erman publisher Klett-Kotta announced this today: the first volume of Tad Williams’ latest High Fantasy Series “The Last King of Osten Ard” turns out to be considerably larger than has been planned. Instead of the 800 pages which had been assumed to amount to in the German version, its extent will now be nearly 1,300 pages.
To make sure that our numerous fans get a quick access to the German version we have, together with Tad Williams, settled that the work will be split in two parts and will be out in September and November. As Stephan Askani, editor of the Hobbit-Presse, has it: “If we handled it any other than that, the publication date (of a one-volume-edition) would have to be postponed until November, although two translators are working intensely on the text.”
Die Hexenholzkrone Bd. 1 will amount to about 750 pages, Bd. 2 will be about 550 pages. Each of the volumes will cost 20 Euro.
Die Hexenholzkrone Bd 1
Die Hexenholzkrone Bd. 2
Neues von Tad Williams
lett-Kotta in einer Presseerklärung von heute: Der erste Band von Tad Williams neuer High-Fantasy-Serie Der letzte König von Osten Ard wird wesentlich umfangreicher als geplant. Statt der für die deutsche Ausgabe ursprünglich angenommenen ca. 800 Seiten, wird Die Hexenholzkrone nun auf einen Umfang von fast 1.300 Seiten kommen.
Um den zahlreichen Fans einen möglichst raschen Zugang zur deutschen Ausgabe zu ermöglichen, wird das Buch in Absprache mit Tad Williams in zwei Teile aufgeteilt und im September und November 2017 veröffentlicht.
Hobbit-Presse-Lektor Stephan Askani : „Würden wir nicht so verfahren, würde sich der Erscheinungstermin einer einbändigen Ausgabe auf November verschieben, obwohl bereits zwei Übersetzer unter Hochdruck am Text arbeiten.“
Die Hexenholzkrone Bd. 1 wird etwa 750 Seiten umfassen, der Bd. 2 etwa 550 Seiten.
Beide Bände werden jeweils 20,- € kosten.
Band 1: Aus dem Englischen von Cornelia Holfelder-von der Tann und Wolfram Ströle
1. Aufl. 2017, ca. 800 Seiten, gebunden mit Schutzumschlag
Band 2: Aus dem Englischen von Cornelia Holfelder-von der Tann und Wolfram Ströle
1. Aufl. 2017, ca. 550 Seiten, gebunden mit Schutzumschlag
The cover art, painted by legendary artist Michael Whelan, depicts the Hayholt, with Hjeldin’s Tower looming ominously, its red windows glowing. The Hayholt’s buildings in the background closely resemble those depicted by Whelan in 1993 for To Green Angel Tower — a nice bit of continuity. The buildings in the background appear to be in the Inner Bailey and thus are likely to be the Residence, with its dome, and Holy Tree Tower.
The cover art appears on the DAW Books Advance Reader Copy of the novel, so there may be some differences between this cover and the final US edition, which will be released in June of this year.
The ARC is 721 pages long, including a 25-page index. It also includes a dedication, acknowledgements, an author’s note, a frontispiece map, a foreword, and more maps.
The Witchwood Crown is expected to be released on June 27, 2017 in the US and UK, with Germany, the Netherlands, and other countries to follow. It will be followed by Empire of Grass, The Shadow of Things to Come, and The Navigator’s Children.
egendary Science Fiction and Fantasy author Tad Williams held an “Ask Me Anything” (AMA) interview today on forum website Reddit.Williams revealed several details about his upcoming sequel to “Memory, Sorrow and Thorn”, The Witchwood Crown.
