If you have a Goodreads account, you can take this 20-question “Memory, Sorrow and Thorn” quiz; be sure to like and share the quiz with your friends!
On Facebook this weekend, Tad Williams, bestselling author of more than a dozen speculative fiction novels, including the classic “Memory, Sorrow and Thorn” series, announced the completion of the first draft of The Witchwood Crown, the first novel in the upcoming sequel series, “The Last King of Osten Ard”.
On the social media platform, Williams wrote:
I’ve finished the (tidied and revised) version of the first draft of The Witchwood Crown. Currently it’s 1071 pages, about 311K words. Yes, I’ve written another not-small book. Surprise!
The writing process has been very fast, with the announcement of the highly-anticipated new series only being made in April of last year. The Witchwood Crown is expected to be published in Spring 2016, with subsequent volumes, tentatively titled Empire of Grass and The Navigator’s Children, published sometime thereafter. Negotiations for foreign-language translations have already been inked.
News of Williams’ return to Osten Ard has readers and critics alike excited, with Daniel Kaszor of The National Post writing that “Memory, Sorrow and Thorn” “redefined what traditional fantasy could be”, while Google calls the series “the trilogy that launched one of the most important fantasy writers of our time.”
In Part 4 of our interview with Science Fiction/Fantasy author Tad Williams, Williams revealed plans for audio books for his classic “Memory, Sorrow and Thorn” series. In the US and the UK, the “MS&T” books have never been transferred to audio, other than an edition for sight-impaired readers that was released on audio-cassette in the 1990s. Requests for English-language audiobooks of “Memory, Sorrow and Thorn” have been made for many years, to no avail. German-language audiobooks have been available for a long time.
Today, Deborah Beale, wife and business partner of Tad Williams, just tweeted news that casting for the audiobooks for “Memory, Sorrow and Thorn” has commenced. It is presumed that the English-language audiobooks will be released in time for the release of the sequel to “MS&T”, called “The Last King of Osten Ard”. The first volume of the new series, called The Witchwood Crown, is expected in April 2016.
Following last year’s press releases that DAW Books in the US and Hodder and Stoughton in the UK will publish “The Last King of Osten Ard” is news this month that the as-yet unpublished book will be translated into German and Dutch for overseas readers.
Dutch publisher Luitingh has acquired the publishing rights to the new series in the Netherlands. Luitingh has previous translated Williams’ four-volume “Shadowmarch” series as well as the single-volume entry, The War of the Flowers.
In Germany, a major market for Williams’ books, Klett-Cotta has acquired the rights to publication in Germany, according to PublishersMarketplace.com (registration required). Klett-Cotta has previously published translations of most of Williams’ books, including “Shadowmarch”, a four-volume edition of “Das Geheimnis der Großen Schwerter” (“Memory, Sorrow and Thorn”), Traumjäger und Goldpfote (Tailchaser’s Song), the “Tinkerfarm” books (“Ordinary Farm”), Der Blumenkrieg (The War of the Flowers), “Otherland” and Der brennende Mann (The Burning Man).
The Witchwood Crown, the first volume of Williams’s upcoming “The Last King of Osten Ard” trilogy, is expected in the US and the UK in Spring 2016. Foreign-language editions will be published sometime afterwards. The Witchwood Crown will be followed by Empire of Grass and The Navigator’s Children.
28. Februar 2015
Science-Fiction & Fantasy Autor Tad Williams hat mehr als 30 Millionen Bücher verkauft. Seine Bücher wurden in mehr als 25 Sprachen übersetzt. Sein erster High Fantasy Zyklus, „Die Chronik der großen Schwerter“, war ein internationaler Bestsellererfolg und hat Millionen von Fans. Nun kehrt Tad Williams zurück in die Welt der „Chronik der großen Schwerter“ mit einer neuen Reihe, der Fortsetzung „The Last King of Osten Ard (Der letzte König von Osten Ard)“. Eine neue Reihe, die ihn wahrscheinlich wieder zurück auf die Bestsellerlisten katapultieren wird.
