Tad Williams discusses New! Osten Ard! Novels! (Part 2)

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ere is Part 2 of our video interview with legendary fantasy and science fiction author Tad Williams, author of the now-classic “Memory, Sorrow, and Thorn” series; the questions from the interview were submitted by readers from TadWilliams.com and Westeros.org forums.

In this interview, Tad Williams discusses his new Osten Ard novel project, including his thoughts on Tolkien, whether or not new areas of Osten Ard (such as Nascadu and Khandia) will be seen, as well as whether or not he regrets killing off characters (and if he’s ever tempted to resurrect some of them). He also discusses the problem of the Norns, and how challenging it is to write sympathetic characters who do monstrous things.

Williams also discusses both Binabik and Duke Isgrimnur, two beloved characters from the original series, as well as a 45-foot crocodile in the swamps of the Wran. The Witchwood Crown, the latest Osten Ard novel, will be released on June 27, 2017.

 

New video trailer for Tad Williams’ “The Witchwood Crown”

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enguin Books has just released a new video trailer for Tad Williams’ The Witchwood Crown, the fifth volume in his international bestselling Osten Ard saga. Over epic music, the camera pans over legendary artist Michael Whelan’s illustrations of the Great Swords of Osten Ard: Memory, Sorrow, and Thorn.

The Unwrapping of Smarch Gifts

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ad Williams  – or as we, his friends on his message board call him: The Dogly One – turned 60 last week. Reason enough for us to send him some presents as he has gifted us with his stories for so long. We plotted for months on a hidden part of the message board and also brought Tad’s wife Deborah Beale in to the conspiracy. She took the following pics of the unwrapping:

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Happy to have prezzies …

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Yes exactly,  this is the main one.

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Don’t hurt yourself!

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What might this be?

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Too bad this is so blurry. It says Norn Porn in beautiful black rhinestones, made by cyan who planned this for ages and ages …

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Hmm.

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This utterly beautiful witchwood knife was made by Sojourn.

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Yes, you might keep the bubble wrap as well.

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Frankie is definetly mad but does he deserve this?

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This is my favourite. Tad fondly looking at the festschrift we all made for him. A book with stories, art and pics of the many Smarchmoots in the last 15 years …

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Cover art by Kia.

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No, there won’t be pics of every page.

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HAPPY BIRTHDAY DOGLY ONE!

German edition of The Witchwood Crown to be split into two volumes

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erman publisher Klett-Kotta announced this today: the first volume of Tad Williams’ latest High Fantasy Series “The Last King of Osten Ard” turns out to be considerably larger than has been planned. Instead of the 800 pages which had been assumed to amount to in the German version, its extent will now be nearly 1,300 pages.

To make sure that our numerous fans get a quick access to the German version we have, together with Tad Williams, settled that the work will be split in two parts and will be out in September and November. As Stephan Askani, editor of the Hobbit-Presse, has it: “If we handled it any other than that, the publication date (of a one-volume-edition) would have to be postponed until November, although two translators are working intensely on the text.”

Die Hexenholzkrone Bd. 1 will amount to about 750 pages, Bd. 2 will be about 550 pages. Each of the  volumes will cost 20 Euro.

Neues von Tad Williams

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lett-Kotta in einer Presseerklärung von heute: Der erste Band von Tad Williams neuer High-Fantasy-Serie Der letzte König von Osten Ard wird wesentlich umfangreicher als geplant. Statt der für die deutsche Ausgabe ursprünglich angenommenen ca. 800 Seiten, wird Die Hexenholzkrone  nun auf einen Umfang von fast 1.300 Seiten kommen.
Um den zahlreichen Fans einen möglichst raschen Zugang zur deutschen Ausgabe zu ermöglichen, wird das Buch in Absprache mit Tad Williams in zwei Teile aufgeteilt und im September und November 2017 veröffentlicht.
Hobbit-Presse-Lektor Stephan Askani : „Würden wir nicht so verfahren, würde sich der Erscheinungstermin einer einbändigen Ausgabe auf November verschieben, obwohl bereits zwei Übersetzer unter Hochdruck am Text arbeiten.“

Die Hexenholzkrone Bd. 1 wird etwa 750 Seiten umfassen, der Bd. 2 etwa 550 Seiten.
Beide Bände werden jeweils 20,- € kosten.

Band 1: Aus dem Englischen von Cornelia Holfelder-von der Tann und Wolfram Ströle
1. Aufl. 2017, ca. 800 Seiten, gebunden mit Schutzumschlag
ISBN: 978-3-608-94953-7
Erscheinungstermin 05.08.2017

Band 2: Aus dem Englischen von Cornelia Holfelder-von der Tann und Wolfram Ströle
1. Aufl. 2017, ca. 550 Seiten, gebunden mit Schutzumschlag
ISBN: 978-3-608-96196-6
Erscheinungstermin 11.11.2017

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Cover of “The Witchwood Crown” revealed!