Williams began his AMA interview in inimitable fashion:
I have returned to the world of Osten Ard, first introduced in the now impossibly ancient days of the late 1980s, in THE DRAGONBONE CHAIR, first book of the “Memory, Sorrow, and Thorn” series (also known as, “Those really, really, REALLY long books by that Williams guy.”) Just published is a short introductory novel — really a bridge between the end of the first series and some of the characters who will appear in the new books — the slender volume, THE HEART OF WHAT WAS LOST (http://www.tadwilliams.com/2017/01/the-heart-of-what-was-lost-first-reviews/) which will be followed by THE WITCHWOOD CROWN (a more typical Tad shelf-buster) in June. The entire series will be called “The Last King Of Osten Ard”, because that’s what fantasy fiction needs — MORE LONG TITLES.
(I also thought about calling the first books “Osten Ard Classic” and the current series “New Osten Ard” or even “Osten Ard Zero”, until various soft drink company lawsuits got in the way. Killjoys.)
I will be answering questions about the original series AND the new books live on Friday, January 27th, 2017 at 2:30 PM ET / 11:30 AM PT. Feel free to leave a question or subpoena for me ahead of time, or to join me online.
Among the gems asked during the Reddit interview were questions regarding the new upcoming “The Last King of Osten Ard” novels, as well as questions regarding characters in The Heart of What Was Lost, the new bridge novel which was just published this month.
One question asked was (minor spoilers): “Will we eventually find out what Ayaminu’s agenda was?”Ayaminu is one of the Gardenborn characters who appears in The Heart of What Was Lost.
Yes. Yes, we will.
That really frustrated a few of my early readers, by the way, wanting to know WHAT SHE WAS DOING and why the answer wasn’t in the book.
I can’t help it. I work in long form. My days are everyone else’s months, especially when I’m writing really long stories.
Williams was also asked how far apart each new Osten Ard novel would be. Williams is known as a relatively fast writer, and has not had the extended delays between books which have plagued other bestselling speculative fiction authors. While Martin and Rothfuss have struggled to finish their novels, Williams has managed to mostly keep to his publishing deadlines.Williams replied:
Can’t say for certain, but I’m aiming for a year to a year and a half max between books. I’m pretty good at that these days, and I’ve actually started and finished several multi-volume series, so it shouldn’t take too long altogether.
I’m already working on the second large volume, Empire of Grass, and Witchwood Crown (first of trilogy) has been done for quite a while.
Williams was also asked about how “open-ended” his books are, and if he plans to revisit his other worlds, which would include the virtual world in “Otherland”, Eion/Xand (“Shadowmarch”) , and San Judas, the alternate reality city in his “Bobby Dollar” novels. Williams stated:
I have never written anything except the Bobby Dollar books with the idea of the story being open-ended. I’d be in trouble if I did, since I’m only now returning to Osten Ard, thirty years later. Half my original readers are probably dead and the rest are drooling. Like me.
As I said elsewhere on the AMA, I never start something by where it takes place (like a previous world of mine) only with a story I want to tell. I may come up with ideas for stories set in some of my other worlds, and if I do, I’ll probably write them. I’ve had a couple of tentative ideas over the years, and now that I’ve found I can live with going back to Osten Ard, I’ll probably be more open to revisiting some of the other creations as well.
Most intriguingly, Williams was asked if he has any plans to link Osten Ard, the world of the “Memory, Sorrow and Thorn” books, to the Xand/Eion world in “Shadowmarch”, with a reader asking “Are there any Easter eggs/connections between the worlds or Osten Ard and Shadowmarch?”
Although the worlds of Xand/Eion and Osten Ard have been considered separate, and there has been nothing to link them together besides some small similarities (strange properties of mirrors, for example), Williams, interestingly enough, did not rule this out:
Funny, I was just thinking about this the other day — connections between the two worlds. I think it’s possible that there may be a Michael-Moorcock-style multiverse underlying all my books, but I’ve never consciously tried to link them all together.
Curious readers asked quite a lot about the Norns, the embittered fair folk in the Osten Ard novels. The most clever term “Nornithology” has been coined by one reader. Of the Norns and their undying queen Utuk’ku, Williams writes:
I took the comparatively few things I knew about the Norns when I wrote the first books and have added/expanded quite a bit during the writing of these new ones. And you’ll see a LOT of the Norns and Nakkiga in the new books. I’m glad it seems to belong with the early stuff. I certainly mean it to feel as though it’s a seamless whole.