Wir sprachen mit Williams kurz nachdem seine Ehefrau und Managerin Deborah Beale verkündet hat, dass er die Rohfassung des ersten Romans der neuen Reihe, „The Witchwood Crown (Die Hexenholz Krone)“ abgeschlossen hat. In diesem exklusiven Interview stellen wir Williams zahlreiche Fragen über seine Arbeitsweise beim Entwerfen von ganzen Welten, etwaige Pläne für zukünftige Lesereisen, wie es ist für ihn in eine Welt zurück zu kehren, die er lange nicht betreten hatte, und seine Pläne für zukünftige „Bobby Dollar“ Romane, die er abwechselnd zwischen den Osten Ard Büchern schreiben möchte.
Teil Eins des Interviews direkt im Anschluss. Weitere Teile werden folgen.
OstenArd.com: Vielen Dank, Tad, dass Du diesem Interview zugestimmt hast! Du hast gesagt, dass du die neuen Osten Ard Bücher parallel zu weiteren Bobby Dollar Geschichten schreiben wirst. Obwohl die Geschichten sehr unterschiedlich sind, hast du Probleme damit die verschiedenen Stimmern der Charaktere auseinander zu halten? Oder sind die Unterschiede so groß, dass das nicht passiert?
Tad Williams: Eines der schönsten Dinge an Bobby Dollar ist, dass ich die Geschichten in der ersten Person Singular erzähle. Wenn ich einmal anfange in dieser Stimme zu schreiben, passiert alles sehr natürlich (nicht zuletzt deshalb weil er fast genauso spricht wie ich selbst.) Der Großteil der neuen Osten Ard Bücher wird in der dritten Person erzählt (obwohl es einige Briefabschnitte gibt, die in der ersten Person erzählt sind), daher sind sie sehr verschieden. Nicht zu vergessen, dass Bobby Dollar sehr modern erzählt wird. Wenn ich aber Fantasy schreib, vor allem vor-industrielle Fantasy muss ich den richtigen Ton und das richtige Vokabular finden, dass zu der Geschichte passt. Aber für den „Letzten König“ muss ich etwas finden, dass angemessen ist und zu dem passt, was ich in den ersten Büchern verwendet habe.
OstenArd.com: Du hast viele ergebene Leser, die dich gerne persönlich treffen würden. Plant dein Verleger eine Lesereise vor/während/nach der Veröffentlichung der „Hexenholz Krone“, und falls ja, welche Orte würdest du besuchen? Gibt es Märkte, die du einfach besuchen musst?
Tad Williams: Ich hoffe sehr, und ich würde es sehr gerne tun. Verleger schicken Autoren nicht mehr so oft auf Lesereise, weil der Niedergang des stationären Buchhandels und die Auswirkungen der Finanzkrise seit 2006 dies nicht mehr profitabel machen. Aber ich hoffe sehr, dass die neuen Bücher auch für meinen amerikanischen Verleger ein Ereignis sind, dass eine Lesereise rechtfertigt. Was andere Länder angeht, muss man von Fall zu Fall sehen, was sich ergibt, aber ich bin ziemlich sicher, dass mich mein deutscher Verleger auf Lesereise schicken wird.
OstenArd.com: Sowohl Christopher Paolini als auch George R.R. Martin haben bekundet, dass deine Reihe sie beeinflusst hat, ihre Bücher zu schreiben. Gibt es Pläne die beiden nach einem „Blurb“, einem Werbezitat für das Buchcover von „Die Hexenholz Krone“ zu fragen?
Tad Williams: Christopher würde es wahrscheinlich sofort tun, da sehe ich kein Problem. Aber es ist immer schwierig George für so etwas zu kriegen, da er immer so viele Anfragen an, die seine Aufmerksamkeit einfordern. Er muss tausend Dingen mehr seine Aufmerksamkeit schenken, als ich dies tun muss, und es gibt noch viele, viele Dinge mehr, die seine Aufmerksamkeit erreichen wollen.
OstenArd.com: Im „Drachenbeinthron“ hast du eine riesengroße Welt erschaffen mit mehr als 100 Städten, Ortschaften und Dörfern, die sich über einen ganzen Kontinent erstrecken. Dann hast du Sprachen, Kulturen und Völker geschaffen, die diese Orte bevölkern. Mit den weiteren Büchern wuchs Osten Ard immer weiter. Planst du nun einige Bereiche jenseits der alten Karten zu erkunden? Die „weißen Flecken“ an den Rändern der Karte? Falls ja, wie wird sich das zusammenfügen mit den bereits bekannten Strukturen und den alten Karten?
