An Interview with Tad Williams, part 4

Like Tad Williams, we tried to keep it to three parts, but it ended up being four. Below is Part Four of OstenArd.com’s interview with internationally bestselling speculative fiction writer Tad Williams, author of the “Memory, Sorrow and Thorn”, “Otherland”, “Shadowmarch” and “Bobby Dollar” books, and who recently announced the completion of the first draft of The Witchwood Crown, the first volume of a series of sequel novels to his classic “Memory, Sorrow and Thorn” trilogy, called “The Last King of Osten Ard“. The Witchwood Crown is tentatively slated for a Spring 2016 release.

Part OnePart TwoPart Three

The below questions were asked by readers on the Tad Williams Message Board and by OstenArd.com contributors. In this part of the interview, we asked Williams about publication plans for print and audiobooks, plans for re-releases of the classic “Memory, Sorrow and Thorn” books, and what, if anything, he has found challenging about writing a much-older Simon, Miriamele, Binabik, and the rest of the crew.

Tad Williams' novels have long been available as audiobooks in Germany. Now "The Last King of Osten Ard" will get an English-language audiobook.

Tad Williams’ novels have long been available as audiobooks in Germany. Now “The Last King of Osten Ard” will get an English-language audiobook, Williams reveals.

OstenArd.com: Tad, the new series will certainly be a major publishing event, and deals have been announced for the US and the UK. Are there any other deals in place that you can talk about? Have plans been put in place on how the new books are going to be published and/or marketed? Will there be audiobooks?

Tad Williams: I’m sure there will be audiobooks in English and German, although I don’t know any details yet. All other stuff, I really don’t know. Deb [Tad’s wife and business partner Deborah Beale] probably knows more than I do, because I’m doing my best just to get the books written.

OA.com: Will there be re-issues of the original trilogy? Hardcover reprint? Audiobooks? Any news on that front?

Tad: Same answer. But, yes, we’re pushing for a re-release.

OA.com: In the “Memory, Sorrow and Thorn” reread on the Tad Williams Message Board, we had a lot of fun tracking down references to mythology/history/other books – can we expect more of that in “The Last King of Osten Ard”? Is there a reference you particularly liked in “Memory, Sorrow and Thorn” and that no one mentioned to you yet? Any still hidden Easter-egg?

Tad: I honestly have no idea if there are any Easter eggs that have escaped the laser-focus-bunnies of the message board. I’ll keep an eye open when I do another re-read (which I think I’ll have to do before I commit to the first volume as finalized), and if I see something, I’ll let you know. Besides, it’s better when you guys find these things on your own, because then even if I never intended it, I can look wise and nod my head: “Ah, yes, that. Very clever, wasn’t I?”

Simon and Miriamele gained a throne thirty years ago... How have their experiences changed them over the decades?

Simon and Miriamele gained a throne thirty years ago… How have their experiences changed them over the decades?

OA.com: Were there any aspects of writing a 30-years-older Simon or Miriamele (or any other character from “Memory, Sorrow and Thorn” who reappears in “The Last King of Osten Ard” for that matter) that you found surprising or challenging or surprisingly challenging?

Tad: Too early to say, really, because a lot of this will be not just who the characters are at the beginning, but how they change during these books, as they did during MS&T. But it’s all challenging, because we know these characters as young people. The difference between a teenager and a middle-aged adult is almost like two different people. But I think I’ll be able to tell you more when I’m actually done — rewrites and all — with this first volume, because it’s in rereading Witchwood Crown AS A NOVEL that will tell me a lot about whether Simon and Miriamele’s older selves feel real and appropriate.

 

[Ed.: This concludes our multi-part interview with Tad Williams. We’d like to take a moment to thank Tad Williams and Deborah Beale for their time, and all the friendly folks on the Tad Williams message board, who asked a lot of great questions.]

An Interview with Tad Williams, Part 1

Speculative fiction writer Tad Williams has sold over 30 million copies of his books, which have been translated into more than 25 languages. His first epic fantasy trilogy, “Memory, Sorrow, and Thorn”, became an international bestselling series beloved by millions. And now Tad Williams returns to the world of “Memory, Sorrow and Thorn” with a new sequel series called “The Last King of Osten Ard”, a series which seems likely to catapult him back once more onto the bestseller lists.

We talked with Williams shortly after he and his wife and business partner Deborah Beale announced that he had just completed the rough draft of the first book in the new series, The Witchwood Crown. In this exclusive interview, we asked Williams some questions about his world-building, plans for book tours, what it’s like to return to a world he hasn’t been to in ages, and his plans to continue to write “Bobby Dollar” books in between Osten Ard novels. Below is Part One of the interview. Further portions of the interview will be published later this week.

OstenArd.com: Thanks, Tad, for agreeing to do this interview! You have stated that you are writing the new Osten Ard novels at the same time as Bobby Dollar stories. Even though they are very different stories, do you ever find yourself confusing the characters’ voices? Or are they just too different for that to happen?

