ritish book reviewer Bridie Roman reviewed Tad Williams’ latest Osten Ard novel, The Witchwood Crown,in SFX magazinethis week, praising both the plot and the characters of the new series. Roman writes that the novel, sixth in the Osten Ard saga, has “a compelling plot filled with characters you genuinely care for.”
The Witchwood Crown, which will be released on June 27th, is Williams’ triumphant return to the world of Osten Ard, after a 23-year absence; it will be the first volume of a three-book series called “The Last King of Osten Ard”. The novel takes place 33 years after the conclusion of Williams’ New York Times bestselling novel To Green Angel Tower. Williams says he avoided writing further novels in Osten Ard because after 3,000 pages, he felt there were no more stories to tell in that world:
I said for years that I wouldn’t write a sequel to anything or even re-visit a world unless I had a story first, a story that cried out to be written. And for years Osten Ard was in that category, although I had thought a bit about the [Chronicle in Stone] project. Then, when I sat down one time to list off for Deborah (my wife and business partner) all the reasons I had no more stories about Simon and Miriamele and Binabik and the rest, I realized that I had left most of the main characters still very much in the bloom of their youth, and that after decades of life and growing responsibility—which I had undergone myself since I wrote it—they must all look at the world very differently. That set me to thinking, and within one night the first rudiments of the story for “The Last King of Osten Ard” (the title for the whole series) had begun to take real shape. So every moment I was aging, and moving from one country to another, and becoming a parent, and so on, I was actually creating a plot for new Osten Ard books without realizing it.
Bridie Roman states in the review of The Witchwood Crown that Tad Williams “has a fantastic way of writing characters so that they are both utterly vexing and entirely enjoyable at the same time.” Roman specifically singles out the new half-Norn character, Nezeru, as one of the stand-out new characters, calling the half-blood warrior the embodiment of “the flawed character archetype of which Williams was very much a genre pioneer.” SFX gives The Witchwood Crown 4/5 stars.
The Witchwood Crown will be followed by Empire of Grass and The Navigator’s Children, along with a standalone novel, also set in Osten Ard but chronicling a period 500 years earlier, tentatively called The Shadow of Things to Come. This will bring the number of Osten Ard books to nine (previous books in the saga included The Dragonbone Chair, Stone of Farewell, To Green Angel Tower, The Burning Man novella, and The Heart of What Was Lost). When complete, the Osten Ard saga is likely to surpass 6,000 pages and 2,000,000 words.
arnes and Noble has named speculative fiction writer Tad Williams’ upcoming The Witchwood Crown one of the best Science Fiction and Fantasy novel releases for June, according to their new list for June 2017. The first volume in a long-awaited sequel series called “The Last King of Osten Ard”, The Witchwood Crown takes up the story 34 years after the end of “Memory, Sorrow, and Thorn”.
The Osten Ard novels (The Dragonbone Chair, 1988; Stone of Farewell, 1990; and To Green Angel Tower, 1993) became international bestsellers upon their release in the 1980s and 1990s, and they inspired a generation of other well-known writers, including Christopher Paolini, Patrick Rothfuss, and George R.R. Martin, who presumably named his cross-dressing character Arya (who travels with a wolf and is pursued through the forest by a man in helm shaped like a hound’s head) in homage to Williams’ cross-dressing character Marya (who is also pursued by a man in a hound’s helm while traveling through the forest with a friendly wolf).
Subsequent stories set in the world of Osten Ard include The Burning Man (1998) and The Heart of What Was Lost (2017), a bridging novel between the events of “Memory, Sorrow, and Thorn” and “The Last King of Osten Ard”.
Barnes and Noble’s summary of The Witchwood Crown reads, in part:
All those who love epic fantasy owe it to themselves to read Williams’ seminal “Memory, Sorrow, and Thorn”, the classic trilogy introduced the universe of Osten Ard, one of the most detailed, best-realized fantasy settings in the classic vein, complete with ancient evils, dark magicians, and power struggles between princes. The books inspired many of the biggest names in the genre today (including George R.R. Martin), so Williams’ epic-length return to Osten Ard—after tying off loose ends in January’s short standalone novel The Heart of What Was Lost—is one of those rare new books with an ironclad hold on our “must read” lists.