Tad Williams: Unser Wissen über OstenArd wird ganz gewiss erweitert werden, aber ich habe immer noch eine Menge Material aus den Originalbüchern, dass ich verdeutlichen und erweitern kann, ohne dass ich über die Grenzen der Wüste von Nascadu oder die Troll- bzw. Norn Fjelle hinausgehen muss. Trotzdem werden wir ein wenig mehr über das Gesamtkonzept der Welt lernen und ein paar Orte sehen, die wir in den ersten Büchern nicht gesehen haben. Soviel ist sicher!
OstenArd.com: Während der Handlung der „Chronik der großen Schwerter“ konnten die Leser das Reich erkunden und von dampfenden Dschungeln bis hin zu gefrorener Tundra (einer ganzen Menge davon!) viele Orte besuchen. Gibt es Pläne Bereiche von Osten Ard wieder zu besuchen, die in der klassischen Reihe nicht so viel Aufmerksamkeit erhalten haben? Nascadu? Die Lande der Hyrka? Die Inseln der Westerlinge? Harcha und Naraxi? Ijsgard? Der verlorene Garten?
Tad Williams: Wir werden eine Menge sehen von den Norn Fjellen und Nakkiga. Ebenfalls werden wir viel vom Aldheorte, den Thrithingen und Nabban sehen. Was andere, bislang unbesuchte Orte angeht, bin ich noch nicht sicher, weil das wird davon abhängen wohin das zweite und der Anfang des dritten Buches einige Charaktere führen wird, deren Schritte ich noch nicht komplett durchgeplant habe (Nebenbei, das amüsant-dumme Rechtschreibprogramm meines E-mail Programms möchte immer „Thrithings“ in „Thrashings“ ändern.) Und wir werden mehr über den Verlorenen Garten hören und lernen, eine GANZE Menge über die frühe Geschichte der Nornen und Sithi, sowohl in Osten Ard als auch vorher. Und obwohl ich nicht sagen kann, dass wir den Verlorenen Garten besuchen werden, denn er ist schließen verloren, so werden wir auf alle Fälle mehr über ihn erfahren.
Like Tad Williams, we tried to keep it to three parts, but it ended up being four. Below is Part Four of OstenArd.com’s interview with internationally bestselling speculative fiction writer Tad Williams, author of the “Memory, Sorrow and Thorn”, “Otherland”, “Shadowmarch” and “Bobby Dollar” books, and who recently announced the completion of the first draft of The Witchwood Crown, the first volume of a series of sequel novels to his classic “Memory, Sorrow and Thorn” trilogy, called “The Last King of Osten Ard“. The Witchwood Crown is tentatively slated for a Spring 2016 release.
The below questions were asked by readers on the Tad Williams Message Board and by OstenArd.com contributors. In this part of the interview, we asked Williams about publication plans for print and audiobooks, plans for re-releases of the classic “Memory, Sorrow and Thorn” books, and what, if anything, he has found challenging about writing a much-older Simon, Miriamele, Binabik, and the rest of the crew.
OstenArd.com: Tad, the new series will certainly be a major publishing event, and deals have been announced for the US and the UK. Are there any other deals in place that you can talk about? Have plans been put in place on how the new books are going to be published and/or marketed? Will there be audiobooks?
Tad Williams: I’m sure there will be audiobooks in English and German, although I don’t know any details yet. All other stuff, I really don’t know. Deb [Tad’s wife and business partner Deborah Beale] probably knows more than I do, because I’m doing my best just to get the books written.
OA.com: Will there be re-issues of the original trilogy? Hardcover reprint? Audiobooks? Any news on that front?
Tad: Same answer. But, yes, we’re pushing for a re-release.
OA.com: In the “Memory, Sorrow and Thorn” reread on the Tad Williams Message Board, we had a lot of fun tracking down references to mythology/history/other books – can we expect more of that in “The Last King of Osten Ard”? Is there a reference you particularly liked in “Memory, Sorrow and Thorn” and that no one mentioned to you yet? Any still hidden Easter-egg?