Hi Tad. Huge fan here from Germany. I finished Heart of what was Lost a few days ago. It was great. I have a question about the timeline of Sithi/Norn history in Osten Ard. In Heart it was mentioned that the Norns came to Nakkiga more than 3000 years ago. Those Norns/ Sithi as Yaarike that were born before the Parting are considered to be old even by Keida’ya standard. I estimated that the Keida’ya must have arrived in Osten Ard at least 6000 years ago, as Utuk’ku is the last of the original Keida’ya that left the Garden. Is that timeline roughly correct?
And Williams’ response:
I’d have to check, and my notes are a mess right now. My tentative timeline actually has the Norns arriving, yes, at least 6000 years ago, but I suspect actually it’s a bit longer. (Along with some of my hardest-working friends and readers, I’m still trying to stabilize the timeline.)
But yes, at least 6000 years previous to the stories.
Williams was also asked about how many pages he has completed in Empire of Grass, the middle novel of the new series. Williams responded:
Not sure. About a hundred pages, I’d say (I’m writing in separate chapter-files at first, so I don’t have a running overall page count). The last couple of months, with the holidays and various kid-related things, have been grueling. I’m expecting to have a nice long stretch in the next few months to get the first draft substantially done.
oday writers Tad Williams and Deborah Beale confirmed rumors that The Witchwood Crown has again been delayed, this time until June 2017. According to their latest newsletter:
Note from Deborah: We’re less than a week from publication, US and UK territories, for ‘The Heart of What Was Lost’. I truly hope you enjoy it, and see what I see, which is that it’s one from the heart (as well as see all the things you see, of course).
We’ve just heard that publication of ‘The Witchwood Crown’ has been delayed two months to June. We’re not entirely clear on all the details. Partly it’s this: it’s a big book, the copy-editing was complex and took a gargantuan amount of time, and other aspects of the book’s production were affected too; and partly it’s because sales and marketing want more time to more effectively sell the book. We don’t know anything more than that at the moment, but will tweet or facebook when we do.
This confirms earlier rumors that the date for The Witchwood Crown had been pushed back. (We at Treacherous Paths have been involved in the review process, and are glad for the extra time to gear up.)
The Heart of What Was Lost is set shortly after Williams’ last Osten Ard novel, 1993’s To Green Angel Tower. According to press releases (and without too many spoilers for the new books), this is the plot summary of the new novel:
Ineluki’s loyal minions, the Norns, retreat north to Nakkiga, an ancient citadel which holds a priceless artefact known as The Heart of What Was Lost. They are pursued by the army of Duke Isgrimnur who is determined to wipe out the Norns for all time.
Meanwhile, enjoy this rendition of Marya’s River Song (the song Marya sings as she, Binabik, Simon, and Qantaqa sail down the River Aelfwent in The Dragonbone Chair) by Osten Ard fan Sebastian Barwinek:
Here are the lyrics to the song:
“…Now those who sail the Big Pond
Will tell you of its mystery
They’ll brag of all those battles
And all that bloody history
But talk to any river-dog
Who sails upon the Gleniwent
He’ll say God made the oceans
But the River’s what he really meant
Oh, the Ocean is a question
But the River is an answer
With her rollicking and frolicking
As fine as any dancer
So let Hell take the shirkers
For this old boat won’t carry ’em
And if we lose some crew or two
We’ll drink to ’em at Meremund…
Now some men go away to sea
And they’re never seen again
But every night we river-dogs
Are found down at the inn
And some may say we drink a bit
And punch it up a mite
But if the river is your lady
That’s just how you rest at night
Oh, the Ocean is a question
But the River is an answer
With her rollicking and frolicking
As fine as any dancer
So let Hell take the shirkers
For this old boat won’t carry ’em
And if we lose some crew or two
We’ll drink to ’em at Meremund…
In Meremund! In Meremund!
