he first review is in for The Heart of What Was Lost, the new novel by fantasy author Tad Williams, and it is very good. Set in the Osten Ard universe, the novel continues the story told in Williams’ now-classic “Memory, Sorrow, Thorn” series, one of the inspirations for George R.R. Martin’s A Song of Ice and Fire books.
Douglas Croft from YouTube channel Geek In has reviewed The Heart of What Was Lost, calling it “a fantastic book”; he reveals that the story centers around the Norns, the embittered immortals of the far north, after the end of To Green Angel Tower. Croft states that readers who are curious about the ancient Norn society will finally have some of their questions answered, after an excruciatingly long 23-year wait, and that the novel “adds a whole layer of subtlety and meaning to what [readers] saw in the first three books.”
Mr. Croft also opines that The Heart of What Was Lost is likely setting up characters which will be important in upcoming Osten Ard novels The Witchwood Crown, Empire of Grass, and The Navigator’s Children. (The Witchwood Crown will be released in April 2017). The Witchwood Crown and The Heart of What Was Lost are both listed on Goodreads’ 2017 Highly Anticipated Epic Fantasy Novels list, near the top at #2 and #3, respectively.
The Heart of What Was Lost is scheduled for a January 2017 release, and the novel is now available for pre-order from Barnes and Noble, Amazon, and other retailers. Doug Croft received an Advance Review Copy (ARC) of the novel.
Doug’s full video review, with major spoilers for “Memory, Sorrow and Thorn”, and some mild spoilers for The Heart of What was Lost, is below:
(Bonus points for Douglas Croft correctly pronouncing Jao e-Tinukai’i).
ots of interesting news this week, as DAW Books issues a newly-revised trade paperback edition of Tad Williams’ classic fantasy novel The Dragonbone Chair, book one of “Memory, Sorrow, and Thorn”, the same week that they release the book in audiobook format.
U.S. readers have been denied the audiobook for many years, but at long last the audiobook, read by Andrew Wincott, is available to an American audience. The audiobook runs 33 hours and 19 minutes and is available for purchase right now on Amazon.com. A sample file clip is available here.
The new trade paperback features beautiful new cover art by legendary artist Michael Whelan, who also created the original cover art for The Dragonbone Chair 28 years ago, upon the book’s original 1988 publication.
The new edition runs 652 pages and measures 6 x 9 x 1.5 inches. The cover features a blurb by George R. R. Martin: “Inspired me to write my own seven-book trilogy… it’s one of my favorite fantasy series.” The back cover features quotes praising The Dragonbone Chair written by popular fantasy authors Patrick Rothfuss and Christopher Paolini.
Inside, the the book is largely the same as in previous editions. However, there are a few new extras, one being a new introduction by Williams’ longtime editor, Betsy Wollheim, titled “How Tad Came to Write The Dragonbone Chair”, and a new acknowledgement page at the end of the book. (We at Treacherous Paths are extremely pleased to have been included in the acknowledgements).
The book is definitely worth picking up just for the new cover art, which features one of the Great Swords mentioned in The Dragonbone Chair. Sequel novels Stone of Farewell and To Green Angel Tower will be re-released later this year, and in audiobook format for the US as well.
Also new this week are a few snippets from Tad Williams’ official message board, where the internationally bestselling author discussed three of his upcoming Osten Ard novels, set in the same world as The Dragonbone Chair. Williams discussed his on-going work writing/revising The Heart of What Was Lost, which will be published in January 2017. He wrote:
As I’ve been going through the copyedited manuscript of HoWWL [The Heart of What Was Lost] this afternoon, I’m realizing I’m going to have to write a Tolkien-ish “On Norns and the Sithi” piece as well as a complete index of characters, because otherwise it will just be too confusing for new readers. My poor copyeditor is asking about what the differences are with Hikeda’ya/Zida’ya/Norns/Sithi/White Foxes/Keida’ya (a term that will be new to the new books, meaning the race before they split up) and various others, as well as if Rimmersmen are Northmen and if mortals only means them or others…and so on.
I always worried about the fine line between not boring the readers who already knew Osten Ard and those new to the place.