Tad: I honestly have no idea if there are any Easter eggs that have escaped the laser-focus-bunnies of the message board. I’ll keep an eye open when I do another re-read (which I think I’ll have to do before I commit to the first volume as finalized), and if I see something, I’ll let you know. Besides, it’s better when you guys find these things on your own, because then even if I never intended it, I can look wise and nod my head: “Ah, yes, that. Very clever, wasn’t I?”
OA.com: Were there any aspects of writing a 30-years-older Simon or Miriamele (or any other character from “Memory, Sorrow and Thorn” who reappears in “The Last King of Osten Ard” for that matter) that you found surprising or challenging or surprisingly challenging?
Tad: Too early to say, really, because a lot of this will be not just who the characters are at the beginning, but how they change during these books, as they did during MS&T. But it’s all challenging, because we know these characters as young people. The difference between a teenager and a middle-aged adult is almost like two different people. But I think I’ll be able to tell you more when I’m actually done — rewrites and all — with this first volume, because it’s in rereading Witchwood Crown AS A NOVEL that will tell me a lot about whether Simon and Miriamele’s older selves feel real and appropriate.
[Ed.: This concludes our multi-part interview with Tad Williams. We’d like to take a moment to thank Tad Williams and Deborah Beale for their time, and all the friendly folks on the Tad Williams message board, who asked a lot of great questions.]
Below is Part Three of OstenArd.com’s interview with speculative fiction writer Tad Williams, author of the “Memory, Sorrow and Thorn”, “Otherland”, “Shadowmarch” and “Bobby Dollar” books, and who recently announced the completion of the first draft of The Witchwood Crown, the first volume of a series of sequel novels to his classic “Memory, Sorrow and Thorn” trilogy, called “The Last King of Osten Ard“. The Witchwood Crown is tentatively slated for a Spring 2016 release. Part One of the interview is here. Part Two is here.
The below questions were asked by readers on the Tad Williams Message Board and OstenArd.com contributors. In this part of the interview, we asked Williams how his main characters from Osten Ard compare to Bobby Dollar, if he has any plans to ever return to other worlds he built, and if he ever regrets his decision to wander back into the thick of things in Osten Ard.
OstenArd.com: Tad, your most recent main character, Bobby Dollar, seems pretty cynical sometimes, but his actions are unfailingly that of an optimist. “Of course I’m going to go to Hell to save my new girlfriend (who’s not really my girlfriend)!” Simon’s journey was from a youthful idealism (or even, some might say, cluelessness) to adulthood with a good measure of earned wisdom. How has Simon’s worldview changed with the passage of time? Would you describe him as an idealist or optimist? Does he have anything in common with Bobby Dollar’s cynicism, now that he’s been around the block a few times?
Tad Williams: Simon is still much more of an optimist than Bobby, but part of that comes from him resolutely refusing to dwell on the worst things in life. That doesn’t mean he ignores them, but he is more determined not to let them dictate his everyday life than, say, Miriamele is. I think I myself am a wounded romantic by nature, an optimist with a cynical sense of humor, rather than a cynic per se. Simon is, I hope, an older version of his younger self, thus more pragmatic, less surprised when things don’t go well, and more aware of how hard it is to change the world. In some ways, he’s probably less of a romantic than Bobby.
OA.com: When you reread “Memory, Sorrow and Thorn” in preparation, was there anything, about the plot or the worldbuilding or the characters, that made you think, “I wish I could rewrite this”? Or on the other hand, something that you’d maybe forgotten about and that surprised you in a positive way?
Tad: I thought, “I wish I hadn’t made this so damn long.”
No, I always have ambivalent responses when look at my own work. Most of my flinch moments come from what I see as prose issues — too many commas, too flowery when not necessary, etc. — rather than story choices. I think I’ve always had a pretty good grasp of story and character, so the main things I see that I wish I could change are almost always technical things about the writing itself.
On the other hand, I’m always pleasantly surprised when my older work isn’t as lame as I sometimes fear it might be.
OA.com: You’ve said that you are interested in writing some more Orlando (from “Otherland”) stories. Do you think this desire might turn into a book or even a new series? Is there any particular Otherland sim you would like to revisit and flesh out more?