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he cover for bestselling speculative fiction author Tad Williams’ new novel, The Witchwood Crown, has been revealed this week, and we at Treacherous Paths are excited to bring you this exclusive sneak peak. The Witchwood Crown, volume five in the four-thousand-page-long Osten Ard saga, continues the story begun in The Dragonbone Chair (1988), and subsequent sequels Stone of Farewell (1990), To Green Angel Tower (1993), and The Heart of What Was Lost (2017). It is the first volume in the “Last King of Osten Ard” series.

The cover art, painted by legendary artist Michael Whelan, depicts the Hayholt, with Hjeldin’s Tower looming ominously, its red windows glowing. The Hayholt’s buildings in the background closely resemble those depicted by Whelan in 1993 for To Green Angel Tower — a nice bit of continuity. The buildings in the background appear to be in the Inner Bailey and thus are likely to be the Residence, with its dome, and Holy Tree Tower.
thewitchwoodcrownThe cover art appears on the DAW Books Advance Reader Copy of the novel, so there may be some differences between this cover and the final US edition, which will be released in June of this year.

The ARC is 721 pages long, including a 25-page index. It also includes a dedication, acknowledgements, an author’s note, a frontispiece map, a foreword, and more maps.

The Witchwood Crown is expected to be released on June 27, 2017 in the US and UK, with Germany, the Netherlands, and other countries to follow. It will be followed by Empire of Grass, The Shadow of Things to Come, and The Navigator’s Children.

Tad Williams holds Reddit AMA interview, answers readers’ questions

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egendary Science Fiction and Fantasy author Tad Williams held an “Ask Me Anything” (AMA) interview today on forum website Reddit.Williams revealed several details about his upcoming sequel to “Memory, Sorrow and Thorn”, The Witchwood Crown.

Williams began his AMA interview in inimitable fashion:

I have returned to the world of Osten Ard, first introduced in the now impossibly ancient days of the late 1980s, in THE DRAGONBONE CHAIR, first book of the “Memory, Sorrow, and Thorn” series (also known as, “Those really, really, REALLY long books by that Williams guy.”) Just published is a short introductory novel — really a bridge between the end of the first series and some of the characters who will appear in the new books — the slender volume, THE HEART OF WHAT WAS LOST (http://www.tadwilliams.com/2017/01/the-heart-of-what-was-lost-first-reviews/) which will be followed by THE WITCHWOOD CROWN (a more typical Tad shelf-buster) in June. The entire series will be called “The Last King Of Osten Ard”, because that’s what fantasy fiction needs — MORE LONG TITLES.

(I also thought about calling the first books “Osten Ard Classic” and the current series “New Osten Ard” or even “Osten Ard Zero”, until various soft drink company lawsuits got in the way. Killjoys.)

I will be answering questions about the original series AND the new books live on Friday, January 27th, 2017 at 2:30 PM ET / 11:30 AM PT. Feel free to leave a question or subpoena for me ahead of time, or to join me online.

Heart_of_what_was_lost_Tad_WilliamsAmong the gems asked during the Reddit interview were questions regarding the new upcoming “The Last King of Osten Ard” novels, as well as questions regarding characters in The Heart of What Was Lost, the new bridge novel which was just published this month.

One question asked was (minor spoilers): “Will we eventually find out what Ayaminu’s agenda was?”Ayaminu is one of the Gardenborn characters who appears in The Heart of What Was Lost.

Williams’ response:

Yes. Yes, we will.

That really frustrated a few of my early readers, by the way, wanting to know WHAT SHE WAS DOING and why the answer wasn’t in the book.

I can’t help it. I work in long form. My days are everyone else’s months, especially when I’m writing really long stories.

Williams was also asked how far apart each new Osten Ard novel would be. Williams is known as a relatively fast writer, and has not had the extended delays between books which have plagued other bestselling speculative fiction authors. While Martin and Rothfuss have struggled to finish their novels, Williams has managed to mostly keep to his publishing deadlines.Williams replied:

Can’t say for certain, but I’m aiming for a year to a year and a half max between books. I’m pretty good at that these days, and I’ve actually started and finished several multi-volume series, so it shouldn’t take too long altogether.

I’m already working on the second large volume, Empire of Grass, and Witchwood Crown (first of trilogy) has been done for quite a while.

Williams was also asked about how “open-ended” his books are, and if he plans to revisit his other worlds, which would include the virtual world in “Otherland”, Eion/Xand (“Shadowmarch”) , and San Judas, the alternate reality city in his “Bobby Dollar” novels. Williams stated:

I have never written anything except the Bobby Dollar books with the idea of the story being open-ended. I’d be in trouble if I did, since I’m only now returning to Osten Ard, thirty years later. Half my original readers are probably dead and the rest are drooling. Like me.

As I said elsewhere on the AMA, I never start something by where it takes place (like a previous world of mine) only with a story I want to tell. I may come up with ideas for stories set in some of my other worlds, and if I do, I’ll probably write them. I’ve had a couple of tentative ideas over the years, and now that I’ve found I can live with going back to Osten Ard, I’ll probably be more open to revisiting some of the other creations as well.