Long-time readers of Williams’ novels will remember that in Williams’ world of Osten Ard, the Gardenborn, the elder elf-like race who came to Osten Ard from the east on eight great ships, were divided into several tribes. These tribes included the proud Sithi (also called “peaceful ones”, Zida’ya, or Dawn Children), as well as the embittered Norns (“white foxes”, Hikeda’ya, or Cloud Children) and the pacifistic Dwarrows and Niskies (variously called “dvernings”, Tinukeda’ya, or Ocean Children).
The Keida’ya is a term not mentioned in the original series. Williams states that the term is new, and refers to (some of?) the Gardenborn before they split into factions.
Williams also wrote about the progress of the novels:
I finished the final draft of HoWWL a while back, but this is the copyedited manuscript, which has comments on it from the copy editor (and others — everybody likes to get in on the Exciting Tad Action). Then I’ll have one more pass at the proofs stage, which is mostly about looking for mistakes in typesetting, but is also my last chance to kill an infelicitous phrase, or at least bury it in disguising prose.
On a few hundred pages at most it’s not such a big deal, but I’ll be really sick of Osten Ard by the time I’ve been through all the different versions of TWC [The Witchwood Crown]. I’ll also be writing EoG [Empire of Grass] at the same time, so I’ll be doubly or even trebly sick.
Thank God I’m used to this kind of getting-sick-of-my-own-book.
The Witchwood Crown, the first novel in the upcoming “The Last King of Osten Ard” series, is scheduled for publication in April of 2017, with sequel novels Empire of Grass and The Navigator’s Children following sometime thereafter.
oday, Random House website Suvudu.com revealed three brand-new re-issue covers for international bestselling author Tad Williams‘ classic “Memory, Sorrow and Thorn” dark fantasy series. The covers feature beautiful new cover art by legendary science fiction/fantasy artist Michael Whelan, who painted the original covers for “Memory, Sorrow and Thorn” almost thirty years ago.
The updated artwork is the first major revamp of the classic covers of The Dragonbone Chair, Stone of Farewell, and To Green Angel Tower since the books first went to print in the late 1980s/early 1990s, at least in America. Whelan, winner of fifteen Hugo Awards and three World Fantasy Awards for best artist, is known for his detailed and painstaking work, which often involves months of research and manuscript reading.
The new covers will appear on updated U.S. DAW Books trade paperback editions of the original trilogy, with a newly-revised edition of The Dragonbone Chair scheduled to appear in July 2016, followed by Stone of Farewell in September 2016, and To Green Angel Tower in November 2016. These volumes will be closely followed by two brand-new Osten Ard novels: The Heart of What Was Lost in January 2017 and The Witchwood Crown in April 2017. Three or four additional novels are planned, with The Witchwood Crown being the first volume in the highly-anticipated sequel series “The Last King of Osten Ard”.
First up is the new cover for The Dragonbone Chair, the cardinal volume, which features a blurb by George R. R. Martin, author of the bestselling A Game of Thrones: “Inspired me to write my own seven-book trilogy… It’s one of my favorite series.”
Whelan’s artwork accurately depicts the sword Minneyar, also known as “Year of Memory” or simply Memory, one of the Three Great Swords spoken of in the Mad Priest Nisses’ ancient prophecy:
“When frost doth grow on Claves’ bell And shadows walk upon the road When water blackens in the well Three Swords must come again.
“When Bukken from the earth do creep And Hunën from the heights descend When Nightmare throttles peaceful sleep Three Swords must come again.
“To turn the stride of treading Fate To clear the fogging Mists of Time If Early shall resist too Late Three Swords must come again.”
Scheduled for September, the new cover for Stone of Farewell features the Great Sword Sorrow, also known in the Sithi language as Jingizu. Whelan’s illustration accurately portrays the double-hilted sword, which is made of both iron and witchwood, two materials which were considered inimicable, perhaps because neither the iron nor the witchwood are native to the lands of Osten Ard: iron was brought from Ijsgard east to Osten Ard on King Elvrit’s longboat Sotfengsel, while witchwood was brought westward to Osten Ard by the undying Sithi on their eight great ships.