Tad: It’s not so much any one simulation as that I’d like to 1) make more simulations, 2) explore how the Otherland network is changing as it becomes more “alive” and self-aware, or at least self-regulating, and 3) I think Orlando’s situation is interesting in and of itself, as detailed in “Happiest Dead Boy”. Plus, I’m interested in the idea that some of the artificial life-forms (or semi-life-forms) in the network might want to bring Dread back, for weird pseudo-religious ideas of their own.
OA.com: You resisted returning to Osten Ard for a long time; now that you’re back, do you ever find yourself thinking, “What the heck am I doing here?”
Tad: Every goddamn day. Especially when I’m trying to remember history and stuff from the first volumes, which is all the time, instead of just being able to make things up from scratch. But as mentioned, it’s also a really fun challenge. Not to sound like a complete sap, but that’s a big part of what I love about writing, too. I know I won’t please everyone, but it will be fun to see if I can at least please a few people.
OA.com: Readers are re-reading “Memory, Sorrow and Thorn” far and wide in anticipation of the new books. And their responses seem uniformly positive. Do you think “veteran” readers of MS&T will enjoy the new books just as much? Why or why not?
Tad: If anything, I have to work hard to make sure these books are as much fun for new readers as for the old readers, because there is so much old history, and so many old characters and plotlines to plug into. I think the veteran readers will have no problem with these because there is a LOT of continuity despite the decades passed.
Editor’s note: the interview with Tad Williams will conclude with Part Four.
Below is Part Two of OstenArd.com’s interview with Science Fiction/Fantasy writer Tad Williams, author of the “Memory, Sorrow and Thorn”, “Otherland”, “Shadowmarch” and “Bobby Dollar” books, and who recently announced the completion of the first draft of The Witchwood Crown, the first volume of a series of sequel novels to his classic “Memory, Sorrow and Thorn” trilogy.
(Part One of the interview can be found here).
In this interview, we asked Williams what it’s like to return to the world of Osten Ard, how he’s reacted to the announcement that Michael Whelan will be illustrating the covers, and what he’s been researching while working on The Witchwood Crown.
OstenArd.com: It’s been recently announced that Michael Whelan will be doing the covers for the new Osten Ard books, just as he did for the classic MS&T series. When I spoke to him in person in November, he was excited and proud to be asked to create the new cover art for your books. How excited are you to know that his amazing work will be on the new books?
Tad Williams: I think it’s wonderful. It’s hard to imagine what anyone else could do with them, since Michael put his stamp on them so authoritatively. And I’ve always loved Michael’s work, since long before he intersected my career, or I even had a career to intersect. So, yes, thrilled to see what he’ll come up with, proud that he wants another go.
OA.com: On the TadWilliams.com message board, you revealed a partial character list. Any plans to reveal a more detailed or more extensive character list? Or would that be too spoilery?
Tad: I intend at some point — probably closing of rewrite of first draft — to update and correct that list. Also, I may very well release the chapter titles, which won’t necessarily give anything away conclusively, but will certainly inspire some guesswork.
OA.com: When MS&T was first published the initial critical reaction was disappointing since critics only read it as a generic fantasy trilogy and failed to see more than that. Only a few critics (like Roz Kaveney) saw beneath the surface and recognized it as a revisionist fantasy. But 30 years on, a new generation of writers is acknowledging their debt to MS&T (Brandon Sanderson, Christopher Paolini, even GRRM), and MS&T is widely regarded as “classic”. Are you still disappointed over the lack of critical appreciation? Do you think that the new trilogy will change that?
Tad: I’m kind of resigned to the fact that for whatever reason, I will remain one of those weird tastes, like some odd ice cream flavor, that some people will be passionate about, and others won’t quite get the fuss. And, in all fairness, I’m just writing fantasy and science fiction books that I’d like to read. It’s not like I think I’m all that important myself in the first place. But, yes, it’s heartening when people DO understand that I put a lot of thought and care into this, that I’m not just writing extra-long role playing adventures, that I bring a few other skills and interests to the table. My wife says, “Don’t worry, they (critics and trendsetters) will kiss your ass after you’re dead”, to which I usually reply, “That doesn’t sound like it will be all that much fun for either of us.”