We’ll drink to ’em in Meremund
If we don’t spy ’em floating by
It’ll save the penny to bury ’em… !”
he first review is in for The Heart of What Was Lost, the new novel by fantasy author Tad Williams, and it is very good. Set in the Osten Ard universe, the novel continues the story told in Williams’ now-classic “Memory, Sorrow, Thorn” series, one of the inspirations for George R.R. Martin’s A Song of Ice and Fire books.
Douglas Croft from YouTube channel Geek In has reviewed The Heart of What Was Lost, calling it “a fantastic book”; he reveals that the story centers around the Norns, the embittered immortals of the far north, after the end of To Green Angel Tower. Croft states that readers who are curious about the ancient Norn society will finally have some of their questions answered, after an excruciatingly long 23-year wait, and that the novel “adds a whole layer of subtlety and meaning to what [readers] saw in the first three books.”
Mr. Croft also opines that The Heart of What Was Lost is likely setting up characters which will be important in upcoming Osten Ard novels The Witchwood Crown, Empire of Grass, and The Navigator’s Children. (The Witchwood Crown will be released in April 2017). The Witchwood Crown and The Heart of What Was Lost are both listed on Goodreads’ 2017 Highly Anticipated Epic Fantasy Novels list, near the top at #2 and #3, respectively.
The Heart of What Was Lost is scheduled for a January 2017 release, and the novel is now available for pre-order from Barnes and Noble, Amazon, and other retailers. Doug Croft received an Advance Review Copy (ARC) of the novel.
Doug’s full video review, with major spoilers for “Memory, Sorrow and Thorn”, and some mild spoilers for The Heart of What was Lost, is below:
(Bonus points for Douglas Croft correctly pronouncing Jao e-Tinukai’i).
here’ve been lots of interesting things happening this month, some of which we can now share with you. Yesterday, Tad Williams, author of the classic “Memory, Sorrow and Thorn” books, announced the completion of The Witchwood Crown, volume one of “The Last King of Osten Ard”. The book is scheduled for release in April 2017, just a few months after The Heart of What Was Lost, another Osten Ard novel, is scheduled to hit store shelves.
Hi, guys. I’ve just sent in the final manuscript (except for the page proofs, once it’s been typeset) for [The Witchwood Crown]. My last pass actually added a few lines, net, I think. 347K words — that’s about a 1200 page manuscript for me. I think that might come in second behind only [To Green Angel Tower] — I’d have to go back and check the Otherland books.
Anyway, it’s good to have someone take something like this out of my hands, because I’d keep fiddling ’til Doomsday otherwise.
347,000 words would make The Witchwood Crown Williams’ third-longest novel, with the order in length being:
1. To Green Angel Tower (520,000 words; 1,083 pages)
2. Sea of Silver Light (443,000 words; 922 pages)
3. The Witchwood Crown (347,000 words; 721 pages)
4. City of Golden Shadow (303,193 words; 770 pages)
5. Shadowheart (295,038 words; 730 pages)
6. The War of the Flowers (686 pages)
7. The Dragonbone Chair (288,297 words; 654 pages)
8. Mountain of Black Glass (285,272 words; 689 pages)
9. Shadowmarch (269,602 words; 656 pages)
10. Shadowplay (266,486 words; 656 pages)
11. River of Blue Fire (266,003 words; 634 pages)
12. Stone of Farewell (269,000 words; 589 pages)
13. Shadowrise (236,103 words; 564 pages)
(The Heart of What Was Lost comes in at a comparatively slender 224 pages). Williams later added:
The sad thing is, I can’t be as celebratory as I’d like because I’m several weeks overdue to start writing [Empire of Grass], the second full volume.
However, the good thing is that means I can sit around staring into the air for a few days while I order my thoughts about how the book is going to be shaped. That’s my favorite part of writing, to be honest. The part where you just think, not write yet.