The great sword Sorrow is described in the text: “… in a sheath at [King Elias’] side was the sword with the strange crossed hilt […] there was something queer and unsettling about the blade… [It] had a strange double guard, the cross pieces making; with the hilt, a sort of five-pointed star. Somewhere, deep in Simon’s self, he recognized this last sword. Somewhere, in a memory black as night, deep as a cave, he had seen such a blade…”
The new cover contains a blurb from author Patrick Rothfuss (“The Kingkiller Chronicle”): “Groundbreaking… changed how people thought of the genre, and paved the way for so much modern fantasy. Including mine.”
The third volume, To Green Angel Tower, is scheduled for a November 2016 re-release. The cover features Michael Whelan’s depiction of the Great Sword named Thorn.
The text describes the sword thusly: “it was a sword like no other he had ever seen: long as a man’s arms spread wide, fingertip to fingertip, and black. The purity of its blackness was unmarred by the colors that sparkled on its edge, as though the blade was so supernaturally sharp that it even sliced the dim light of the cavern into rainbows. Had it not been for the silver cord wrapped around the hilt as a handgrip— leaving the uncovered guard and pommel as pitchy as the rest of its length— it would have seemed to bear no relationship to mankind at all. Rather, despite its symmetry, it would have seemed some natural growth, some pure essence of nature’s blackness extruded by chance in the form of an exquisite sword.”
The cover features a blurb from author Christopher Paolini (Eragon): “Memory, Sorrow and Thorn is one of the great fantasy epics of all time.” We at Treacherous Paths can’t disagree.
We will keep readers up to date on more news as soon as we’re authorized to release it.
ig news today, as Amazon has added Tad Williams’ The Heart of What Was Lost to its website as an item which may now be pre-ordered from Amazon. The new novel, a sequel to the original classic “Memory, Sorrow and Thorn” books, takes place sometime shortly after the events of the original series.
Amazon gives the length of the novel as 368 pages in hardcover, with a publication date of January 3rd, 2017. Amazon also lists the Kindle edition as available for pre-order. Williams, the international bestselling author of more than twenty speculative fiction novels, including The War of the Flowers, Caliban’s Hour, and the “Otherland”, “Shadowmarch”, and “Bobby Dollar” series, talked a bit about some of the plot details of the new novel, including a few spoilers:
[R]eturning characters from MS&T are Isgrimnur and Sludig […] There are also a few others such as Akhenabi (a Norn magician) who had brief appearances in MS&T.
So two of the characters will be the returning Rimmersmen Isgrimnur and Sludig; readers of the original series will recall Isgrimnur, the aging Duke of Rimmergard in “Memory, Sorrow and Thorn”, a major point-of-view character who throws his lot in with the rebel Prince Josua Lackhand of Erkynland in their quest to remove Josua’s brother, the treacherous King Elias, from the Dragonbone Chair.
Sludig was Isgrimnur’s lieutenant, and he was a dynamic and important character in the original trilogy. It is Sludig who accompanies Simon, Binabik and Binabik’s wolf companion Qantaqa north from Naglimund Castle, skirting around the western and northern sides of Aldheorte Forest in a desperate, cold attempt to retrieve the lost sword Thorn from the “Rhymer’s Greate Tree.” Sludig and Binabik eventually return to Prince Josua with the Great Sword Thorn, but it is Simon who is knighted by the prince.
The Heart of What Was Lost is Williams’ first new Osten Ard novel since 1993’s bestselling To Green Angel Tower, and this first new novel will be followed by four additional novels. The second novel, The Witchwood Crown, is already scheduled for an April 2017 release.
Williams is now releasing some early, provisional sketches that he created during the writing of The Witchwood Crown, which his wife and business partner Deborah Beale kindly shared with us, and which we are now sharing with all readers.