OA.com: Has Osten Ard society changed in the last 30 years? Does Simon’s upbringing have lasting influence on his kingship and if so was he able to change things? Did he want to?
Tad: That’s one of the things that will definitely be a part of the story, so It’s hard to discuss without giving things away. But, yes, Simon and Miri and the lessons their lives have brought them will have a lot to do with the future of Osten Ard, and they both want to be “good” rulers, so they’ve spent a lot of time since the end of TGAT trying to figure out what that means and how to accomplish it, with mixed success (as is true with all of us with just about anything).
OA.com: How difficult is it to “collaborate with yourself”, as it were, in writing a sequel to a story you wrapped up over twenty years ago? Are you trying to match the style and mood of the original, or are you just trusting yourself that it will come out right? Do you find yourself remembering any of the feelings or thoughts you had when writing MEMORY, SORROW AND THORN, even things you’d forgotten until now?
Tad: I won’t really know until I’ve finished, because when I’m writing things they are always composed of dangly bits and rough edges that have to be fixed, and that’s where I am right now — all dangly bits.
Some of the process is easier than a first-time novel, because for instance I already feel I know who Simon and Miriamele are in a deep sense, and can guess which things would be appropriate to their adult selves, and which wouldn’t be. But of course I’m not just trying to match a style, or match older characters to their younger selves, I’m also trying to match an -impact- as well, because I’m messing with material that in some ways means more to readers than it does to me. While I know I will never be able to write new stories which have the same impact for the older fans, I want them to feel appropriate, and that I took the best possible care of old favorites while justifying a sequel by adding new material. And of course, I can’t forget about all the people who may read this without having read the first books. I don’t want to freeze them out and make it some kind of nostalgia fest. So it’s a very interesting, occasionally terrifying thing to do.
OA.com: For the Shadowmarch series, you mentioned doing research on geology, iirc. What sort of research did you do (are doing) for TLKOOA?
Tad: Ohmigod, what amn’t I researching? I’ll pick some bookmarks at random:
Battle of Walcourt
List of Anglo-Saxon place names
Ice Cave Picture
3D plans for Skipton Castle
Traditional Gaelic Names
Monasticism in Western Europe
The Male and Female Names of Animals
History of the Wool Trade
Entheogens of Antiquity
Central Asian Steppes
and so on and so on, to the tune of about five hundred bookmarks. Not to mention the fact that I’ve got about forty or so research books that I have out and in use just for this story alone, as well as copious notes from the first book and various other bits and bobs. (Message Board conversations, Maps, etc.) So, yeah, there’s research in all my stuff, but I think this one is second only to OTHERLAND in terms of how much material I’m using.
(To be continued…)
Speculative fiction writer Tad Williams has sold over 30 million copies of his books, which have been translated into more than 25 languages. His first epic fantasy trilogy, “Memory, Sorrow, and Thorn”, became an international bestselling series beloved by millions. And now Tad Williams returns to the world of “Memory, Sorrow and Thorn” with a new sequel series called “The Last King of Osten Ard”, a series which seems likely to catapult him back once more onto the bestseller lists.
We talked with Williams shortly after he and his wife and business partner Deborah Beale announced that he had just completed the rough draft of the first book in the new series, The Witchwood Crown. In this exclusive interview, we asked Williams some questions about his world-building, plans for book tours, what it’s like to return to a world he hasn’t been to in ages, and his plans to continue to write “Bobby Dollar” books in between Osten Ard novels. Below is Part One of the interview. Further portions of the interview will be published later this week.
OstenArd.com: Thanks, Tad, for agreeing to do this interview! You have stated that you are writing the new Osten Ard novels at the same time as Bobby Dollar stories. Even though they are very different stories, do you ever find yourself confusing the characters’ voices? Or are they just too different for that to happen?
Tad Williams: One of the nicest things about Bobby Dollar is that I tell it in the first person. Once I start writing that voice, it comes pretty naturally (in part because he talks more than a bit like me.) Most of TLK is third-person past tense (there are some epistolary sections in first-person present) so it’s actually quite different. Not to mention that BD is modern in style of speech, so it’s like turning off the tape-delay. When I’m writing fantasy, especially pre-industrial fantasy, I have to find a proper tone and vocabulary to go with the story. But with TLK, I just have to come up with something that feels appropriate to what I used in the first books.