Most intriguingly, Williams was asked if he has any plans to link Osten Ard, the world of the “Memory, Sorrow and Thorn” books, to the Xand/Eion world in “Shadowmarch”, with a reader asking “Are there any Easter eggs/connections between the worlds or Osten Ard and Shadowmarch?”

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Although the worlds of Xand/Eion and Osten Ard have been considered separate, and there has been nothing to link them together besides some small similarities (strange properties of mirrors, for example), Williams, interestingly enough, did not rule this out:

Funny, I was just thinking about this the other day — connections between the two worlds. I think it’s possible that there may be a Michael-Moorcock-style multiverse underlying all my books, but I’ve never consciously tried to link them all together.

Maybe someday…

Curious readers asked quite a lot about the Norns, the embittered fair folk in the Osten Ard novels. The most clever term “Nornithology” has been coined by one reader. Of the Norns and their undying queen Utuk’ku, Williams writes:

I took the comparatively few things I knew about the Norns when I wrote the first books and have added/expanded quite a bit during the writing of these new ones. And you’ll see a LOT of the Norns and Nakkiga in the new books. I’m glad it seems to belong with the early stuff. I certainly mean it to feel as though it’s a seamless whole.

Reader Alaron asked:

Hi Tad. Huge fan here from Germany. I finished Heart of what was Lost a few days ago. It was great. I have a question about the timeline of Sithi/Norn history in Osten Ard. In Heart it was mentioned that the Norns came to Nakkiga more than 3000 years ago. Those Norns/ Sithi as Yaarike that were born before the Parting are considered to be old even by Keida’ya standard. I estimated that the Keida’ya must have arrived in Osten Ard at least 6000 years ago, as Utuk’ku is the last of the original Keida’ya that left the Garden. Is that timeline roughly correct?

And Williams’ response:

I’d have to check, and my notes are a mess right now. My tentative timeline actually has the Norns arriving, yes, at least 6000 years ago, but I suspect actually it’s a bit longer. (Along with some of my hardest-working friends and readers, I’m still trying to stabilize the timeline.)

But yes, at least 6000 years previous to the stories.

Williams was also asked about how many pages he has completed in Empire of Grass, the middle novel of the new series. Williams responded:

Not sure. About a hundred pages, I’d say (I’m writing in separate chapter-files at first, so I don’t have a running overall page count). The last couple of months, with the holidays and various kid-related things, have been grueling. I’m expecting to have a nice long stretch in the next few months to get the first draft substantially done.

Over 200 comments were made in the thread.

Rejoice – Osten Ard is truly back

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o, The Heart of What Was Lost (or HOWWL – I just love this acronym) hit the shelves. Tad Williams’ long anticipated return to Osten Ard is finally out for everyone to read and cherish.

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This review is written by me, ylvs, and represents my view of the book. Other contributors to the site might add their own later. I was a beta reader of this book, following its development from first draft to final manuscript and I am delighted to finally be able to share my thoughts.

This is a must read for fans of MS&T. It is amazing how perfectly Tad manages to match the flavour and texture of the original. It just takes a few pages and you’re right back in Osten Ard. For someone loving this story as much as I do it feels like coming home …

It is also a fine starting point for those unfamiliar with Osten Ard. You never read MS&T and shy away from the sheer mass of it? Try this and find out if the world is to your liking. Of course the story has less depth without the background provided in the old books, but it is self contained and makes sense on its own.

When I first heard that Tad was writing a novelette (which finally became a short novel – anybody surprised?) about the aftermath of the final battle of MS&T I was not that excited. The victorious humans chasing their beaten fairy foes back to where they came from – that sounded more like “a story for the guys” than one for me. I do not mind reading about war and battles and people suffering but a book which is prominently about that? Nah, not really. But alas, it is a sequel to my favourite story of all time so of course I did read it and yes I do love it.

Why? First because it features one of my favourite characters from the old books: Sludig already was the hero of many deeds and battles and here he keeps doing the right thing although there never seems to be a reward or promotion for him. This is actually a sort of running gag in the novel, mentioned more than once – poor old Sludig.

Secondly HOWWL finally throws a floodlight on the Norns and their culture. In MS&T they were the unknown faceless enemy (apart from their queen Utuk’ku), here they are real people with hearts and souls and their enmity to humans and the century old hate for them becomes much more comprehensible. On a meta level this can be interpreted as a parable for us all: you cannot continue to blindly hate or fear the foe/stranger/immigrant you became familiar with. Little by little I felt my allegiance shifting from the human army seeking revenge and attempting to “root out evil for once and all” (which can also be called genocide) to the Norns trying to survive as a people and save their home.

And third and lastly what really makes this shine is the aliveness and humanity of the characters. Amidst war’s horror and desolation there is also loyalty, friendship and hope – on both sides.

Tad Williams is a master of ambivalence and changing perspectives and if a fantasy novel manages to make one question one’s view on the world it does deserve a label mostly denied to genre fiction: literature.