The Witchwood Crown is one of B&N’s 26 picks for the month of June. Among the other books added to their list are: Neal Stephenson and Nicole Gallard’s The Rise and Fall of D.O.D.O.; Seanan McGuire’s Down Among the Sticks and Bones; and Terry Brooks’ latest Shannara novel, The Black Elfstone.
The Witchwood Crown will be released in the U.S. on June 27, 2017. Three more Osten Ard novels will follow.
n TadWilliams.com there is a new Question and Answer session regarding the author’s long-awaited return to the world of Osten Ard.
Williams, the author of more than twenty science fiction and fantasy novels, will be returning to his beloved realm of Osten Ard at the end of June, with the release of The Witchwood Crown, the first volume of a new series of books called “The Last King of Osten Ard”. The novel takes up the story more than 30 years after the characters were last seen in the classic Osten Ard novels.
Tad was asked about how he felt returning to his old world and the old characters; in the Q&A session, he says he had forgotten “how much effort and thought [he] had put into Osten Ard in the first place, so many years ago. Layers upon layers.” (Those layers are no surprise to longtime readers, who have compared the Osten Ard novels to the layers of an onion: peeling one layer reveals another).
He also reveals why it took him so many years to return to the world:
I sat down one time to list off for Deborah (my wife and business partner) all the reasons I had no more stories about Simon and Miriamele and Binabik and the rest, I realized that I had left most of the main characters still very much in the bloom of their youth, and that after decades of life and growing responsibility—which I had undergone myself since I wrote it—they must all look at the world very differently. That set me to thinking, and within one night the first rudiments of the story for “The Last King of Osten Ard” (the title for the whole series) had begun to take real shape. So every moment I was aging, and moving from one country to another, and becoming a parent, and so on, I was actually creating a plot for new Osten Ard books without realizing it.
So Williams’ aging has helped inspire the new books.
We at Treacherous Paths were honored to be mentioned in the Q&A session, the full version of which can be read here. The Witchwood Crown will be released on June 27, 2017. It is available for pre-order on Barnes and Noble, Amazon, and other booksellers.
nline Science Fiction magazine TOR.com today published an excerpt from The Witchwood Crown, Tad Williams’ upcoming new Osten Ard novel.
The 4000-word excerpt, found here, is told from the point of view of Jarnulf, a new character described as a pious Rimmersman travelling in the far north of Osten Ard. Jarnulf encounters one of the Hunë, an ice giant, a race that fought for the Norns in Memory, Sorrow and Thorn.
This is the second released excerpt from The Witchwood Crown; the first, from the Foreword, and describing a scene with Tanahaya, one of the Zida’ya, was released via video format in September 2015 on Read For Pixels, and is available on YouTube:
do not start this review the usual way with the book but with myself. I was one of the first human beings in the whole wide world who knew that Tad would return to Osten Ard. The thought that there would be more stories in my favourite parallel universe overwhelmed and excited me in a fashion I never thought news about fiction could.
Later I was one of the first readers of The Witchwood Crown, giving comprehensive feedback on each new version. Now I write a review on the ARC I got from the publishers. I still feel like in a dream – this is surreal.
All this shall make transparent where I come from. Expect a eulogy.
So. The long awaited and highly anticipated sequel to Memory, Sorrow and Thorn. News from the vast world I keep going back to for 25 years now because I love it so much. It features a mind-swirling amount of characters: old and new, awesome and annoying, funny and frightening. And multiple places: familiar yet changed like the Hayholt. Others described in much more detail like Nabban. Those that never before had featured like Elvritshalla. And of course Nakkiga where the old enemy stirs again.
Tad masterfully manages to revive the old heroes although it took me a few chapters to feel close to them again. Simon and Miriamele, Eolair and Tiamak after all are not the same people I know – 33 years of story time have passed since I last met them.
A reunion scene brought tears of joy to my eyes, and from that moment on I was emotionally engaged with The Witchwood Crown as I am with Memory, Sorrow and Thorn.