Meanwhile, legendary illustrator Michael Whelan is hard at work creating the cover art for the new book, which will be the fifth in the Osten Ard series. On his official website, Whelan writes:
I’ve been painting a LOT of weird trees lately for the new Osten Ard Trilogy, trying to come up with a design idea that Tad Williams, Betsy Wollheim, and I like. The trees figure importantly in the new books so I’ve been working on them for weeks! It’s been a long slog, but I edge a little closer each day and I know it will all be worth it in the end.
Excerpts of The Heart of What Was Lost are already appearing in the Blogosphere, as Pat’s Fantasy Hotlist shared an excerpt on October 9th, and Treacherous Paths’ own contributor ylvs laDuchesse shared a sample of the text on Twitter yesterday. We at Treacherous Paths will be sharing more excerpts soon!
Tad Williams with Treacherous Paths contributors RN, Ylvs, Cyan, Firs. Photo: Deborah Beale.
This week, several Treacherous Paths contributors from across the globe met with Tad Williams at his strange and wonderful home near Santa Cruz in Northern California, and the bestselling author of more than twenty science fiction and fantasy novels revealed some tantalizing new details regarding what will likely be his 23rd full-length novel, The Shadow of Things to Come.
Writes Treacherous Paths contributor Ylvs:
The Shadow Of Things To Come will feature the fall of Asu’a 500 years ago, told from the perspective of a Nabbanai envoy from the court of [Imperator Enfortis]. So we’ll see Asu’a before its fall, [and] probably witness Ineluki killing [the Erl King] Iyu’unigato…
So Shadow will tell of the end of the Sithi empire in Osten Ard, as the Peaceful Ones are routed from the great city of Asu’a and the Erl King’s lands by the cold iron of the mortal Rimmersmen.
Many readers have long requested from Williams that he write one or more full-length novels set in this era, ever since The Dragonbone Chair was published in October 1988, with that volume containing several tantalizing glimpses (told only in flashback sequences) of the end of Iyu’unigato the Erl King’s reign in Osten Ard, as the ravaging northmen destroy the last and greatest of the nine Gardenborn cities:
During [Imperator] Enfortis’ reign the iron-wielders came. Nabban decided to withdraw from the north altogether. They fell back across the river Gleniwent so quickly that many of the northern frontier outposts found themselves entirely deserted, left behind to join the oncoming Rimmersmen or die.
Nabban withdrew its armies from the north, becoming for the first time purely a southern empire. It was just the beginning of the end, of course; as time passed, the Imperium folded itself up just like a blanket, smaller and smaller until today they are nothing more than a duchy—a peninsula with its few attendant islands.
Without the Imperial garrisons, […] the north was in chaos. The shipmen had captured the northernmost part of the Frostmarch, naming their new home Rimmersgard. Not content with that, the Rimmersmen were fanning out southward, sweeping all before them in a bloody advance.
They robbed and ruined other Men, making captives of many, but the Sithi they deemed evil creatures; with fire and cold iron they hunted the Fair Folk to their death everywhere…
Now the people of Hernystir—a proud, fierce people whom even the Nabbanai Imperators never really conquered—were not at all willing to bend their necks to Rimmersgard. They were horrified by what the northerners were doing to the Sithi. The Hernystiri had been of all Men the closest to Fair Folk—there is still visible today the mark of an ancient trade road between this castle and the Taig at Hernysadharc. The lord of Hernystir and the Erl-king made desperate compact, and for a while held the northern tide at bay.
But even combined, their resistance could not last forever. Fingil, king of the Rimmersmen, swept down across the Frostmarch over the borders of the Erl-king’s territory…
In the year 663 the two great hosts came to the plains of Ach Samrath, the Summerfield, north of the River Gleniwent. For five days of terrible, merciless carnage the Hernystiri and the Sithi held back the might of the Rimmersmen. On the sixth day, though, they were set on treacherously from their unprotected flank by an army of men from the Thrithings, who had long coveted the riches of Erkynland and the Sithi for their own. They made a fearful charge under cover of darkness. The defense was broken, the Hernystiri chariots smashed, the White Stag of the House of Hern trampled into the bloody dirt. It is said that ten thousand men of Hernystir died in the field that day. No one knows how many Sithi fell, but their losses were grievous, too. Those Hernystiri who survived fled back to the forest of their home. In Hernystir, Ach Samrath is today a name only for hatred and loss.