OA.com: You have a devoted fan base who would love to meet you. Does your publisher plan a major book tour before/during/after the launch of The Witchwood Crown, and if so, where might you go? Are there markets that you absolutely know you’ll have to visit?
Tad: I hope so, and I would love to do it. Publishers haven’t been touring writers as much because of a) the loss of profitability in brick-and-mortar publishing and the 2006-present economic ructions. But I hope this is enough of an event to warrant my American publishers touring me again. As far as other countries, that’s always catch as catch can, although I’m pretty sure my German publishers will tour me.
OA.com: Both Christopher Paolini and George R. R. Martin have acknowledged that you inspired them to write their own series. Are there plans afoot to ask them to provide a blurb for The Witchwood Crown?
Tad: Christopher would probably do it, no problem. It’s always hard to get George to do stuff like that just because there’s so many demands on his time. He’s like me times a thousand, probably, in terms of how many things he can pay attention to out of however many are seeking his attention.
OA.com: In The Dragonbone Chair, you built a massive world with more than 100 cities, towns and villages spread out over a continent. Then you created languages, cultures, and peoples to fill those places. As you added more books, Osten Ard grew further. Are you planning to do any exploring of areas outside the old maps? The “blank areas at the edges of the maps”? If so, how will that mesh with the existing infrastructure and the old maps?
Tad: There will definitely be some expansion of what we know about O. Ard., but I’ve got plenty of stuff from the originals to elucidate and expand upon without going beyond the Nascadu desert or the northern Trollfells or Nornfells. However, we will learn a bit more about the -conceptual- map of the world, and also see some places we never saw in the first books, that’s for sure.
OA.com: During the events of MS&T, readers got to explore the realm, visiting everything from steaming jungles to frozen tundra (LOTS of frozen tundra!). Any plans to revisit areas of Osten Ard which didn’t get much attention in the classic series? Nascadu? The Hyrkalands? The Westerling Islands? Harcha and Naraxi? Ijsgard? The Lost Garden?
Tad: We’re going to see a LOT of the Nornfells and Nakkiga. We’re also going to see a lot of Aldheorte and the Thrithings and Nabban. As far as other, previously unvisited places, I’m not sure — that will depend on where the second volume and the beginning of the third takes some characters whose steps I haven’t completely mapped yet. (By the way, the amusingly stupid spellchecker on this email keeps trying to change “the Thrithings” to “the Thrashings”.) And we will learn and hear more about the Lost Garden as well — a LOT about the early history of the Norns and Sithi, both in Osten Ard and before. So while I can’t say we’re going to visit the Lost Garden — it is lost, after all — we’re definitely going to learn and hear more about it.
To be continued…
Bestselling international fantasy/sci-fi author Tad Williams was set to complete the first draft of The Witchwood Crown on Tuesday, his wife and business partner, Deborah Beale, announced on Twitter on Tuesday morning.
The Witchwood Crown is the first volume of “The Last King of Osten Ard”, a sequel trilogy to the original classic epic fantasy series “Memory, Sorrow and Thorn”, set thirty years after the original books. Beale and Williams have kept fans up to date on a regular basis (a list of monthly page counts can be found here), with news of progress happening nearly every week.
Reaction to the news of a new Osten Ard series has been very positive, with Daniel Kaszor of The National Post writing, “The Memory, Sorrow and Thorn series […] redefined what traditional fantasy could be. Williams took the basics of Tolkien, deconstructed the story and put it back together in his own image, one fit for modern times.” Kaszor also points out the influences that “Memory, Sorrow and Thorn” had on “Game of Thrones”. Meanwhile, Charlie Jane Anders of io9.com writes that “it’s great news that Williams is returning to the series that made his name”.
“The Witchwood Crown” is expected to be published in Spring 2016, and will be followed by Empire of Grass and The Navigator’s Children. The books will be illustrated by Michael Whelan, who painted the original covers of “Memory, Sorrow and Thorn”.