The multiple plots burble along like mountain spring creeks: there are trade wars, unrest in the west, fights for power and territory in the South, the occasional bloody fight – all the stuff expected from a civilisation on the brink of enlightenment and it is a joy to see it unfold in Osten Ard. Plus fearsome monsters and fairies, demons and a hilarious troll. All this is wonderful to behold while the real mysteries are slowly growing in a few passing paragraphs and the occasional subclause. A beautifully composed set-up for a great story. I would have been perfectly happy with that book and would have praised Tad über den grünen Klee for it. And I did not notice that it did not truly accelerated my heart rate for page after fast turned page… until it did.
The last 200+ had me reading until dawn. Tad shifts gears and… major stuff starts happening. The thing is hitting the other thing. Like big time.
This showdown had me respectively gasping in surprise, shouting: Finally!, laughing with joy, holding my breath for two pages straight, slapping my head, shedding more tears and smiling woefully at the very end. An incredible rollercoaster ride that made me crave for more the moment I turned the very last page. I’ve said it elsewhere and I say it again: I have not read a final act that exciting and surprising since George R.R. Martin’s A Storm of Swords.
And I mean that literally.
A lot has been said about the similarities between MS&T and GRRM’s A Song of Ice and Fire. Martin himself names the former a major inspiration for his own epic.
While he was writing TWC in 2014 I talked to Tad about stories and tropes influencing each other in general and these two in particular and he said he “would like to keep the conversation going.” And darn, he fricking did. Iconic scenes from A Song of Ice and Fire are mirrored in The Witchwood Crown and I yayed every single one of them. This seesaw between two masters of story telling is an additional treat in this awesome book.
I am so much looking forward to reading the final version of The Witchwood Crown come June 27th. At last it will be a beautiful proper hardcover book with a shiny envelope. We’re all in for such a treat!
ere is Part 2 of our video interview with legendary fantasy and science fiction author Tad Williams, author of the now-classic “Memory, Sorrow, and Thorn” series; the questions from the interview were submitted by readers from TadWilliams.com and Westeros.org forums.
In this interview, Tad Williams discusses his new Osten Ard novel project, including his thoughts on Tolkien, whether or not new areas of Osten Ard (such as Nascadu and Khandia) will be seen, as well as whether or not he regrets killing off characters (and if he’s ever tempted to resurrect some of them). He also discusses the problem of the Norns, and how challenging it is to write sympathetic characters who do monstrous things.
Williams also discusses both Binabik and Duke Isgrimnur, two beloved characters from the original series, as well as a 45-foot crocodile in the swamps of the Wran. The Witchwood Crown, the latest Osten Ard novel, will be released on June 27, 2017.
enguin Books has just released a new video trailer for Tad Williams’ The Witchwood Crown, the fifth volume in his international bestselling Osten Ard saga. Over epic music, the camera pans over legendary artist Michael Whelan’s illustrations of the Great Swords of Osten Ard: Memory, Sorrow, and Thorn.
erman publisher Klett-Kotta announced this today: the first volume of Tad Williams’ latest High Fantasy Series “The Last King of Osten Ard” turns out to be considerably larger than has been planned. Instead of the 800 pages which had been assumed to amount to in the German version, its extent will now be nearly 1,300 pages.
To make sure that our numerous fans get a quick access to the German version we have, together with Tad Williams, settled that the work will be split in two parts and will be out in September and November. As Stephan Askani, editor of the Hobbit-Presse, has it: “If we handled it any other than that, the publication date (of a one-volume-edition) would have to be postponed until November, although two translators are working intensely on the text.”
Die Hexenholzkrone Bd. 1 will amount to about 750 pages, Bd. 2 will be about 550 pages. Each of the volumes will cost 20 Euro.
Die Hexenholzkrone Bd 1
Die Hexenholzkrone Bd. 2
Neues von Tad Williams
lett-Kotta in einer Presseerklärung von heute: Der erste Band von Tad Williams neuer High-Fantasy-Serie Der letzte König von Osten Ard wird wesentlich umfangreicher als geplant. Statt der für die deutsche Ausgabe ursprünglich angenommenen ca. 800 Seiten, wird Die Hexenholzkrone nun auf einen Umfang von fast 1.300 Seiten kommen.