Tad Williams: One of the nicest things about Bobby Dollar is that I tell it in the first person. Once I start writing that voice, it comes pretty naturally (in part because he talks more than a bit like me.) Most of TLK is third-person past tense (there are some epistolary sections in first-person present) so it’s actually quite different. Not to mention that BD is modern in style of speech, so it’s like turning off the tape-delay. When I’m writing fantasy, especially pre-industrial fantasy, I have to find a proper tone and vocabulary to go with the story. But with TLK, I just have to come up with something that feels appropriate to what I used in the first books.

Cover of part 1 of the Japanese edition of The Dragonbone Chair, one of more than 25 language editions of the book.

Cover of part 1 of the Japanese edition of The Dragonbone Chair, one of more than 25 translations of the book.

OA.com: You have a devoted fan base who would love to meet you. Does your publisher plan a major book tour before/during/after the launch of The Witchwood Crown, and if so, where might you go? Are there markets that you absolutely know you’ll have to visit?

Tad: I hope so, and I would love to do it. Publishers haven’t been touring writers as much because of a) the loss of profitability in brick-and-mortar publishing and the 2006-present economic ructions. But I hope this is enough of an event to warrant my American publishers touring me again. As far as other countries, that’s always catch as catch can, although I’m pretty sure my German publishers will tour me.

OA.com: Both Christopher Paolini and George R. R. Martin have acknowledged that you inspired them to write their own series. Are there plans afoot to ask them to provide a blurb for The Witchwood Crown?

Tad: Christopher would probably do it, no problem. It’s always hard to get George to do stuff like that just because there’s so many demands on his time. He’s like me times a thousand, probably, in terms of how many things he can pay attention to out of however many are seeking his attention.

Map of Osten Ard, showing the more than a dozen nations which make up the continent.

Map of Osten Ard, showing the more than a dozen nations which make up the continent.

OA.com: In The Dragonbone Chair, you built a massive world with more than 100 cities, towns and villages spread out over a continent. Then you created languages, cultures, and peoples to fill those places. As you added more books, Osten Ard grew further. Are you planning to do any exploring of areas outside the old maps? The “blank areas at the edges of the maps”? If so, how will that mesh with the existing infrastructure and the old maps?

Tad: There will definitely be some expansion of what we know about O. Ard., but I’ve got plenty of stuff from the originals to elucidate and expand upon without going beyond the Nascadu desert or the northern Trollfells or Nornfells. However, we will learn a bit more about the -conceptual- map of the world, and also see some places we never saw in the first books, that’s for sure.

OA.com: During the events of MS&T, readers got to explore the realm, visiting everything from steaming jungles to frozen tundra (LOTS of frozen tundra!). Any plans to revisit areas of Osten Ard which didn’t get much attention in the classic series? Nascadu? The Hyrkalands? The Westerling Islands? Harcha and Naraxi? Ijsgard? The Lost Garden?

Tad: We’re going to see a LOT of the Nornfells and Nakkiga. We’re also going to see a lot of Aldheorte and the Thrithings and Nabban. As far as other, previously unvisited places, I’m not sure — that will depend on where the second volume and the beginning of the third takes some characters whose steps I haven’t completely mapped yet. (By the way, the amusingly stupid spellchecker on this email keeps trying to change “the Thrithings” to “the Thrashings”.) And we will learn and hear more about the Lost Garden as well — a LOT about the early history of the Norns and Sithi, both in Osten Ard and before. So while I can’t say we’re going to visit the Lost Garden — it is lost, after all — we’re definitely going to learn and hear more about it.

To be continued…

Part Two

Tad Williams completes first draft of “The Witchwood Crown”, new Osten Ard book

Bestselling international fantasy/sci-fi author Tad Williams was set to complete the first draft of The Witchwood Crown on Tuesday, his wife and business partner, Deborah Beale, announced on Twitter on Tuesday morning.

The Witchwood Crown is the first volume of “The Last King of Osten Ard”, a sequel trilogy to the original classic epic fantasy series “Memory, Sorrow and Thorn”, set thirty years after the original books. Beale and Williams have kept fans up to date on a regular basis (a list of monthly page counts can be found here), with news of progress happening nearly every week.

The Dragonbone Chair, book 1 of Memory Sorrow and Thorn

Cover of The Dragonbone Chair, the first volume of “Memory, Sorrow and Thorn”.

Reaction to the news of a new Osten Ard series has been very positive, with Daniel Kaszor of The National Post writing, “The Memory, Sorrow and Thorn series […] redefined what traditional fantasy could be. Williams took the basics of Tolkien, deconstructed the story and put it back together in his own image, one fit for modern times.” Kaszor also points out the influences that “Memory, Sorrow and Thorn” had on “Game of Thrones”. Meanwhile, Charlie Jane Anders of io9.com writes that “it’s great news that Williams is returning to the series that made his name”.

“The Witchwood Crown” is expected to be published in Spring 2016, and will be followed by Empire of Grass and The Navigator’s Children. The books will be illustrated by Michael Whelan, who painted the original covers of “Memory, Sorrow and Thorn”.