That was the day that Sithi mastery in Osten Ard came to an end, even though it took three long years of siege before Asu’a fell to the victorious northerners.
If not for strange, horrible magics worked by the Erl-king’s son, there would likely have been not a single Sithi to survive the fall of the Castle.
Many did, however, fleeing to the forests, and south to the waters and… and elsewhere…
About the Erl- king’s son… it is better to say nothing.
Williams’ announcement regarding The Shadow of Things to Come comes just five months before the release of The Heart of What Was Lost, the first full-length Osten Ard novel since the publication of To Green Angel Tower in Spring 1993. That volume hit the New York Times bestseller list, and it remains one of the longest novels ever written in the English language, at 1,083 pages in hardcover (1,600 pages in paperback).
Altogether, five new Osten Ard novels are expected during the next five or six years (Williams writes at a fairly fast pace, and has never experienced the extended publication delays of fantasy authors like George R.R. Martin, Patrick Rothfuss, or Robert Jordan, publishing, on average, one book every 1.5 years).
We at Treacherous Paths will reveal more details regarding the new Osten Ard novels when we can.
oday the cover art for Tad Williams’ new long-awaited novel set in the Osten Ard universe, The Heart of What Was Lost, has been revealed. The art features a witchwood sword with a white rose hilt. The foreground shows a snow-covered landscape, with ominous, dark mountains in the background. The novel is a sequel to the original, now-classic “Memory, Sorrow and Thorn” series; the new book will be published in January 2017, followed closely by four additional Osten Ard novels, titled The Witchwood Crown (release date: April 2017), Empire of Grass, The Navigator’s Children, and The Shadow of Things to Come.
Williams describes the plot of The Heart of What Was Lost as: “[The novel] takes place in the half-year after the end of [To Green Angel Tower], and tells of the attempt by [Duke] Isgrimnur and a force largely made up of Rimmersgard soldiers to destroy the remaining Norns as they flee back to their homeland and their mountain. Of course, it gets a bit more complicated than that. It also answers some questions about what actually happened in the immediate aftermath of the fall of Green Angel Tower.”
The main characters in the new novel will be the returning Rimmersmen characters Isgrimnur and Sludig; Isgrimnur is the Duke of Rimmergard in “Memory, Sorrow and Thorn”, a point-of-view character. Sludig was his lieutenant, and a dynamic and important character in the original trilogy; it is he who accompanies Simon, Binabik and Qantaqa north from Naglimund Castle, skirting around the western and northern sides of Aldheorte Forest in their long, cold quest to retrieve the Great Sword Thorn from the “Rhymer’s Greate Tree”. He then travels south with Binabik and Qantaqa around the eastern edge of Aldheorte to the Stone of Farewell, where he becomes Prince Josua’s Man Friday, accompanying the prince south to Nabban and then back north to Hayholt Castle.
According to Williams’ announcement, The Heart of What Was Lost will continue almost directly from the ending of To Green Angel Tower, though it’s unclear what this exactly means for the story. The fall of Green Angel Tower happens one year before the ending of the classic series, as the Afterword, after Chapter 60, takes place one year after the fall of the tower.
The Heart of What Was Lost is now available for pre-order from Amazon, Barnes and Noble, and other retailers worldwide.
ots of interesting news this week, as DAW Books issues a newly-revised trade paperback edition of Tad Williams’ classic fantasy novel The Dragonbone Chair, book one of “Memory, Sorrow, and Thorn”, the same week that they release the book in audiobook format.