Um den zahlreichen Fans einen möglichst raschen Zugang zur deutschen Ausgabe zu ermöglichen, wird das Buch in Absprache mit Tad Williams in zwei Teile aufgeteilt und im September und November 2017 veröffentlicht.
Hobbit-Presse-Lektor Stephan Askani : „Würden wir nicht so verfahren, würde sich der Erscheinungstermin einer einbändigen Ausgabe auf November verschieben, obwohl bereits zwei Übersetzer unter Hochdruck am Text arbeiten.“
Die Hexenholzkrone Bd. 1 wird etwa 750 Seiten umfassen, der Bd. 2 etwa 550 Seiten.
Beide Bände werden jeweils 20,- € kosten.
Band 1: Aus dem Englischen von Cornelia Holfelder-von der Tann und Wolfram Ströle
1. Aufl. 2017, ca. 800 Seiten, gebunden mit Schutzumschlag
Band 2: Aus dem Englischen von Cornelia Holfelder-von der Tann und Wolfram Ströle
1. Aufl. 2017, ca. 550 Seiten, gebunden mit Schutzumschlag
The cover art, painted by legendary artist Michael Whelan, depicts the Hayholt, with Hjeldin’s Tower looming ominously, its red windows glowing. The Hayholt’s buildings in the background closely resemble those depicted by Whelan in 1993 for To Green Angel Tower — a nice bit of continuity. The buildings in the background appear to be in the Inner Bailey and thus are likely to be the Residence, with its dome, and Holy Tree Tower.
The cover art appears on the DAW Books Advance Reader Copy of the novel, so there may be some differences between this cover and the final US edition, which will be released in June of this year.
The ARC is 721 pages long, including a 25-page index. It also includes a dedication, acknowledgements, an author’s note, a frontispiece map, a foreword, and more maps.
The Witchwood Crown is expected to be released on June 27, 2017 in the US and UK, with Germany, the Netherlands, and other countries to follow. It will be followed by Empire of Grass, The Shadow of Things to Come, and The Navigator’s Children.
egendary Science Fiction and Fantasy author Tad Williams held an “Ask Me Anything” (AMA) interview today on forum website Reddit.Williams revealed several details about his upcoming sequel to “Memory, Sorrow and Thorn”, The Witchwood Crown.
Williams began his AMA interview in inimitable fashion:
I have returned to the world of Osten Ard, first introduced in the now impossibly ancient days of the late 1980s, in THE DRAGONBONE CHAIR, first book of the “Memory, Sorrow, and Thorn” series (also known as, “Those really, really, REALLY long books by that Williams guy.”) Just published is a short introductory novel — really a bridge between the end of the first series and some of the characters who will appear in the new books — the slender volume, THE HEART OF WHAT WAS LOST (http://www.tadwilliams.com/2017/01/the-heart-of-what-was-lost-first-reviews/) which will be followed by THE WITCHWOOD CROWN (a more typical Tad shelf-buster) in June. The entire series will be called “The Last King Of Osten Ard”, because that’s what fantasy fiction needs — MORE LONG TITLES.
(I also thought about calling the first books “Osten Ard Classic” and the current series “New Osten Ard” or even “Osten Ard Zero”, until various soft drink company lawsuits got in the way. Killjoys.)
I will be answering questions about the original series AND the new books live on Friday, January 27th, 2017 at 2:30 PM ET / 11:30 AM PT. Feel free to leave a question or subpoena for me ahead of time, or to join me online.
Among the gems asked during the Reddit interview were questions regarding the new upcoming “The Last King of Osten Ard” novels, as well as questions regarding characters in The Heart of What Was Lost, the new bridge novel which was just published this month.
One question asked was (minor spoilers): “Will we eventually find out what Ayaminu’s agenda was?”Ayaminu is one of the Gardenborn characters who appears in The Heart of What Was Lost.
Yes. Yes, we will.