The first sketch is a map (right, clickable) of Sturmrspeik, the great mountain of ill repute inhabited by the Norns, embittered relatives of the immortal Sithi. Beneath the great mountain lies the ancient city of Nakkiga, home to Utuk’ku Seyt-Hamahka, Queen of the Norns and Eldest of all living beings in Osten Ard. Williams’ rough map shows the location of the mountain itself, with the great Nakkiga Gate guarding the pass. Around these landmarks are the white waste of the Himilfell Mountains, which stretch both eastward and westward from the area. The second map sketch (left, clickable) is also of Sturmrspeik and Nakkiga, showing the locations of several well-known Norn landmarks as well as some which are entirely new. The Queen’s throne room appeared in the classic series, and makes a reappearance in the new map. Among the new landmarks are a Black Garden and a White Garden, as well as a subterranean lake, and an area marked as Great Processional. A bridge over the moat connects Nakkiga’s tunnels with the Queen’s Bridge.
We have more maps and diagrams, and will share more soon.
he title of Tad Williams’ fifth new Osten Ard novel was made public this week on Facebook. The novel, which will be an interquel rather than a strict sequel, will be named The Shadow of Things to Come.
Williams, an international bestselling author, has hinted about this fifth novel in the past, but the title of the new book has remained under wraps until recently. In a previous Facebook posting, Williams wrote:
I would guess that the second short novel [The Shadow of Things to Come] will come out between The Witchwood Crown and Empire of Grass, but that’s a guess until we work out the schedule with publishers. The story at this stage is one of a number of possibilities, so I think I’ll talk about it next newsletter, or perhaps when actually I’m writing it and it’s jumping like the tree frogs around here whenever we get some rain. All the possibilities are pretty interesting, I have to say.
To Green Angel Tower (1993)
In all, five new books set in Williams’ eldritch world of Osten Ard will see worldwide publication over the next few years. Publishers in the US, UK, Germany, and the Netherlands have already been announced. The first new novel, The Heart of What Was Lost, was originally envisioned as a short story, but like many of Williams’ stories, expanded greatly in the telling. The original working title of this novel was The Heart of Regret, but that title has since been changed. The Heart of What Was Lost is set immediately after the events of To Green Angel Tower (published in 1993), and could be seen as a sequel novel to Williams’ original classic “Memory, Sorrow and Thorn” books:
The story [of The Heart of What Was Lost] follows [Duke] Isgrimnur [of Elvritshalla] as he leads an army against the Storm King’s defeated warriors, who are looting and killing as they fall back to Nakkiga, their mountain home in the far north.
The Heart of What Was Lost is expected to be published in January 2017, followed by The Witchwood Crown in late Winter 2017. This second new Osten Ard novel will continue the story some thirty years later. After The Witchwood Crown will come The Shadow of Things to Come, Empire of Grass, and The Navigator’s Children, though not necessarily in that order.
Williams has given several interviews over the last year regarding several of the new Osten Ard books. We will provide more details on OstenArd.com regarding these highly-anticipated new novels when possible; alternately, you can subscribe to Williams’ official newsletter.
Deborah Beale, wife and business partner of Tad Williams, has released this statement:
“Book one of Tad Williams’ ‘The Last King of Osten Ard’ isn’t in in the DAW spring schedule owing to pressures arising from the integration of Penguin/Random House. We will know more about that after Tad’s September meeting with his publishers.
“Beyond this, we have been focussed on a number of projects related to ’The Last King’. The road to volume one, ‘The Witchwood Crown’, will be dotted with many Easter eggs, some of which will be announced after that September meeting. This is a trilogy that is expanding from the front end of things!”
The Witchwood Crown is the first volume of “The Last King of Osten Ard“. This sequel to Williams’ classic 1980s fantasy trilogy/tetralogy was set to be released in Spring 2016, though no definite date had yet been set. The announcement of “a number of projects related to “The Last King of Osten Ard” is intriguing. Williams has written of several possibilities on his official message board over the years.
More news will come from Tad Williams or Deborah Beale when it is available; hopefully in September. Meanwhile, Hodder Books in the UK has released The Dragonbone Chair on audiobook, via Audible.com/Amazon.co.uk, the first time MS&T has been available as an audiobook for the general public. A review of the reading from this site is forthcoming.