven into the growing pattern in knots of fantastic intricacy. These weavings at first made up only simple forms, but soon Simon and Aditu began to pass increasingly complex pictures that hung in the spaces framed by the willow trunks: blazing suns, cloudy skies overhanging oceans covered with jagged waves, leaping animals, figures in flowing robes or filigreed armor, all formed by interlaced knots. As the first plain pictures became entire tapestries of tangled light and shadow, Simon understood that he watched an unfolding story. The ever-growing tapestry of knotted fabric portrayed people who loved and fought in a gardenlike land of incredible strangeness, a place where plants and creatures thrived whose forms seemed obscure even though precisely rendered by the unknown weaver’s masterful, magical hands.
Then, as the tapestry eloquently showed, something began to go wrong. Only ribbons of white were used, but still Simon could almost see the dark stain that began to spread through the people’s lives and hearts, the way it sickened them. Brother fought brother, and what had been a place of unmatched beauty was blighted beyond hope. Some of the people began building ships…
“Here,” Aditu said, startling him. The tapestry had led them to a whirlpool swirl of pale fabric, an inward-leading spiral that appeared to lead up a gentle hill. On the right, beside this odd door, the tapestry leaped away across the river, trembling in the bright air like a bridge of silk. Where the taut ribbons of the tapestry vaulted the splashing stream, the knots portrayed eight magnificent ships at sea, cresting woven waves. The tapestry touched the willows on the far side and turned, winding back up the watercourse in the direction from which Simon and Aditu had come, stretching away from tree to tree until it could no longer be seen.
Williams then writes about the editing happening on both of the new novels, writing that he has received (hopefully useful) feedback from early readers of the manuscripts:
And I’ve also been getting the first feedback from readers of the new manuscripts in the last half-year, so I’m trying to let that wash over me as well, influencing the rewrites in a good way without overwhelming my own natural trust in what I’m doing.
That last part is particularly important, because I chose to let my first readers see a much rougher first draft (at least of TWC) than usual, so of course everyone pointed out the stuff that I would most liked to have fixed first before releasing, like “So-and-so has no personality”. I mean, it’s true — So-and-so is definitely a stiff at this point, but part of that is because when I was writing it I wasn’t exactly sure how old So-and-so was, or what he or she had experienced in life, or what was going to happen to him or her later on, and which of the character’s traits and what part of his or her life history would be useful and necessary to deepen the character, and so on.
The balance point here, as in any worldbuilding, is knowing how much material you need to know to feel comfortable writing in that world — which will always be less than you’ll actually use. Even though my worlds are generally long on history and convoluted recitations thereof, I obviously won’t cram everything I’ve figured out into the books themselves (although I am getting more resigned to having to do an Osten Ard Companion someday, with Silmarillion-like tellings of all this background material. A good project for my old age, shortly before all the dog hair I breathe and cat scratches I suffer from every day finally kill me).
If such a project takes place, the Osten Ard Companion would become the tenth or eleventh Osten Ard book, after The Burning Man, The Dragonbone Chair, Stone of Farewell, To Green Angel Tower (parts one and two), The Heart of What Was Lost, The Witchwood Crown, Empire of Grass, The Navigator’s Children, and The Shadow of Things to Come, the last three of which are expected sometime after the publication of The Witchwood Crown.
Tad Williams, author of the classic Memory, Sorrow and Thorn fantasy series as well as the upcoming Heart of Regret and The Witchwood Crown sequels, all set in the world of Osten Ard, was interviewed by British publisher Hodder Books this week. The full podcast interview runs just under 12 minutes, below. The Osten Ard part of the interview begins at 2:58. (The interview contains some minor spoilers for The Witchwood Crown, including some basic plot details, as well as major spoilers for Memory, Sorrow and Thorn).
The character of Simon Snowlock is based at least partially on Tad Williams’ younger brothers, according to Williams’ latest interview.
Williams reveals several tidbits during this interview. The first is that his character Simon Snowlock, the main protagonist of Memory, Sorrow and Thorn, was modeled on his younger brothers. He also states that some fact-checking has been done on The Witchwood Crown, to make sure there are no conflicts with the original text.
The tentative dates for publication of the upcoming Osten Ard books are late 2016 for Heart of Regret and early 2017 for The Witchwood Crown. Subsequent volumes set in the same universe, titled Empire of Grass, The Navigator’s Children, and a fifth, as yet unnamed volume, will be published sometime thereafter.
Williams also reveals some details about his Bobby Dollar books (at 0:20 in the interview), and also discusses Tailchaser’s Song, his first novel (at 9:40).
Science fiction and fantasy author Tad Williams will appear at Kepler’s Bookstore in Menlo Park, California, (1010 El Camino Real) on Monday, August 24th at 7:30 PM. The event is called “John Scalzi in conversation with Tad Williams”, and Williams will be chatting with fellow author John Scalzi. This is a ticketed event.