U.S. readers have been denied the audiobook for many years, but at long last the audiobook, read by Andrew Wincott, is available to an American audience. The audiobook runs 33 hours and 19 minutes and is available for purchase right now on Amazon.com. A sample file clip is available here.
The new trade paperback features beautiful new cover art by legendary artist Michael Whelan, who also created the original cover art for The Dragonbone Chair 28 years ago, upon the book’s original 1988 publication.
The new edition runs 652 pages and measures 6 x 9 x 1.5 inches. The cover features a blurb by George R. R. Martin: “Inspired me to write my own seven-book trilogy… it’s one of my favorite fantasy series.” The back cover features quotes praising The Dragonbone Chair written by popular fantasy authors Patrick Rothfuss and Christopher Paolini.
Inside, the the book is largely the same as in previous editions. However, there are a few new extras, one being a new introduction by Williams’ longtime editor, Betsy Wollheim, titled “How Tad Came to Write The Dragonbone Chair”, and a new acknowledgement page at the end of the book. (We at Treacherous Paths are extremely pleased to have been included in the acknowledgements).
The book is definitely worth picking up just for the new cover art, which features one of the Great Swords mentioned in The Dragonbone Chair. Sequel novels Stone of Farewell and To Green Angel Tower will be re-released later this year, and in audiobook format for the US as well.
Also new this week are a few snippets from Tad Williams’ official message board, where the internationally bestselling author discussed three of his upcoming Osten Ard novels, set in the same world as The Dragonbone Chair. Williams discussed his on-going work writing/revising The Heart of What Was Lost, which will be published in January 2017. He wrote:
As I’ve been going through the copyedited manuscript of HoWWL [The Heart of What Was Lost] this afternoon, I’m realizing I’m going to have to write a Tolkien-ish “On Norns and the Sithi” piece as well as a complete index of characters, because otherwise it will just be too confusing for new readers. My poor copyeditor is asking about what the differences are with Hikeda’ya/Zida’ya/Norns/Sithi/White Foxes/Keida’ya (a term that will be new to the new books, meaning the race before they split up) and various others, as well as if Rimmersmen are Northmen and if mortals only means them or others…and so on.
I always worried about the fine line between not boring the readers who already knew Osten Ard and those new to the place.
Long-time readers of Williams’ novels will remember that in Williams’ world of Osten Ard, the Gardenborn, the elder elf-like race who came to Osten Ard from the east on eight great ships, were divided into several tribes. These tribes included the proud Sithi (also called “peaceful ones”, Zida’ya, or Dawn Children), as well as the embittered Norns (“white foxes”, Hikeda’ya, or Cloud Children) and the pacifistic Dwarrows and Niskies (variously called “dvernings”, Tinukeda’ya, or Ocean Children).
The Keida’ya is a term not mentioned in the original series. Williams states that the term is new, and refers to (some of?) the Gardenborn before they split into factions.
Williams also wrote about the progress of the novels:
I finished the final draft of HoWWL a while back, but this is the copyedited manuscript, which has comments on it from the copy editor (and others — everybody likes to get in on the Exciting Tad Action). Then I’ll have one more pass at the proofs stage, which is mostly about looking for mistakes in typesetting, but is also my last chance to kill an infelicitous phrase, or at least bury it in disguising prose.
On a few hundred pages at most it’s not such a big deal, but I’ll be really sick of Osten Ard by the time I’ve been through all the different versions of TWC [The Witchwood Crown]. I’ll also be writing EoG [Empire of Grass] at the same time, so I’ll be doubly or even trebly sick.
Thank God I’m used to this kind of getting-sick-of-my-own-book.
The Witchwood Crown, the first novel in the upcoming “The Last King of Osten Ard” series, is scheduled for publication in April of 2017, with sequel novels Empire of Grass and The Navigator’s Children following sometime thereafter.
oday, Random House website Suvudu.com revealed three brand-new re-issue covers for international bestselling author Tad Williams‘ classic “Memory, Sorrow and Thorn” dark fantasy series. The covers feature beautiful new cover art by legendary science fiction/fantasy artist Michael Whelan, who painted the original covers for “Memory, Sorrow and Thorn” almost thirty years ago.