That really frustrated a few of my early readers, by the way, wanting to know WHAT SHE WAS DOING and why the answer wasn’t in the book.
I can’t help it. I work in long form. My days are everyone else’s months, especially when I’m writing really long stories.
Williams was also asked how far apart each new Osten Ard novel would be. Williams is known as a relatively fast writer, and has not had the extended delays between books which have plagued other bestselling speculative fiction authors. While Martin and Rothfuss have struggled to finish their novels, Williams has managed to mostly keep to his publishing deadlines.Williams replied:
Can’t say for certain, but I’m aiming for a year to a year and a half max between books. I’m pretty good at that these days, and I’ve actually started and finished several multi-volume series, so it shouldn’t take too long altogether.
I’m already working on the second large volume, Empire of Grass, and Witchwood Crown (first of trilogy) has been done for quite a while.
Williams was also asked about how “open-ended” his books are, and if he plans to revisit his other worlds, which would include the virtual world in “Otherland”, Eion/Xand (“Shadowmarch”) , and San Judas, the alternate reality city in his “Bobby Dollar” novels. Williams stated:
I have never written anything except the Bobby Dollar books with the idea of the story being open-ended. I’d be in trouble if I did, since I’m only now returning to Osten Ard, thirty years later. Half my original readers are probably dead and the rest are drooling. Like me.
As I said elsewhere on the AMA, I never start something by where it takes place (like a previous world of mine) only with a story I want to tell. I may come up with ideas for stories set in some of my other worlds, and if I do, I’ll probably write them. I’ve had a couple of tentative ideas over the years, and now that I’ve found I can live with going back to Osten Ard, I’ll probably be more open to revisiting some of the other creations as well.
Most intriguingly, Williams was asked if he has any plans to link Osten Ard, the world of the “Memory, Sorrow and Thorn” books, to the Xand/Eion world in “Shadowmarch”, with a reader asking “Are there any Easter eggs/connections between the worlds or Osten Ard and Shadowmarch?”
Although the worlds of Xand/Eion and Osten Ard have been considered separate, and there has been nothing to link them together besides some small similarities (strange properties of mirrors, for example), Williams, interestingly enough, did not rule this out:
Funny, I was just thinking about this the other day — connections between the two worlds. I think it’s possible that there may be a Michael-Moorcock-style multiverse underlying all my books, but I’ve never consciously tried to link them all together.
Curious readers asked quite a lot about the Norns, the embittered fair folk in the Osten Ard novels. The most clever term “Nornithology” has been coined by one reader. Of the Norns and their undying queen Utuk’ku, Williams writes:
I took the comparatively few things I knew about the Norns when I wrote the first books and have added/expanded quite a bit during the writing of these new ones. And you’ll see a LOT of the Norns and Nakkiga in the new books. I’m glad it seems to belong with the early stuff. I certainly mean it to feel as though it’s a seamless whole.
Hi Tad. Huge fan here from Germany. I finished Heart of what was Lost a few days ago. It was great. I have a question about the timeline of Sithi/Norn history in Osten Ard. In Heart it was mentioned that the Norns came to Nakkiga more than 3000 years ago. Those Norns/ Sithi as Yaarike that were born before the Parting are considered to be old even by Keida’ya standard. I estimated that the Keida’ya must have arrived in Osten Ard at least 6000 years ago, as Utuk’ku is the last of the original Keida’ya that left the Garden. Is that timeline roughly correct?
And Williams’ response:
I’d have to check, and my notes are a mess right now. My tentative timeline actually has the Norns arriving, yes, at least 6000 years ago, but I suspect actually it’s a bit longer. (Along with some of my hardest-working friends and readers, I’m still trying to stabilize the timeline.)
But yes, at least 6000 years previous to the stories.
Williams was also asked about how many pages he has completed in Empire of Grass, the middle novel of the new series. Williams responded:
Not sure. About a hundred pages, I’d say (I’m writing in separate chapter-files at first, so I don’t have a running overall page count). The last couple of months, with the holidays and various kid-related things, have been grueling. I’m expecting to have a nice long stretch in the next few months to get the first draft substantially done.