Tad Williams is perhaps best known as the author of five shelf-bending speculative fiction series: “Memory, Sorrow and Thorn” (1988-1993), “Otherland” (1996-2001), “Shadowmarch” (2004-2010), “Bobby Dollar” (2012-present), and “The Ordinary Farm Adventures” (2009-present, co-written with wife Deborah Beale).Williams has also written a number of shorter works, including several novellas and the standalone novels Tailchaser’s Song (1985), Caliban’s Hour (1994), and The War of the Flowers (2003).
Science fiction author John Scalzi is best known for his “Old Man’s War” series, three novels of which — Old Man’s War, The Last Colony, and Zoe’s Tale — have been nominated for the prestigious Hugo Award.
John Scalzi served as president of the Science Fiction and Fantasy Writers of America from 2010 to 2013. Scalzi is also known for serving as a creative consultant for the hit TV series Stargate Universe, among other projects.
More information on the Kepler Books event is available here.
The current manuscript is over 1,000 pages, comprised of 54 chapters. (Williams is no stranger to very long manuscripts, many of his novels clocking in at around the same size. The third “Memory, Sorrow and Thorn” book, To Green Angel Tower, is one of the longest novels in the English language.)
Here are my much-delayed revised chapter titles. These are still subject to change, but they all have something to do with their chapters now. (Often I will start a chapter with a title, but decide to deal with something different instead of my original plan for that chapter, then forget to change the title.)
Anyway, make of them what you will. It will be a while until I have a good cast list to share.
THE WITCHWOOD CROWN
Volume One of THE LAST KING OF OSTEN ARD
PART ONE: WIDOWS
Ch. 1 – The Glorious
Ch. 2 – Conversation with a Corpse-Giant
Ch. 3 – Brother Monarchs
Ch. 4 – Island of Bones
Ch. 5 – An Aversion to Widows
Ch. 6 – The Finest Tent on the Frostmarch
Ch. 7 – Audience with the Ever-Living
Ch. 8 – A Meeting On Lantern Bridge
Ch. 9 – Heart of the Kynswood
Ch. 10 – The Third Duke
Ch. 11 – Ghosts of the Garden
Ch. 12 – Baroness Alva’s Tale
Ch. 13 – Hymns of the Lightless
Ch. 14 – At the Top of the Holy Tree
Ch. 15 – A Passage of Arms
Ch. 16 – A Hand In The Snow
Ch. 17 – No Shadow
Ch. 18 – A Bad Book
Ch. 19 – Unnatural Birth
Ch. 20 – His Bright Gem
Ch. 21 – Crossroad
Ch. 22 – Death Songs
Ch. 23 – Testament of the White Hand
PART TWO: ORPHANS
Ch. 24 – Terrible Flame
Ch. 25 – Example of a Dead Hedgehog
Ch. 26 – The Small Council
Ch. 27 – Noontide At The Quarely Maid
Ch. 28 – Cradle Songs of Red Pig Lagoon
Ch. 29 – Bones and Black Statues
Ch. 30 – The Slow Game
Ch. 31 – A High, Dark Place
Ch. 32 – Rosewater and Balsam
Ch. 33 – Secrets and Promises
Ch. 34 – Feeding The Familiar
Ch. 35 – The Man with the Odd Smile
Ch. 36 – A Foolish Dream
Ch. 37 – Two Bedroom Conversations
Ch. 38 – The Factor’s Ship
Ch. 39 – A Grassland Wedding
Ch. 40 – Watching Like God
PART THREE: EXILES
Ch. 41 – Hern’s Horde
Ch. 42 – Forest Music
Ch. 43 – Into Deeper Shadows
Ch. 44 – Charms and Tokens
Ch. 45 – A Nighttime Sun
Ch. 46 – River Man
Ch. 47 – Hidden Chambers
Ch. 48 – The Little Boats
Ch. 49 – Blood As Black As Night
Ch. 50 – Stolen Scales
Ch. 51 – Several Matters of State
Ch. 52 – Homecoming
Ch. 53 – The Queen’s Pleasure
Ch. 54 – Voices Unheard, Faces Unseen
There are some inconsistencies with the chapter titles; for example, Chapter 27’s title, referring to the Quarely Maid, is not the name of the inn chosen by readers on the official message board last year. But of course, these chapter titles are subject to change or revision. The Witchwood Crown is expected to be released in Spring 2016, followed sometime thereafter by Empire of Grass and The Navigator’s Children.
I’ve finished the (tidied and revised) version of the first draft of The Witchwood Crown. Currently it’s 1071 pages, about 311K words. Yes, I’ve written another not-small book. Surprise!
The writing process has been very fast, with the announcement of the highly-anticipated new series only being made in April of last year. The Witchwood Crown is expected to be published in Spring 2016, with subsequent volumes, tentatively titled Empire of Grass and The Navigator’s Children, published sometime thereafter. Negotiations for foreign-language translations have already been inked.
News of Williams’ return to Osten Ard has readers and critics alike excited, with Daniel Kaszor of The National Postwriting that “Memory, Sorrow and Thorn” “redefined what traditional fantasy could be”, while Google calls the series “the trilogy that launched one of the most important fantasy writers of our time.”