The updated artwork is the first major revamp of the classic covers of The Dragonbone Chair, Stone of Farewell, and To Green Angel Tower since the books first went to print in the late 1980s/early 1990s, at least in America. Whelan, winner of fifteen Hugo Awards and three World Fantasy Awards for best artist, is known for his detailed and painstaking work, which often involves months of research and manuscript reading.
The new covers will appear on updated U.S. DAW Books trade paperback editions of the original trilogy, with a newly-revised edition of The Dragonbone Chair scheduled to appear in July 2016, followed by Stone of Farewell in September 2016, and To Green Angel Tower in November 2016. These volumes will be closely followed by two brand-new Osten Ard novels: The Heart of What Was Lost in January 2017 and The Witchwood Crown in April 2017. Three or four additional novels are planned, with The Witchwood Crown being the first volume in the highly-anticipated sequel series “The Last King of Osten Ard”.
First up is the new cover for The Dragonbone Chair, the cardinal volume, which features a blurb by George R. R. Martin, author of the bestselling A Game of Thrones: “Inspired me to write my own seven-book trilogy… It’s one of my favorite series.”
Whelan’s artwork accurately depicts the sword Minneyar, also known as “Year of Memory” or simply Memory, one of the Three Great Swords spoken of in the Mad Priest Nisses’ ancient prophecy:
“When frost doth grow on Claves’ bell And shadows walk upon the road When water blackens in the well Three Swords must come again.
“When Bukken from the earth do creep And Hunën from the heights descend When Nightmare throttles peaceful sleep Three Swords must come again.
“To turn the stride of treading Fate To clear the fogging Mists of Time If Early shall resist too Late Three Swords must come again.”
Scheduled for September, the new cover for Stone of Farewell features the Great Sword Sorrow, also known in the Sithi language as Jingizu. Whelan’s illustration accurately portrays the double-hilted sword, which is made of both iron and witchwood, two materials which were considered inimicable, perhaps because neither the iron nor the witchwood are native to the lands of Osten Ard: iron was brought from Ijsgard east to Osten Ard on King Elvrit’s longboat Sotfengsel, while witchwood was brought westward to Osten Ard by the undying Sithi on their eight great ships.
The great sword Sorrow is described in the text: “… in a sheath at [King Elias’] side was the sword with the strange crossed hilt […] there was something queer and unsettling about the blade… [It] had a strange double guard, the cross pieces making; with the hilt, a sort of five-pointed star. Somewhere, deep in Simon’s self, he recognized this last sword. Somewhere, in a memory black as night, deep as a cave, he had seen such a blade…”
The new cover contains a blurb from author Patrick Rothfuss (“The Kingkiller Chronicle”): “Groundbreaking… changed how people thought of the genre, and paved the way for so much modern fantasy. Including mine.”
The third volume, To Green Angel Tower, is scheduled for a November 2016 re-release. The cover features Michael Whelan’s depiction of the Great Sword named Thorn.
The text describes the sword thusly: “it was a sword like no other he had ever seen: long as a man’s arms spread wide, fingertip to fingertip, and black. The purity of its blackness was unmarred by the colors that sparkled on its edge, as though the blade was so supernaturally sharp that it even sliced the dim light of the cavern into rainbows. Had it not been for the silver cord wrapped around the hilt as a handgrip— leaving the uncovered guard and pommel as pitchy as the rest of its length— it would have seemed to bear no relationship to mankind at all. Rather, despite its symmetry, it would have seemed some natural growth, some pure essence of nature’s blackness extruded by chance in the form of an exquisite sword.”
The cover features a blurb from author Christopher Paolini (Eragon): “Memory, Sorrow and Thorn is one of the great fantasy epics of all time.” We at Treacherous Paths can’t disagree.
We will keep readers up to date on more news as soon as we’re authorized to release it.